YD JOB ALERT: LEGO is looking to hire a Senior Designer!

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Not just a toy company anymore, Lego has expanded way beyond making plug-together blocks. Aside from their flourishing movie business (Guys go see The Lego Movie 2, it’s amazing), Lego has also worked to create blocks that support entire franchises and even themes like the Technic and Architecture series that demonstrate a ‘serious’ playfulness by not just being about the toy aspect of the Lego block, but also of technicality, aesthetics, and a good bit of engineering. Lego is truly the building block that’s age-agnostic. With the Duplo blocks being perfect for little children, to their more serious collectibles for all ages, Lego is universal, and universally loved. Lego is looking for a Senior Designer to join their Creative Play Lab team in Singapore.

THE OPPORTUNITY

Join the global LEGO family
Do you want to bring toy and play concepts to life? Do you have an entrepreneurial and inventor spirit?
Work in a small cross-functional team; take on a variety of projects, both short term and long term while linking with the broader group of creative designers/developers across our global network.

RESPONSIBILITIES

Concept Design
• Sketch and build new LEGO toys and play experiences from early idea to testable prototype

Prototyping
• Bring ideas to life via concept prototypes, mock-ups, and LEGO models.
• Emphasis on quick, iterative prototyping, and model development.

Research
• Consumer-focused product development – Regular participation in focus groups and ability to interpret findings for the teams and into appealing LEGO toys/experiences for the target consumer.
• Excellent knowledge of the Toy market.

Communication
• Strong communicator of concept ideas – both verbally and by sketch.
• Good ability to pitch/present concepts to colleagues across the organization

Play your part in our team succeeding
Creative Play Lab is the Front end concept arm of LEGO Product and Marketing Development. We are focused on the creation of radically new, big, and fun LEGO products/play experiences that delight and inspire the builders of tomorrow.

Creative Play Lab Singapore expands the global presence of LEGO product and marketing development. Our main hub is in Denmark with smaller hubs in Singapore, London and Los Angeles; we work together across these locations developing new LEGO products and play experiences. CPL Singapore will consist of a small cross-functional team with an entrepreneurial and inventive spirit. The focus of CPL Singapore will be in developing concepts derived from insights born out of the Asian markets

REQUIREMENTS

• Bachelor’s degree in fine arts for concept, product, interaction, industrial design, or related field.
• Skilled in use of relevant design software – Photoshop, Illustrator, Rhino (or equivalent Software)
• 3+ years experience within the toy, invention, product, or entertainment design industry.
• Robust portfolio outlining sketching, storytelling, ideation, brainstorming, and conceptual design skills
• Proven ability to work in an innovative, and entrepreneurial environment
• Minimum travel two times a year to LEGO HQ in Billund Denmark
• Potential multi-week onboarding in Denmark within the first few months of employment.

HOW TO APPLY

The LEGO® Group recruits and develops people entirely on merit. If you are confident you have what it takes to succeed in this role – and you share our commitment to creativity, collaboration, and quality – use the CLICK HERE TO APPLY button. *Please remember to include a link to your portfolio in your CV / attach your portfolio in your application.

LOCATION

Singapore, Singapore.

CLICK HERE TO APPLY

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Red Dot Design Has A Swanky New Address In Singapore

It’s the new year and we have exactly 365 new opportunities to make it the best year for us. One of these opportunities that you can have as a designer, is to showcase your talent by winning a Red Dot Award: Design Concept. We have spoken to Ken Koo on multiple occasions, however this time around, we learned a lot about how changes (of location) and transitions (of the museum) have helped Red Dot evolve into a collaborative unit that has been. In fact, some of the points he speaks about reiterate how change should be embraced as it challenges us to do our best.

The glorious new location of the Red Dot Museum, right at the Marina Bay, was it just the moving of a building or was there any change in the way they are looking at things.

Ken Koo – there is a multi-level change that we have had to embrace. There is a location change along with the physical manifestation of the museum and mindset change.

Today, there cannot be a better location than this in Singapore. An empowering place that has led to many new collaboration and partnerships. For example, we have collaborated with designers on uniform, installation, architecture and lighting of the museum.

Our mindset has changed because this new museum has raised the bar for us. The place has forced us to change our thinking and push our limits to do our best.

The museum has manifested into a modern new venue. Earlier we were in a heritage building, so there was little that we could do about the place and had to present everything to the best of limited space. But now, we have the liberty to put design first. This place was like a blank canvas and we could make architectural changes and present modern interiors.

We have more interweaving of space and the design exhibition. The only limitation we have now is budget. We have taken a modern and finished approach, akin to an Art Museum.

As a result, we have elevated our award winners as well.

If you put good design amongst a heap of things, it will not shine. Now we are presenting our award winners in a much more sophisticated manner, hence they are being represented to their full potential.

Every exhibit here gets better attention and presentation.

Back in the days, we did everything ourselves, however with this new address, we have the responsibility to integrate the design community into the museum. So, right from the architecture to the designer ceramic plates used in the café, they are all locally sourced and collaborations or partnerships forged with the design community of Singapore – the uniform by a local fashion designer, the VR by a multimedia company, we have collaborated as much as we can.

This kind of mindset will help us grow, for example collaborating for an installation at the façade. If we don’t do such collaborations, we will be under utilizing the potential of this modern museum.

Are you going to limit to local designers or open up to international designers?

Ken – we will always be international as we are Red Dot. However, collaboration is not easy, there is a lot of chemistry that is involved. A lot of synergy is required and we have to see what the designers want to do and what the museum wants. Our goals have to be aligned.

My endeavor will be to first work with our own Red Dot winners. Every year there is some interesting installation that wins an award, so I would like to collaborate in that. With fashion, lighting and other avenues will be easier to work with international designers.

Can we expect anything new for 2018?

Ken – every year we look at major trends, and lately methods of manufacturing is in the news. For example, the area of 3D printing; people ask me if we can start a category like this, however it’s like asking can we have injection molding as a category. Likewise, for Kickstarter or crowdfunding, these are platforms so they cannot become categories. These are financing platforms and not design categories.

Over the years there is a lot of development in bionics, so we have interesting submissions in this section. I hope to see good work in this area.

There is an increase in design companies winning awards in the concept design space, how is this affecting universities?

Ken – last year there was 23% entries by companies and this year 27% and they won 38% of the awards. This is good for designers because companies raise the benchmark. Professional teams and Independent designers are competing and this builds mutual respect for each other.

Does this not put pressure on universities as most concept designs come from there.

Ken – From my experience it is the power of the platform that we provide, whether you are a student or a teacher or a big corporate – a good idea is a good idea, and that is what we all value. The day I started Concept Design it was very clear for me, that it doesn’t matter if you are a veteran or a newbie; it’s what you put on the table. Even when we do judging, you could have a big company’s idea placed next to a student concept. Only the more powerful idea will win the accolade. We do not reveal the designer details, so jury has no idea who they are judging.

This is why a lot of students want to compete, because of the platform and recognition we provide.

Now that you have moved to the new museum, why should a tourist come to the Red Dot Museum?

Ken – everybody benefits from better living and design is about enjoying life better. By coming here, it opens your eyes to what new design is all about and you can bring it home with you – if you buy something from the shop. You can enjoy the café where the food is crafted specially for the museum and is about award-winning designs. Hang out with friends. You will enjoy it here.

Tell us more about the café.

Ken – the café is important. With the exhibition you learn, with the shop you buy and bring design to your home. With the café you can consume and enjoy design on the spot. Drink from the award-winning Bodum Glass and have coffee or tea. We are visually stimulating you with food that looks very unique. I have worked with the team and helped set up the design for food. The square meals are specifically designed as signature dishes. We have created a form and play with the many layers. Food Anatomy are the people behind it.

The next time you are in Singapore, you should make a trip to the Red Dot Museum located at the Marina Bay waterfront. The museum also hosts a dedicated market called MAAD and there will be 72 events this year. The only criteria for participation is that your design should be original as the market curates it. It typically should get about 10,000 visitors for each show, so participate or visit it.

Red Dot Award: Design Concept Early discount submission period 2 Jan – 31 Jan 2018

Red Dot Design Museum Singapore is presented with the help of Singapore designers in the following:

Red Dot Design Concept Exhibition: curatorial and presentation by Gustavo Maggio and Wendy Chua of Forest&Whale.

Front of house crew vests: outfitted by Max Tan and Yuan Zhiying of MAX.TAN.

Design cafe’s ceramic tableware: handcrafted by Ivan Lee of Modular Unit.

Architecture works: provided by Lee May Anne of MAKK.

 

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