Engadget has tested out a ton of speakers over the years and now Black Friday sales are making many of our favorites much more affordable. It’s perfect timing too: Bluetooth speakers make great gifts for anyone who likes music, and a new smart speaker in your home may help tame the chaos of the holidays by letting you set timers and reminders while playing a chill mix to calm you. We found deals on Bluetooth speakers from Bose and JBL, smart speakers from Amazon and Sonos, and soundbars from Sony — some are even down to their lowest prices ever.
This article originally appeared on Engadget at https://www.engadget.com/the-best-black-friday-speaker-deals-from-bose-jbl-sonos-and-more-140033359.html?src=rss
One of JBL’s best-sounding portable speakers is on sale via Amazon, with the Charge 5 matching a record low price of $120 in an early Black Friday deal. This Bluetooth speaker usually costs $180, so this represents a discount of 33 percent. We’ve seen this speaker go on sale before, but the price hasn’t been this low since July.
This sale is not just for the plain-jane black speaker, as you have your pick of colors, from gray, red and turquoise to unique patterns like camouflage. All told, choose from six colorways for the speaker.
JBL’s Charge 5 made our list of the best portable bluetooth speakers, and with good reason. The sound quality is great and we praised its “bright output and capable low end.” The battery lasts up to 20 hours per charge, which is a decent metric, and the whole thing is actually waterproof, with an IP67 rating. This means that if it accidentally falls in the pool during a backyard soiree, you won’t have to head immediately to Best Buy for a replacement.
There’s also a built-in powerbank that lets you use the speaker to charge other devices, and this unit boasts access to JBL’s proprietary PartyBoost feature. This lets you combine multiple wireless speakers to instantly create a stereo setup. As a matter of fact, the only potential downside to this portable speaker is the original asking price, as $180 is pretty steep. For today, at least, that issue has been solved.
JBL also has a number of wireless earbuds and headphones on sale right now, to complete the personal audio package. You can snag the company’s new high-end Quantum 910 headphones for $230, a savings of $70, or the budget-friendly Tune 230NC earbuds for $50 instead of $100.
This article originally appeared on Engadget at https://www.engadget.com/jbls-charge-5-speaker-drops-to-a-record-low-in-an-early-black-friday-deal-152651436.html?src=rss
There are a few things you can bank on when it comes to Bose headphones. The first is powerful and effective active noise cancellation (ANC) that’s been the best in the industry for years. You can also reliably expect that the company’s new set of cans will be comfortable over the course of a long flight or extended work session. Bose continues to check both boxes with the QuietComfort Ultra Headphones ($429), but the marquee feature here is the company’s unique take on spatial audio. However, more immersive sound and a refreshed design, along with everything else the company is known for, comes at a higher price.
Design
After debuting a refreshed design on the Bose 700 headphones in 2019, the company returned to its old aesthetic on subsequent models. With the QuietComfort Ultra Headphones, Bose did a mix of the two, but it mostly stuck to the traditional look of the QC line. The outside of the ear cups are where the blend of the 700 and previous QuietComfort models is most apparent. They have a similar shape to those on the 2021 QC 45s, but the physical buttons are almost entirely gone, more like the 700s.
Bose removed the three-button setup for playback and volume, instead assigning play/pause, skipping tracks and changing audio modes to a single multi-function control. Just below it on the right ear cup, the Bluetooth pairing button also handles power. The company moved the on-board volume adjustment to a touch-sensitive strip that you can glide your finger across to raise or lower the level. Bose also allows you to assign a shortcut to the volume slider that’s activated by long pressing on it. Even though it’s touch-based, the slider reliably recognized my thumb swipes.
Another notable design change is the headband and hinge. Bose gave these a refined look by using metal instead of relying entirely on plastic. The hinge is better integrated in the headband so there are no visible screws until you fold the ear cups in. Those ear cups can also rotate flat, consistent with previous models over the years. Even with all the changes, Bose managed to keep things extremely comfortable during long listening sessions. Both the earpads and the inside of the headband are soft and cushiony, and I didn’t notice the extra weight.
Software and features
Photo by Billy Steele/Engadget
All the settings are found inside the Bose Music app. Once connected, the software serves up battery life and a volume slider right up top, with quick access to audio modes, Bluetooth connections, EQ, Immersive Audio, shortcut customization and tips underneath. The app also has a media player that mirrors whatever you’re playing elsewhere, so you don’t have to leave to control tunes when you’re tweaking headphone settings.
For audio modes, Bose gives you three by default: Quiet, Aware and Immersion. The first is just active noise cancellation, while the second is full transparency. Immersion is both maximum ANC and Immersive Audio. Bose also offers the ability to create your own modes with an adjustable noise canceling, the option of wind block and Immersive Audio. Once you create a new mode, favoriting it will make it accessible via the QuietComfort Ultra Headphones’ on-board controls.
For Immersive Audio, there are three options to choose from. You can disable it entirely for the stock Bose tuning, and to save battery life, or you can opt for Still or Motion settings. The former keeps the audio at a fixed point and it is best for when you’re sitting. The latter allows the audio to follow you as you move around, using head tracking to keep the sound in front of you at all times.
In order to use that long press on the volume slider shortcut, you first have to enable it in the Bose app. From there, you can assign a handful of actions to the gesture. These include hearing the battery level, cycling through the Immersive Audio presets, accessing a voice assistant or playing content from Spotify. If none of those seem particularly helpful, you can always leave it turned off.
Sound quality and Immersive Audio
Photo by Billy Steele/Engadget
While the headline feature is Immersive Audio, Bose has also improved its stock tuning on the QuietComfort Ultra Headphones. Before I even activated spatial audio, I could tell the sound was considerably warmer and clearer, with more bass right out of the box. Overall sound quality is one area Bose lagged slightly behind the likes of Sony and Sennheiser, but the company is certainly catching up.
Bose’s take on spatial audio doesn’t rely on specialized content like Dolby Atmos in Apple Music or Sony 360 Reality Audio. Those formats have been engineered to specifically make the instruments sound like they’re playing around you. Bose uses a combination of headphone components and its newly developed signal processing for Immersive Audio. Thanks to virtualization, it works with any content and that makes it more convenient.
Like the dedicated spatial audio formats, the first thing you’ll notice is the sound is louder. Immersive Audio lends more overall presence to music, but there’s also heightened clarity and detail. Rather than surround you with sound, Bose claims to put you in the acoustic sweet spot, as if you were sitting in the perfect position in front of a set of high-end speakers. Indeed, the company achieves this as albums like TesseracT’s prog-metal War of Being have an atmospheric depth while preserving finer details – from the texture of the singer’s growl to subtle nuances in the drums.
At times, Bose’s spatial audio can make songs sound worse. On Tyler Childers’ “In Your Love,” the vocals are sharp and tinny, and the reverb is accentuated to the point it becomes a distraction from the rest of the music. And the vocals are now several notches louder than the instruments. When it hits, this audio tech is a joy to listen to, but because Bose is relying on signal processing rather than carefully engineered content, the results can vary greatly.
Another area Bose continues to improve is transparency mode. On the QuietComfort Ultra Headphones, the company offers noticeably clearer audio when piping in your surroundings and allowing you to hear your voice. It’s still not as good as what Apple manages on the AirPods Max (no one comes close really), but Bose is making strides. That certainly helps when you’re taking a call or need to be tuned into your environment.
Stellar noise canceling performance is nothing new on a set of Bose headphones. The company is consistently the best in terms of allowing you to block out the world and the same holds true with the QC Ultra Headphones. Constant rumbling from an air conditioner or white noise machine is reduced to barely a whisper. The headphones do a great job with TV sound and human voices too – even the lethal combination of a nine-year-old playing Fall Guys.
Call quality
Photo by Billy Steele/Engadget
Bose promises “amazingly clear calls” on the QC Ultra Headphones, a claim that’s on par with nearly every headphone company these days. While I wouldn’t describe the audio quality for calls that way, it’s suitable for everyday voice and video calls when you just need to hear and be heard. It doesn’t sound like you’re on speakerphone, but it’s not pristine either. That’s better than what a lot of the competition offers and near the best you’ll get on wireless headphones.
Battery life
Bose says you can expect up to 24 hours of use with ANC turned on. If you opt for both noise cancellation and Immersive Audio, that figure drops to 18 hours. However, during my tests using the latter option, both the Bose app and macOS were showing 30 percent remaining after 20 hours. So while it’s true that the company’s new spatial audio impacts battery life, the QC Ultra Headphones still surpass the stated numbers.
To help you conserve battery, the QC Ultra Headphones will automatically turn off when they aren’t being worn and no audio is playing for 10 minutes. There’s also a quick-charge feature that gives you two and a half hours of use in 15 minutes. That’s with ANC on and Immersive Audio off though. If you need spatial audio during this time, Bose says you can expect 30 minutes less battery life after the fast top off.
The competition
While Bose has done a lot to catch up, it still doesn’t offer the suite of features that Sony does on the WH-1000XM5. No company does and that’s why the M5 is consistently at the top of our best wireless headphones list. The QuietComfort Ultra Headphones do offer more effective noise cancellation, but there’s nothing akin to Sony’s Speak-to-Chat automatic pausing or the ability to change audio modes based on your activity or location. The M5 also supports Sony’s DSEE Extreme that uses AI to upscale compressed audio and increase depth and clarity. The results are far more consistent than Bose’s Immersive Audio.
Wrap-up
With the QuietComfort Ultra Headphones, Bose remains near the top of the headphone heap. While Immersive Audio is great at times, the results are inconsistent and can be downright bad with some albums and songs. Still, the default tuning is improved and puts these headphones closer to the level of Sony and Sennheiser sonically, mostly due to added bass, increased clarity and enhanced warmth. Bose needed to nail its new trademark feature to help justify the higher price, but it failed to do so. The QuietComfort Ultra Headphones showcase a number of improvements over previous Bose models, but they’re not good enough to dethrone the king.
This article originally appeared on Engadget at https://www.engadget.com/bose-quietcomfort-ultra-headphones-review-a-new-spin-on-a-reliable-formula-160009025.html?src=rss
There are a few things you can bank on when it comes to Bose headphones. The first is powerful and effective active noise cancellation (ANC) that’s been the best in the industry for years. You can also reliably expect that the company’s new set of cans will be comfortable over the course of a long flight or extended work session. Bose continues to check both boxes with the QuietComfort Ultra Headphones ($429), but the marquee feature here is the company’s unique take on spatial audio. However, more immersive sound and a refreshed design, along with everything else the company is known for, comes at a higher price.
Design
After debuting a refreshed design on the Bose 700 headphones in 2019, the company returned to its old aesthetic on subsequent models. With the QuietComfort Ultra Headphones, Bose did a mix of the two, but it mostly stuck to the traditional look of the QC line. The outside of the ear cups are where the blend of the 700 and previous QuietComfort models is most apparent. They have a similar shape to those on the 2021 QC 45s, but the physical buttons are almost entirely gone, more like the 700s.
Bose removed the three-button setup for playback and volume, instead assigning play/pause, skipping tracks and changing audio modes to a single multi-function control. Just below it on the right ear cup, the Bluetooth pairing button also handles power. The company moved the on-board volume adjustment to a touch-sensitive strip that you can glide your finger across to raise or lower the level. Bose also allows you to assign a shortcut to the volume slider that’s activated by long pressing on it. Even though it’s touch-based, the slider reliably recognized my thumb swipes.
Another notable design change is the headband and hinge. Bose gave these a refined look by using metal instead of relying entirely on plastic. The hinge is better integrated in the headband so there are no visible screws until you fold the ear cups in. Those ear cups can also rotate flat, consistent with previous models over the years. Even with all the changes, Bose managed to keep things extremely comfortable during long listening sessions. Both the earpads and the inside of the headband are soft and cushiony, and I didn’t notice the extra weight.
Software and features
Photo by Billy Steele/Engadget
All the settings are found inside the Bose Music app. Once connected, the software serves up battery life and a volume slider right up top, with quick access to audio modes, Bluetooth connections, EQ, Immersive Audio, shortcut customization and tips underneath. The app also has a media player that mirrors whatever you’re playing elsewhere, so you don’t have to leave to control tunes when you’re tweaking headphone settings.
For audio modes, Bose gives you three by default: Quiet, Aware and Immersion. The first is just active noise cancellation, while the second is full transparency. Immersion is both maximum ANC and Immersive Audio. Bose also offers the ability to create your own modes with an adjustable noise canceling, the option of wind block and Immersive Audio. Once you create a new mode, favoriting it will make it accessible via the QuietComfort Ultra Headphones’ on-board controls.
For Immersive Audio, there are three options to choose from. You can disable it entirely for the stock Bose tuning, and to save battery life, or you can opt for Still or Motion settings. The former keeps the audio at a fixed point and it is best for when you’re sitting. The latter allows the audio to follow you as you move around, using head tracking to keep the sound in front of you at all times.
In order to use that long press on the volume slider shortcut, you first have to enable it in the Bose app. From there, you can assign a handful of actions to the gesture. These include hearing the battery level, cycling through the Immersive Audio presets, accessing a voice assistant or playing content from Spotify. If none of those seem particularly helpful, you can always leave it turned off.
Sound quality and Immersive Audio
Photo by Billy Steele/Engadget
While the headline feature is Immersive Audio, Bose has also improved its stock tuning on the QuietComfort Ultra Headphones. Before I even activated spatial audio, I could tell the sound was considerably warmer and clearer, with more bass right out of the box. Overall sound quality is one area Bose lagged slightly behind the likes of Sony and Sennheiser, but the company is certainly catching up.
Bose’s take on spatial audio doesn’t rely on specialized content like Dolby Atmos in Apple Music or Sony 360 Reality Audio. Those formats have been engineered to specifically make the instruments sound like they’re playing around you. Bose uses a combination of headphone components and its newly developed signal processing for Immersive Audio. Thanks to virtualization, it works with any content and that makes it more convenient.
Like the dedicated spatial audio formats, the first thing you’ll notice is the sound is louder. Immersive Audio lends more overall presence to music, but there’s also heightened clarity and detail. Rather than surround you with sound, Bose claims to put you in the acoustic sweet spot, as if you were sitting in the perfect position in front of a set of high-end speakers. Indeed, the company achieves this as albums like TesseracT’s prog-metal War of Being have an atmospheric depth while preserving finer details – from the texture of the singer’s growl to subtle nuances in the drums.
At times, Bose’s spatial audio can make songs sound worse. On Tyler Childers’ “In Your Love,” the vocals are sharp and tinny, and the reverb is accentuated to the point it becomes a distraction from the rest of the music. And the vocals are now several notches louder than the instruments. When it hits, this audio tech is a joy to listen to, but because Bose is relying on signal processing rather than carefully engineered content, the results can vary greatly.
Another area Bose continues to improve is transparency mode. On the QuietComfort Ultra Headphones, the company offers noticeably clearer audio when piping in your surroundings and allowing you to hear your voice. It’s still not as good as what Apple manages on the AirPods Max (no one comes close really), but Bose is making strides. That certainly helps when you’re taking a call or need to be tuned into your environment.
Stellar noise canceling performance is nothing new on a set of Bose headphones. The company is consistently the best in terms of allowing you to block out the world and the same holds true with the QC Ultra Headphones. Constant rumbling from an air conditioner or white noise machine is reduced to barely a whisper. The headphones do a great job with TV sound and human voices too – even the lethal combination of a nine-year-old playing Fall Guys.
Call quality
Photo by Billy Steele/Engadget
Bose promises “amazingly clear calls” on the QC Ultra Headphones, a claim that’s on par with nearly every headphone company these days. While I wouldn’t describe the audio quality for calls that way, it’s suitable for everyday voice and video calls when you just need to hear and be heard. It doesn’t sound like you’re on speakerphone, but it’s not pristine either. That’s better than what a lot of the competition offers and near the best you’ll get on wireless headphones.
Battery life
Bose says you can expect up to 24 hours of use with ANC turned on. If you opt for both noise cancellation and Immersive Audio, that figure drops to 18 hours. However, during my tests using the latter option, both the Bose app and macOS were showing 30 percent remaining after 20 hours. So while it’s true that the company’s new spatial audio impacts battery life, the QC Ultra Headphones still surpass the stated numbers.
To help you conserve battery, the QC Ultra Headphones will automatically turn off when they aren’t being worn and no audio is playing for 10 minutes. There’s also a quick-charge feature that gives you two and a half hours of use in 15 minutes. That’s with ANC on and Immersive Audio off though. If you need spatial audio during this time, Bose says you can expect 30 minutes less battery life after the fast top off.
The competition
While Bose has done a lot to catch up, it still doesn’t offer the suite of features that Sony does on the WH-1000XM5. No company does and that’s why the M5 is consistently at the top of our best wireless headphones list. The QuietComfort Ultra Headphones do offer more effective noise cancellation, but there’s nothing akin to Sony’s Speak-to-Chat automatic pausing or the ability to change audio modes based on your activity or location. The M5 also supports Sony’s DSEE Extreme that uses AI to upscale compressed audio and increase depth and clarity. The results are far more consistent than Bose’s Immersive Audio.
Wrap-up
With the QuietComfort Ultra Headphones, Bose remains near the top of the headphone heap. While Immersive Audio is great at times, the results are inconsistent and can be downright bad with some albums and songs. Still, the default tuning is improved and puts these headphones closer to the level of Sony and Sennheiser sonically, mostly due to added bass, increased clarity and enhanced warmth. Bose needed to nail its new trademark feature to help justify the higher price, but it failed to do so. The QuietComfort Ultra Headphones showcase a number of improvements over previous Bose models, but they’re not good enough to dethrone the king.
This article originally appeared on Engadget at https://www.engadget.com/bose-quietcomfort-ultra-headphones-review-a-new-spin-on-a-reliable-formula-160009025.html?src=rss
AIAIAI, which is best known for its headphones, is moving into new territory with a set of wireless speakers. The Unit-4 Wireless+ studio monitors use the same low-latency tech as the Danish brand's headphones. AIAIAI suggests that they will enable folks "to create and mix music with accurate sound representation and powerful performance" wherever they might happen to be.
That suggests the speakers will be useful for those who like to make music while they're on the road, but would rather have studio monitors than headphones despite the extra bulk. (Even though they weigh a relatively paltry 2.5kg, the speakers will be more cumbersome than carrying around a set of cans.). The speakers may also be useful for garden DJ sets or any other environment in which latency is key and wired options are impractical. They will run you $800 for a pair.
These monitors employ W+ Link wireless technology, which requires the use of an X02 transmitter (you can also use Bluetooth 5.2 or a cable to connect them to an audio source). AIAIAI says they have 16ms of latency via W+ Link and deliver uncompressed audio. The system employs dual antennas and higher bandwidth than Bluetooth can handle in an effort to maintain a robust connection. The batteries will run for up to 20 hours on a single charge, the brand claims, and it will take two hours to fully recharge them.
AIAIAI
AIAIAI says these speakers offer reference monitor sound. You'll be snapping up a two-way active monitor that features a four-inch high-excursion woofer and one-inch silk-dome tweeter. Thanks to a bass vent (which can also be used as a carrying handle) and tuned boosting EQ, the monitors will deliver "a clean bass extension down to 40Hz," AIAIAI claims. Since they employ a stage monitor design, you can angle the speakers horizontally to optimize the audio for your surroundings.
Using the AIAIAI Unit-4 app, you'll be able to further align the sound field with the environment you're working in. There's a customizable five-band EQ and five presets. You can use the app to adjust the brightness of the LED ring too.
Meanwhile, AIAIAI has designed the Unit-4 speakers with sustainability in mind. The main plastic components are made with 100 percent post-consumer recycled plastic. The monitors have a glue-free design, so it should be easy to replace components such as the battery or speaker drivers when necessary. You'll be able to upgrade parts as well. On top of that, the Unit-4 is designed to be completely recyclable.
This article originally appeared on Engadget at https://www.engadget.com/aiaiai-unveils-portable-wireless-studio-monitors-with-low-latency-tech-150102242.html?src=rss
At some point over the years there’s been a shift in what PC speakers look like. Many of you may remember plugging in a pair of small, often beige, units into the back of your PC (where the PCI sound card was) and pretending to enjoy the results. Over the years, built-in audio interfaces improved and external ones found their way to a more convenient location on our desks. This, in turn, led to a trend of bigger, creator-friendly, shelf-style speakers. But the rise of the home office has led to a renewed focus on streamlined workspaces, making compact speakers more appealing again.
Enter Drop, a company best known for mechanical keyboards and audiophile gear. With the announcement of its BMR1 desktop speakers, the company is hoping to re-invigorate the dedicated PC speakers category. At first glance, the BMR1 looks like it has more in common with the Logitech or Creative speakers of yore (they still make them, I know), but with the promise of the audio oomph usually reserved for larger “monitor” style speakers.
Given Drop’s credentials as a destination for audio enthusiasts, the company was unlikely to put together something you might find in the PC accessories section at Best Buy. Unsurprisingly, the BMR1 isn’t as cheap as those big box store options, either. At $129 they’re at the upper end of what more mainstream alternatives tend to cost.
Photo by James Trew / Engadget
That $129 gets you a pair of 15W Balanced Mode Radiation (BMR) speakers with either 3.5mm or Bluetooth input. That’s a respectable amount of audio power for this size. There’s no USB here, though, as there’s no built-in interface; you’ll either use your PC’s headphone port or the outputs on a dedicated audio interface. As is the norm with this type of speaker, one is the “active” unit with the in/outputs and you simply connect the other with a (proprietary) cable for the left channel audio. Though I will say the included cable is a little on the short side and currently there’s no alternative.
Physically, the BMR1 is a minimalist affair. There are no dials for power, volume or EQ and the inputs and outputs are all hidden around the back. This will be an annoyance for those who prefer physical controls, especially if you have no alternative (such as a keyboard with a rotary or a programmable mouse). The housing is made of plastic and doesn't give the BMR1 a premium feel, which is in contrast to the company’s keyboards. The stands are also plastic which makes the speakers feel light and prone to moving about if a cable tugs on them, for example.
On front of the speakers are two drivers: a full-range BMR driver along with a passive radiator. One nice touch is that the BMR1s can be mounted either horizontally or vertically, which makes them suitable for a variety of different setups, be that for your own aesthetic preference or out of necessity. The right side speaker has the BMR1’s lone button along the bottom edge for switching between 3.5mm, bluetooth and headphone modes.
Headphone mode might sound counterintuitive to have on a set of… speakers, but it’s a practical tool that passes through the audio from your PC to headphones without having to unplug the BMR1, which, depending on your setup, could be occupying the only output port on your PC. It’ll even work with microphones on compatible (TRRS/4-pole) headsets so you can take work calls without having to remove the speakers to free up that headset jack.
Photo by James Trew / Engadget
That’s a neat quality-of-life feature, but the main focus here is obviously those BMR drivers. In terms of volume, the 15W speakers are likely capable for most small to medium sized offices. My home office is somewhere north of 150 square feet and the BMR1 amply fills the space. They’re described as “near field” monitors — i.e., specifically designed for close proximity, but they are able to fill this room with sound without much struggle.
As for the quality of that sound, that’s a little more complicated. The BMR1s appear to perform best when their volume is set somewhere between 40 and 70 percent of the maximum. Above that, things start to sound a little strained, which isn’t unusual — especially for speakers this size. At the lower end, from mute to around 30 percent, the speakers are great with spoken word — ideal for podcasts, video viewing and voice calls. But at these lower volumes, music feels a little too muddled to my ears. It’s fine for having something on in the background, but it’s a slightly dense listening experience.
Nudge the volume up a bit, and things improve. Just north of the middle section of the volume curve is where the BMR1s do their best work. There’s still a slight lack on the low frequencies, meaning bass forward music can sometimes feel dried out. If you’re listening to rock, country, classical or any other genre where the action is more in the mid-frequencies, you can have a good time with the BMR1s, but if Hip-Hop or Drum & Bass are more your thing, then you might find yourself wanting at any volume.
The listening experience improves if you can have the speakers nearer to you. There’s definitely a sweet spot at around 18 inches away. When the speakers were about two feet away from me on my desk, Metallica’s Enter Sandman sounded fine, but a little thin on the low end, thus leaving the song’s splashy hi-hats and James Hetfield’s voice feeling a little over represented. If I leaned in a little, the rhythmic bassline and kick drums were notably more apparent.
Even with great placement, the sound from the BMR1 never quite felt as robust as I wanted it to be. I know these are PC speakers, but Drop’s pitch is that these are “ideal for movies and music” — specifically for the desktop. And while they do an acceptable job most of the time, there are definitely occasions where I notice they’re lacking, and more so than I was expecting.
Photo by James Trew / Engadget
It was a little surprising to learn that the BMR1 only supports SBC and AAC Bluetooth codecs. Obviously, with a focus on PCs, the inclusion of AptX or LDAC might feel a little superfluous, but the Bluetooth functionality, to me, is more about making them compatible with your phone, too (rather than another input mode from a PC). As such, support for higher-quality codecs, even just regular ol’ AptX, feels like a bit of a miss here.
The BMR1 ships as a 2.0 (stereo) system, but it can also be used as a 2.1 with an external subwoofer. There’s a switch around the back that will shelf off the bass on the main speaker to balance things out, and this would certainly resolve the issue with weaker low frequencies. Alas, I don’t have a compatible sub, but some reports online indicate that the whole sound does present much more robustly in this configuration. The bigger issue there being that this requires another separate spend, probably another thing to plug in and takes away from one of the BMR1’s primary appeals: a simple, compact setup.
This is something of a theme with the BMR1s: they slightly miss on some key areas. In certain optimal conditions, they’re really quite enjoyable. But that sweet spot is limited and not what you expect either from the brand or for the price. Some of the practical complaints like material choices, the proprietary cable and lack of physical controls feel like obvious misses. The sound profile is enjoyable but the bass is sometimes a bit lacking for certain styles of music. The price point isn’t egregious, but a shade over where it should be. And so on.
Making the BMR2 feels like a task Drop won’t need much assistance with. Most of the pre-order reviews on its own website list off similar minor annoyances. There was a lot to look forward to here, and the final product doesn’t land too far from its promises, but it does fall short enough that more demanding users — which are kinda Drop’s whole thing — could feel slightly underwhelmed.
This article originally appeared on Engadget at https://www.engadget.com/drops-bmr1-pc-speakers-review-133039117.html?src=rss
When Sonos released its first portable speaker, the Move, four years ago, it was an anomaly. Previously, the company had looked down on Bluetooth as low-quality and unreliable, and all of the speakers it sold required a power outlet. The Move, on the other hand, used Bluetooth or Wi-Fi and had a 10-hour battery.
In 2023, these tricks have proliferated across the Sonos lineup. The more affordable Roam speaker brought the Move’s feature set to a much smaller device, while recent home speakers like the Era 100 and 300 both support Bluetooth, as well. As such, the recently-announced Move 2 doesn’t suggest a new direction for future Sonos products — it simply brings the company’s latest tech and design cues to an existing product.
And, as usual, it’s more expensive — at $449, it’s the same price as the Era 300, which is capable of spatial audio playback. It’s also more expensive than buying an Era 100 and a Roam. Given how Sonos has changed since the original Move, I’ve been trying to figure out what place — if any — the Move 2 has in the company’s lineup.
What hasn’t changed
At first glance, the Move 2 looks nearly identical to its predecessor. It’s a chunky and rather heavy speaker, weighing just over 6.5 pounds, and it’s noticeably bigger than the Era 100. That said, it’s identical in size and weight to the original Move, despite having redesigned internals. Given the speaker’s size and weight, I still see its potential use cases the same as four years ago: you can lug it around the house with the built-in handle and get loud, quality sound anywhere, or bring it outside to power a party in the backyard. But it’s clearly not a speaker you’ll take with you anywhere, like the tiny Roam, which you can tuck in a bag and mostly forget about.
As before, and like all other Sonos speakers, the Move 2 can stream audio over your Wi-Fi network from dozens of services through the Sonos app. If you have other speakers, you can stream the same music to all of them at once, or play different things on each. If you have two Move 2 speakers, you can set up a stereo pair. And for when there’s no Wi-Fi, the Move 2 has Bluetooth.
The Move 2 also has built-in microphones so you can command the speaker with either Alexa or Sonos’ own voice assistant. These also let the speaker automatically tune audio output to optimize sound quality. This auto Trueplay feature first arrived on the Move four years ago and is now available on many of the company’s products. In my experience, it definitely improves the speaker’s output, so I always turn it on. It’s particularly useful on a portable speaker that is constantly used in different spots.
Finally, the Move 2 is built to withstand the elements; its IP56 rating means it is dust- and water-resistant. You can’t actually drop it into a body of water (unlike the smaller Roam, which can survive a dip in the pool), but it’s just fine getting hosed down. It can also withstand a wide temperature range — Sonos said the first Move worked between 14 degrees F and up to 131 degrees F (-10 to 55 Celsius) and confirmed that the Move 2 has the same weather resistance as the original. That’s not something most people will need to worry about, but the Move 2 should survive a night outside in the winter if you forget to bring it in.
Photo by Nathan Ingraham / Engadget
What’s new
While you’d be forgiven for mistaking the Move 2 for the original, there are some significant changes on the inside (and some subtle ones on the outside). The speaker’s top touch controls have been redesigned to match the layout Sonos introduced earlier this year with the Era 100 and 300. Flanking the play / pause button are track forward and back buttons. Previously, you had to double-tap the play button to skip songs, and this is definitely easier. The volume controls are now a slider, but you can also tap the left or right side of the volume area for little adjustments. Finally, there’s a button to mute the speaker’s microphones. And for extra security, there’s also a physical switch on the back of the speaker that cuts power to the mics entirely.
There’s also a USB-C port in the back that can be used for charging or, with the right dongle, as a line-in jack. I hooked the Move 2up to my turntable with no issues, same as I did with the Era 100 and 300. My slight annoyance at needing a dongle is more than tempered by having this option at all — a year ago, only the $550 Sonos Five speaker had line-in, and now it’s available on most of the music-focused speakers Sonos sells.
Nathan Ingraham / Engadget
Oh yeah, and the Move 2 comes in olive green in addition to black and white!
Ultimately, there are two big changes that define the Move 2: an improved battery and all new speaker components. Sonos says that the Move 2 should last for “up to 24 hours” — and it seemed to blow past that in my testing. I had the speaker playing music over Wi-Fi for 22 hours and 50 minutes when I went to bed, and the speaker still had a whopping 46 percent of its battery left. When I checked in again 10 hours later, the battery was depleted, so it died sometime between those check-ins. But it’s safe to say you should get the 24 hours Sonos promises and more. That’s more than double the old Move, and more than sufficient for a speaker like this. I’m still testing the Move’s battery and will try and be awake when it dies next time so I can get a better handle on just how long it lasts.
Sonos again included a charging “ring” that you can just place the Move 2 in to power it up. It’s an elegant solution that requires no fiddling with cables. At first, I considered that it might be good to have two of them around the house, but honestly the battery lasts so long that I didn’t find it necessary to set up two “home base” spots. And you can charge it via USB-C, too. It’s not as clean and aesthetically pleasing as using the charging ring, but useful in a pinch.
The new speaker components seem to be inspired by the Era 100. Like that speaker, there are two angled tweeters to provide a semblance of stereo sound, as well as one midwoofer. The original Move, on the other hand, had a single downward-firing tweeter and a midwoofer. Thanks to the two tweeters, the Move 2 is technically a stereo speaker — but as with the Era 100, it’s nothing like the stereo separation you get from a pair of speakers. The fact that there’s no left-right balance control in the app for the Move 2 indicates that there’s only so much true separation between the two channels here, a fact of life given how close together the two tweeters are.
My go-to track for testing these stereo capabilities is “Such Great Heights” by The Postal Service, and the ping-ponging electronic intro and hard-panned vocals that jump between the left and right channels still more or less sounded like they were coming from a single spot. There’s a little space between them, but it doesn’t sound all that different from playing the song through the mono Sonos One speaker.
That quibble aside, the two tweeters in the Move 2 provide improved clarity over the original. It’s a clear, well-balanced speaker that faithfully reproduces sound across all ranges of the spectrum. Bass is prominent but not overdone, and the high end is distinct and detailed, especially compared to the original Move, which could get muddier than I liked. The Move 2 replicated the intricate details in delicate albums like Daughter’s Stereo Mind Game and End, the latest from Explosions in the Sky, and dance floor tracks like Dua Lipa’s “Don’t Start Now” and Tove Lo’s “No One Dies From Love” had plenty of low end power.
It’s also a very loud speaker – inside the house, I never really needed to turn it above 50 percent, except when I simply wanted to hear what it could do. Going much above 70 percent gets downright startling. But as with the old Move, Sonos gave this speaker extra oomph for outdoor spaces where sound dissipates much easier.
The main issue with the Move 2 is that you still sacrifice sound quality for portability. The Move 2 costs $449, the same price as the Era 300. That speaker has four tweeters and two woofers and can play back audio in Dolby Atmos. The whole spatial audio experience can be hit-or-miss depending on the quality of the mix, but even without that, there’s no doubt in my mind that the Era 300 is a more capable speaker.
Nathan Ingraham / Engadget
Another way you could spend that $449 would be to get an Era 100 ($249) and Roam ($179). That gets you an indoor speaker that sounds just as good as the Move 2 plus a portable speaker that’s much smaller and easier to take with you. To be clear, the Move 2 is far more powerful than the Roam, with better sound quality and the volume to fill a large outdoor space. The Roam, on the other hand, is for portable, personal use. It comes down to what you think you’ll need more: portability or power.
Despite my feelings that the Move 2 is somewhat of a niche device, a quick look at the market shows there are plenty of competing products with similar price points and features. Speakers like the JBL Boombox 3, Ultimate Ears Hyperboom and Bose Portable Smart Speaker all offer similar feature sets to the Move 2, and the Move 2’s vastly improved battery life means it should fare better than the earlier device in these comparisons.
Photo by Nathan Ingraham / Engadget
Wrap up
Due to its price and size, the Move 2 isn’t the ideal portable speaker for everyone. But that’s OK, because it does succeed as a speaker that you can rely on for high-quality and seriously loud audio. It’s well-suited to being your main speaker inside the house as well as something you can take to the porch or backyard to power a party. And while it won’t comfortably slip into a backpack, it should make a good road trip companion. I could definitely see tossing it in the car and bringing it on my summer vacation with me.
The battery and speaker upgrades make it a worthy improvement over its predecessor, as well, though I am disappointed to see Sonos raise the price yet again on one of its products. But if you’re looking for one speaker that can cover as many bases as possible, the Move 2 fits the bill — and it’ll be that much more useful if you have other Sonos products to pair it with.
This article originally appeared on Engadget at https://www.engadget.com/sonos-move-2-review-better-sound-and-battery-life-comes-at-a-cost-130015983.html?src=rss
Thanks to an August leak, Bose's new lineup of QuietComfort headphones aren't exactly a surprise — at least in terms of their appearance. However, the key feature of the headphones and earbuds wasn't tipped until now. Today, the company officially announced the QuietComfort Ultra Headphones and the QuietComfort Ultra Earbuds, both of which pack in Bose's stellar active noise cancellation (ANC) but also feature the addition of the company's new Immersive Audio.
Bose says Immersive Audio makes spatial sound "accessible to all." That's because the company's take on the listening format doesn't require specialized content. The QC Ultra devices rely on virtualization and can work with any streaming service to put you in the "acoustic sweet spot,' using a combination of onboard components and new digital signal processing. Immersive Audio has two modes, Still and Motion, that are designed for use when you're sitting or moving. Motion utilizes head tracking to keep the sound in front of you at all times. And of course, you can opt to turn Immersive Audio off completely for just the stock Bose sound.
In a brief demo with the spatial audio tech on the QC Ultra Headphones, I was impressed with what Bose is able to do without dedicated immersive content. I experienced both Still and Motion modes in a tightly controlled demo with a live band and with a small selection of songs on a connected phone. There is a big difference in Immersive Audio and the standard Bose tuning and I'll bet most people will keep it active during movies and music. Sometimes you don't notice a major improvement with spatial sound, but with Bose's tech, everything was more dimensional and punchier with more clarity and detail. What's more, the company's robust ANC is as effective as ever, silencing simulated street noise without me ever noticing it.
The company is debuting a new design on the QC Ultra Headphones, one that has elements of both previous QuietComfort models and the Bose Noise Cancelling Headphones 700. The biggest change is to the headband where the company has replaced some of the placed with metal for a more premium look. This addresses a key criticism we've had of Bose products in the past, but it does so without adding unnecessary heft that sacrifices comfort.
Another big change is the new volume control. In the past, Bose opted for physical buttons, but here there's a capacitive touch strip that you swipe to adjust volume levels. It's right on the edge of the earcup, easily accessible with your thumb. There's still a physical multi-function button for playback control, changing listening modes and answering calls. The 3.5mm audio jack remains for wired listening and the QC Ultra Headphones charge via USB-C (there's no audio over USB-C though).
That new Immersive Audio tech does impact battery life. Bose says you can expect up 18 hours of use with it and ANC active. If you disable it, that figure jumps to 24 hours — still with active noise cancellation turned on. The company also says you can expect upgrades to call quality as the QC Ultra Headphones can pick out your voice from 360 degrees of ambient noise. The mics also help with improved ANC overall, as well as Aware Mode with ActiveSense for tuning into your surroundings.
When it comes to the QuietComfort Ultra Earbuds, Immersive Audio is once again the headline feature. However, Bose says it also improved call quality with dynamic microphone mixing and adaptive filters. The company explains that the setup works in real time to prioritize which earbud is getting the least wind noise while also selecting from a number of noise filters to keep you sounding your best.
The design of the QC Ultra Earbuds has also been slightly refreshed, with a dash of silver on the outside touch panel. Bose also redesigned the stability band (or fit wing) to wrap around the underside of each earbud. That component also locks in place now, so you'll know they're properly installed. Once again, Immersive Audio affects battery life as the QC Ultra Earbuds will last up to four hours with it on. The company says you can expect two more hours of use with that spatial sound disabled. Bose will also offer an optional wireless charging case cover with these new earbuds, but it will cost you can extra $49.
Bose is also replacing the QuietComfort 45 headphones with new QuietComfort Headphones. Here, you get that classic QC design, Bose's powerful ANC, up to 24 hours of battery life and Bluetooth multi-point connectivity. These headphones, as well as both Ultra models, support Bose SimpleSync that allows you to pair them with select soundbars and speakers "for a personal listening experience."
All three new models are available for pre-order today. The QuietComfort Ultra Headphones are $429 and the QuietComort Ultra Earbuds are $299. Both will ship in early October. The QuietComfort Headphones will be available on September 21 for $349.
This article originally appeared on Engadget at https://www.engadget.com/bose-debuts-quietcomfort-ultra-headphones-and-earbuds-with-spatial-audio-183032611.html?src=rss
It's been almost exactly four years since Sonos first introduced the Move, the company's first portable speaker. The Move was a solid speaker when it was first introduced, but in the years that have passed, things like its lower-than-average battery life have made it harder to recommend. But even with the summer quickly fading, Sonos has a new portable speaker for powering autumn days outside, the Move 2. On the surface, the Move offers the same formula as the original. It's a relatively large, loud speaker that you can lug around with you; it's also quite durable, able to withstand drops, bumps, extreme temperatures, rain and snow.
But unsurprisingly, Sonos has taken some inspiration from the recent Era 100 and Era 300 speakers here for some improvements. The new top panel touch controls are the same as you'll find on those speakers. There's a volume slider as well as dedicated forward and back buttons. It also has a USB-C line-in jack, so you can connect the Move 2 to a turntable or other audio equipment.
Perhaps most importantly, its internal speaker design is similar to that of the Era 100, with two angled tweeters providing stereo sound, unlike the mono, single-tweeter design of the original Move. In my testing of the Era 100, I didn't find that the two tweeters really give you a stereo experience like you'll get with multiple speakers, but it's still a definite improvement.
Sonos
The other most significant change is that Sonos has more than doubled the quoted battery life on the Move 2, from about 11 hours to more than 24 hours. That's a huge jump and should be enough to silence those who were unhappy with the original Move's rather pedestrian longevity.
Oh, and there's a new color this time, olive green. I wish that it also came in the lovely blue and orange shades you can get the smaller Sonos Roam in, but alas.
Like the original Move, this new speaker supports audio over Bluetooth as well as Wi-Fi for when you're away from your network. It's also a quick way to let friends play music over the speaker, and there's a Bluetooth sharing feature that pipes audio the Move receives over Bluetooth to the rest of your Sonos speakers. Of course, you can also group and share audio across other Sonos devices using the traditional multi-room audio controls, as well.
The Move 2 has microphones built in for automatic speaker tuning using the company's Trueplay software — this adjusts the sound quality based on where you place the speaker. The microphones also work with the Sonos voice assistant as well as Amazon Alexa, and there's a physical mute switch on the back that disconnects power to the mics entirely. And if you get two Move 2 speakers, you can pair them together in stereo. That should make for a potent audio setup, though you'll need to re-pair the speakers if you take one on the go and remove it from your Wi-Fi network.
Unfortunately, Sonos is bumping up the price of its gear again — the Move 2 costs $449, up from the $399 it asked for the original model. For that price, Sonos is also including the handy ring-shaped wireless charger that lets you easily pick up the Move 2 and get going. Yes, there are a number of improvements here, but Sonos can't go on raising the prices of its products every time it releases a new model, can it? We haven't had a chance to hear the Move 2 yet, so it's too soon to say whether it'll be worth the cash, but hopefully the improvements here merit the price premium. The Move 2 goes on sale on September 20.
This article originally appeared on Engadget at https://www.engadget.com/the-sonos-move-2-portable-speaker-has-double-the-battery-life-of-its-predecessor-130010817.html?src=rss
It’s been a little while since Ultimate Ears (UE) released an entirely new speaker model and this one slots right into the existing lineup between the Megaboom and the Hyperboom. Continuing with the whimsical hyperbole, this latest model is called the Epicboom and it’s available starting today at the company’s website for $350. Now that it’s here, it seems obvious a speaker was missing from the UE lineup. It pumps out a bit more volume than the Megaboom, but is still more portable than the larger Hyperboom party speaker.
The UE Epicboom is like a double-wide Megaboom in size and shape, and it still provides 360-degree sound. It does seem that the two 1.5-inch mid-high transducers are on the rounded sides with passive radiators along the front and back. This enhances the surround sound vibes if you’re listening to it head-on. Inside, the Epicboom packs a 4.6-inch woofer for a more rounded bass experience down to 50Hz, at least. And just like the Hyperboom, it has an adaptive EQ that supposedly helps provide the best audio output possible for your space.
There’s an outdoor mode available, which seems to drop the low end down a bit in favor of the mid to high end output so it can be heard more clearly at greater distances. The speaker has Bluetooth 5.2 and in keeping with tradition, the speaker claims up to 180 feet in range (in the best line-of-sight conditions possible I assume). The Epicboom definitely has a robust range and worked throughout my apartment without the sound dipping out, which is commendable.
As usual, the speaker is fully waterproof with an IP67 rating. Go ahead and plop it in the pool if you like. It’s a rugged box of beats that will fit into a backpack although it will take up a good deal of space at 6.3 x 4.6 x 9.4-inches and 4.36 pounds. You shouldn’t have to worry about battery life much either, since it's rated for up to 17 hours and there's an LED battery indicator just above the +/- buttons. Unlike the Boom and Megaboom, there’s no charging dock accessory for the Epicboom. It has a single USB-C charging port along the back and no aux inputs.
Photo by Jon Turi / Engadget
The speaker is slightly chunky and unless you’ve got big mitts, the rounded edges makes it a little bit difficult to grab and hold by hand. There is a carrying strap of course, and if you hate having a loose loop dangling about your device, you’re in luck. This flattened strap uses a small magnet to help keep it in place along the back. It's heavy nylon (like seat belts) and although it has a loop, it takes some fiddling to pull it apart. I found myself just grabbing the strap as it is to haul it around.
NFC, a long lost Ultimate Ears feature, has returned with the Epicboom. It works for users with Android 8.0 or later, but sadly there's no support for iOS. The speaker has multipoint connectivity allowing you to pair up to eight devices and this can help speed up the process immensely. It also helps to future proof the speaker, as aging devices can sometimes be difficult to pair with and NFC is a great backup plan.
Photo by Jon Turi / Engadget
You can use the PartyUp feature in the Boom app (which gets an update today) to play music on the Epicboom plus any other Hyperboom, Megaboom and Boom models nearby. There are also a variety of pre-set EQs including Signature, Bass Boost, Game/Cinema, Podcast/Vocal, and a new Deep Relaxation mode. I didn't get a chance to test the new app experience yet, so I can't provide any more details in that regard.
If you’re an Ultimate Ears fan and want to upgrade your output, but still have a speaker that’s relatively easy to bring along when you’re out and about, the Epicboom could be right for you. It seems to have a more spacious sound than the Megaboom models and its audio output definitely covers some ground for a device this size. It’s not quite the powerhouse party output of the Hyperboom, but it's a decent upgrade from the Megaboom 3. People in the United States, Europe, and Asia-Pacific regions can order the $350 UE Epicboom starting today on the company's website and other retailers will begin selling the product on September 22nd.
Product Specifications
Size: 6.3 inch (L) x 4.6 inch (W) x 9.4 inch (H)
Weight: 4.36 lbs / 1.98 kg
Bluetooth version: 5.2
Bluetooth range: 180 ft / 55 meters
Battery life: Up to 17 hours
Charge time: < 3 hours (with 5V/0.5A or more than 0.5A adapter)
Drivers: Two 1.5-inch active mid-high frequency transducers and one 4.6-inch woofer
Maximum Sound Pressure Level (SPL): 94 dBC(normal) and 95 dBC (outdoor)
This article originally appeared on Engadget at https://www.engadget.com/the-ue-epicboom-delivers-a-balance-of-power-and-portability-070107852.html?src=rss