MIT’s camera drones are smart enough to get the perfect shot

Over the last few years we've seen more camera drones than we can count, but getting the best footage out of them will take something extra. While many big budget productions are already using drone cameras, a system developed by MIT and ETH Zurich r...

The Lumenati Cinematic Smartcase Turns Your Phone Into A Videography Powerhouse

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Combining the modern convenience of an iPhone 6’s touchscreen, high-density optical sensor, and sharing capabilities with the old-school cachet, ergonomic form factor, and coolness of a retro lo-fi camera, the Lumenati Smartcase could quickly become the hipster’s favourite method of capturing video.

Cinematographers simply pop their device into the Lumenati CS1 just as grandpa would load an 8mm film cartridge. The lightweight, portable unit allows anyone to frame and film a steady, stable shot with the pull of an intuitive trigger. A cold shoe allows filmmakers to attach lights, microphones and extra handles for sport shooting. The real-time viewfinder allows WYSIWYG capabilities even in bright light, a feature that is elusive to modern mobile devices. Lenses can be swapped to shoot in wide angle, fisheye and telephoto.

The Lumenati CS1 uses an optical-quality glass lensing system. Our lenses range from wide angle to telephoto and deliver crisp stunning images. The lenses are designed for high resolution HD cameras and when paired with the CS1 create the perfect look for any occasion. Standard 58mm interchangeable lensing provides even more versatility with available super wide and fish eye lenses.

If it works as advertised, the Lumenati could be a fun way to capture footage. It’s a $200 to get your own, which comes with a wide-angle lens.

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[ Project Page ]

Zano Drone Follows You For A Fraction Of The Price

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A while ago we wrote about The Airdog, a somewhat heavy-duty drone whose distinguishing feature was that it could follow you around, filming you, while you did whatever stunts you wanted. It was, and is, a great idea, but the AirDog was expensive at $1,200 or so. Now we have news of the Zano drone, which purports to do much the same thing. Granted, this is a palm-sized device that may not offer the same kind of stability or robustness as the AirDog, but at $335 (£215) it’s hard to dismiss. The Zano tethers to your phone through WiFi and can fly itself. Press ‘hold’ and it stays in place, filming you in 720p from as far as 30 meters away. Press the Follow button, and it finds a way to keep the set distance between itself and you, while trying to keep you in the frame. IR sensors all around the drone make sure that it doesn’t run into any obstacles while it’s filming. When you’re done, a press of yet another button will cause it to return to base, for you to easily retrieve it.

There are several more features on this drone, such as a customizable 8X8 LED panel on the front, but we won’t list them all. Check out their fully funded Kickstarter for more details. A pledge will get you a drone by June of 2015.

[ Project Page ] VIA [ Geek.com ]

The post Zano Drone Follows You For A Fraction Of The Price appeared first on OhGizmo!.

World’s oldest color film footage discovered in museum archive (video)

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Cached away for over a century, the world's first color moving pictures have been shown for the first time yesterday, according to the National Media Museum in the UK. The celluloid, shot by inventor Edward Raymond Turner in 1899, was actually in black and white and it was only through a curator's research that its colorful significance was also unearthed.

When the footage was first shot, each frame was run consecutively through red, green or blue gels, and the process needed to be reversed during projection to reveal the color. Fortunately, a blueprint by the inventor of how to do just that was also found, allowing the institution's team to replicate the process digitally to produce the final footage.

This type of color gel processing didn't take off in the early 20th century due to the mechanical complexity, and it would have been inferior to a chemical process since each frame carried only one-third of the full color information. Still, it required a clever mind to dream it up, with an equally big brain to uncover it and finally give Turner his due. See the video below the break for the stunning un-retouched, non-hand-colored results.

[Image Credit: National Media Museum]

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World's oldest color film footage discovered in museum archive (video) originally appeared on Engadget on Thu, 13 Sep 2012 08:40:00 EDT. Please see our terms for use of feeds.

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First DSLR 4K video from prototype Canon EOS-1D C reportedly emerges

First 4K video from the Canon EOS1D C reportedly emerges, underwhelms

If you've been wondering what kind of eye candy Canon's EOS-1D C is capable of, you might be in luck. The crew over at EOSHD have apparently snagged some 4K sample footage from an early prototype of the unreleased, professional-grade DSLR. The clip looks slick to us, albeit lacking in the scenery department. Even so, EOSHD comments that while a "massive step up for image quality compared to all previous DSLRs" the video footage isn't as sharp as stills from the 1D X (the 1D C's less-endowed sibling) and "not near what true 4K should look like." (Of course, anyone looking for true 4K is advised to step up to Sony's $70k F65 CineAlta, so we guess you get what you pay for). You can check out the minute-long clip, unfortunately scaled to a Vimeo-friendly 1,920 x 1,080, after the break. If your discerning eye demands the raw footage, however, why not grab the few seconds available at the source link and let us know your thoughts? That's what the comments are for, after all.

Continue reading First DSLR 4K video from prototype Canon EOS-1D C reportedly emerges

First DSLR 4K video from prototype Canon EOS-1D C reportedly emerges originally appeared on Engadget on Sun, 01 Jul 2012 22:12:00 EDT. Please see our terms for use of feeds.

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Could future PureView devices support 4K video?

Could the Nokia PureView support 4K resolution? Some guy thinks so
As we eagerly await the arrival of the 808 PureView, video professionals are pondering the usefulness of that 41-megapixel sensor. On paper, it's capable of shooting continuously-focusing 34-megapixel video that's then resampled down when compressed, but blogger James Burland wonders what it could do with less resampling. He claims that a member of Nokia's imaging team told him that shooting at 4K "might be possible," although there are plenty of issues that prevent it being achieved on the 808 handset itself.The hardware wouldn't be able to handle the storage or processing requirements, so it's unlikely Peter Jackson will be shooting on a Symbian-powered device any time soon -- but in any case it's an interesting pointer to the future of cellphone cinematography.

Could future PureView devices support 4K video? originally appeared on Engadget on Fri, 13 Apr 2012 09:34:00 EDT. Please see our terms for use of feeds.

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Canon unveils EOS-1D C and C500 4K Cinema cameras, two new lenses ahead of NAB (updated)

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In a departure from its last introduction as dramatic as the C300's Hollywood launch itself, Canon has quietly announced two additional cameras to sit alongside the company's former lone flagship. You may have caught a glimpse of the EOS-1D C at the C300 launch, but what six months ago was a mere mock-up has actually become a reality, likely to ship sometime this year. More out of left field, however, is the C500 -- a higher-end version of the C300 that adds several shooting modes, dual 3G-SDI ports and a larger, permanent grip. Both cameras can capture 4K video, but in substantially different ways.

The $15,000 1D C, which has the same chassis and still shooting features of its less-abled cousin, the EOS-1D X, pipes 4096 x 2160 8-bit 4:2:2 video to a CF card at 24 fps. Unlike the X, however, the C swaps a headphone jack for the X's PC socket, that's usually used for hooking up strobes. The higher-end C500 requires a dedicated external recorder, but offers two full-RAW output options: 4096 x 2960, that will be better suited for motion picture capture, and 3840 x 2160 for 4K TV. Both of these modes offer 10-bit 4:4:4 at 60 frames-per-second. There's also a half-RAW option, at 4096 x 1080 or 3840 x 1080 resolutions, also 10-bit 4:4:4, but at 120 fps. The C500 also includes dual CF slots, but that recording option is only available for 1080p (which can be captured to CF concurrently). Both cameras support Canon Log Gamma, empowering colorists to correct color in post production with more versatility by capturing additional information and a higher dynamic range.

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Continue reading Canon unveils EOS-1D C and C500 4K Cinema cameras, two new lenses ahead of NAB (updated)

Canon unveils EOS-1D C and C500 4K Cinema cameras, two new lenses ahead of NAB (updated) originally appeared on Engadget on Thu, 12 Apr 2012 09:00:00 EDT. Please see our terms for use of feeds.

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