Komplete, Native Instruments' flagship music production bundle, has a little bit of everything. That's always been part of its appeal. It's pricey, but you get monstersynths, a top-notch drum sampler, a virtual guitar rig and Kontakt — which is also a sampler, but calling it one seems incredibly reductive. Native Instruments is still one of the biggest names in the music software world, but it's an increasingly crowded and competitive market. And much of it is moving towards a subscriptionmodel (even Native Instruments). So this year the company is adding some new software in hopes that customers will come back for at least one more big-ticket purchase.
Komplete 14 is the first version to be released since Native Instruments (NI) joined Soundwide, a collection of brands including Izotope and Plugin Alliance, among others. As such, one of the biggest additions to the Komplete library (at least in the $599 Standard version and higher) is Izotope's Ozone 10 Standard. This mastering plug in has legions of fans thanks to its powerful feature set and simple interface. But for many, the biggest selling point is it's AI-powered mastering assistance. Many amateur musicians (myself included) rely on Ozone to master their tracks. You simply play the loudest bit of your song, click a button, and the plugin will suggest a starting point for mastering including compression and EQ. You can then accept the settings, tweak them to your liking or toss them and start from scratch.
Native Instruments
The new partnership also allowed Native Instruments to beef up the bundle with a handful of smaller items from Plugin Alliance and Brainworx like bx_Oberhausen, bx_Crispytuner and LO-FI-AF. None of these instruments or effects individually are likely to convince you one way or another that Komplete's more expensive versions are worth the outlay. But I don't know anyone who is going to complain about having too many plugins.
The only issue is it might not be immediately clear to many users how to get access to those. They're not in the Native Access manager. Instead you'll have to go to your products and serials list on the NI site to get the "Plugin Alliance Bundle for Komplete 14" code. Then you'll head on over to Plugin Alliance and redeem it the code and download a separate plugin manager. Hopefully at some point the two platforms will be integrated to remove the addition steps.
Native Instruments
The big centerpiece of Komplete, as always, is Kontakt. The new version — seven — isn't a giant departure for this industry stalwart. The browser has been updated for better compatibility with HiDPI displays and improved search and filtering tools. The factory library has also been overhauled to take advantage of the graphical overhaul and for better sound. The process of building your own Kontakt instruments has also been simplified with improved creator tools.
Kontakt 7 may not be a significant change from version six, but if you spring for the more expensive versions, like the $1,199 Komplete Ultimate or $1,799 Komplete Collector's Edition, you do get some unique and powerful expansions like Lores, Ashlight, Kinetic Toys and, one of my personal favorites, Piano Colors. The latter combines samples of a grand piano, various synths and textures, along with effects and modulation tools to create complex sounds that walk the line between organic and synthetic.
Native Instruments
The one piece of bad news here is that Kontakt 7, while it is technically included in Komplete 14, isn't available yet and wont ship until some point in October. Komplete 14 is available now starting at $199 for the basic Komplete Selects package, and going all the way up to $1,799 for Komplete Collector's Edition.
Komplete, Native Instruments' flagship music production bundle, has a little bit of everything. That's always been part of its appeal. It's pricey, but you get monstersynths, a top-notch drum sampler, a virtual guitar rig and Kontakt — which is also a sampler, but calling it one seems incredibly reductive. Native Instruments is still one of the biggest names in the music software world, but it's an increasingly crowded and competitive market. And much of it is moving towards a subscriptionmodel (even Native Instruments). So this year the company is adding some new software in hopes that customers will come back for at least one more big-ticket purchase.
Komplete 14 is the first version to be released since Native Instruments (NI) joined Soundwide, a collection of brands including Izotope and Plugin Alliance, among others. As such, one of the biggest additions to the Komplete library (at least in the $599 Standard version and higher) is Izotope's Ozone 10 Standard. This mastering plug in has legions of fans thanks to its powerful feature set and simple interface. But for many, the biggest selling point is it's AI-powered mastering assistance. Many amateur musicians (myself included) rely on Ozone to master their tracks. You simply play the loudest bit of your song, click a button, and the plugin will suggest a starting point for mastering including compression and EQ. You can then accept the settings, tweak them to your liking or toss them and start from scratch.
Native Instruments
The new partnership also allowed Native Instruments to beef up the bundle with a handful of smaller items from Plugin Alliance and Brainworx like bx_Oberhausen, bx_Crispytuner and LO-FI-AF. None of these instruments or effects individually are likely to convince you one way or another that Komplete's more expensive versions are worth the outlay. But I don't know anyone who is going to complain about having too many plugins.
The only issue is it might not be immediately clear to many users how to get access to those. They're not in the Native Access manager. Instead you'll have to go to your products and serials list on the NI site to get the "Plugin Alliance Bundle for Komplete 14" code. Then you'll head on over to Plugin Alliance and redeem it the code and download a separate plugin manager. Hopefully at some point the two platforms will be integrated to remove the addition steps.
Native Instruments
The big centerpiece of Komplete, as always, is Kontakt. The new version — seven — isn't a giant departure for this industry stalwart. The browser has been updated for better compatibility with HiDPI displays and improved search and filtering tools. The factory library has also been overhauled to take advantage of the graphical overhaul and for better sound. The process of building your own Kontakt instruments has also been simplified with improved creator tools.
Kontakt 7 may not be a significant change from version six, but if you spring for the more expensive versions, like the $1,199 Komplete Ultimate or $1,799 Komplete Collector's Edition, you do get some unique and powerful expansions like Lores, Ashlight, Kinetic Toys and, one of my personal favorites, Piano Colors. The latter combines samples of a grand piano, various synths and textures, along with effects and modulation tools to create complex sounds that walk the line between organic and synthetic.
Native Instruments
The one piece of bad news here is that Kontakt 7, while it is technically included in Komplete 14, isn't available yet and wont ship until some point in October. Komplete 14 is available now starting at $199 for the basic Komplete Selects package, and going all the way up to $1,799 for Komplete Collector's Edition.
Just as it is to Eddie Munson in Stranger Things 4, Metallica's "Master of Puppets" is, to me, the “most metal ever.” I spent my teen years obsessively learning the guitar, and Metallica was one of my biggest influences. The combination of vocalist and rhythm guitarist James Hetfield's thrash riffs and progressive song structures along with lead guitarist Kirk Hammett's shredding gave me plenty to try and master. I was never quite fast or precise enough to fully nail Metallica's hardest songs, but I could do a pretty decent impression when I was on my game.
Some 20-plus years later, I am decidedly not on my game, having only played sporadically over the last decade. I've tried getting back into playing in fits and starts, but nothing has really stuck. Just recently, though, Finnish company Yousician came on my radar thanks to a collaboration with — who else? — Metallica.
At a high level, the Yousician software listens to your guitar playing and matches it to the lesson or song you're trying to play, giving you a higher score depending on how accurate you are. The app features courses and songs for guitar, piano, bass, ukulele and vocals, but my time was only spent on the guitar section.
For people who've never played before, there are loads of introductory lessons — but the most interesting thing about Yousician for someone like me are the song transcriptions. The app is loaded up with tons of popular songs that have, in my limited testing, fairly accurate transcriptions that help you learn to play along with the original recording. Queuing a song up brings up a continuously scrolling tablature overview of the song; play along with it and Yousician will try and tell you if you hit a chord right on the beat, whether you're a little early or late or whether you blew it completely.
From what I can tell, the vast majority of the music on Yousician has been recorded by session musicians — so you're not playing along to the original Nirvana or Foo Fighters tracks, but a well-recorded, though somewhat soulless, reproduction. That's OK, as these exercises work well enough for learning a song, and then you can just go play along with the original once you have it perfected.
But the Metallica course is different, and far more compelling. Yousician got access to the master recording for 10 of the band's songs, which means you're learning from and playing along with the original songs you (presumably) love.
The Metallica portion of Yousician isn't limited to learning specific songs, however. There are three courses to play through: Riff Life, Rock in Rhythm and Take the Lead, each of which dives into a different aspect of the band's music. Each of those courses, in turn, has a handful of lessons focused on a song and the skills needed to play it. There are also videos featuring members of the band talking about the overarching concept. While James and Kirk aren't literally teaching you the songs, it's still great to see them play up close and personal and hear about how they approach writing and performing.
For example, the "Rock in Rhythm" course has a whole section on downpicking, a more percussive and aggressive way of using your picking hand that has come to define much of Metallica's riffs and heavy metal music in general. Seeing James Hetfield perform some of his most complicated and fast riffs in great detail is an absolute treat.
Mixed in with these videos are lessons that focus on a specific part of a song. The Riff Life course starts things out extremely simple, with the key riffs to songs like "For Whom the Bell Tolls," "Nothing Else Matters'' and "Enter Sandman." These lessons follow a pretty standard format. First, you'll listen to the isolated guitar part to get it in your head, sometimes accompanied by a Yousician instructor showing you how to approach the song. After that, you play the part in the context of the song, starting out slowly and then gradually speeding up to play it at full speed. Then, to complete the lesson, you perform the complete song.
For that last option, Yousician offers multiple ways to move forward. If you're a beginner, you can play simplified versions of the song — but Yousician also includes full versions of the rhythm guitar track or a combo of the rhythm and lead parts. If you're just learning the song for the first time, you're not going to want to jump right into those versions. But if you're up for the challenge, the practice mode helpfully divides the song up into sections like intro, verse, chorus, solo and so forth. You can slow the song down, work on those sections, and then string the entire thing together. The app uses time stretching so that the music’s pitch isn’t affected.
As someone already familiar with the Metallica songs included, I can tell Yousician has done an impressive job with these full transcriptions. I've already picked up some tricks and learned a few improved ways to play these songs, even for very simple parts like the opening riff to "Enter Sandman." I've known that song basically since I first picked up a guitar, but Yousician identified that Hetfield plays the riff with his left hand in a fairly unconventional finger position, one that is not simple but makes the notes ring out clearer once you master it.
The lead guitar parts are also impressively detailed, considering how fast and complex some of Hammett's solos can be. This is a case where I'm sure it helped to have access to Metallica's master recordings for these songs; being able to isolate parts and slow things down makes the learning process much more accessible and also likely made a difference in the accuracy of the transcriptions. While I can't say that the notation for extremely fast solos like those in "One" or "Battery" are 100-percent accurate, they should be good enough for a convincing performance.
A screenshot of the guitar tablature for the guitar solo in the Metallica song "One."
Unfortunately, I ran into some problems when trying to tackle the aforementioned epic, “Master of Puppets.” While I was working my way through the downpicking lessons, I was presented with the riff played during the main verse. Whether through my own ineptitude, Yousician not “hearing” me well enough or some other unknown issue, I simply could not play the riff accurately enough to move forward. It’s definitely a fast one, but even at slowed down speeds, Yousician consistently didn’t recognize that I was hitting the sliding power chords that anchor the end of the riff. A colleague of mine had previously tried Yousician and had a similar problem with the app not recognizing his playing, which can be a major bummer if you’re trying to ace each lesson.
I can’t say why this happened with this particular riff. Yousician did a good job at hearing me play the song’s introduction, which is equally fast and pretty complex in its own right. There seemed to be something specific to those sliding chords that the app had a hard time picking up. I’m not well-practiced enough to attempt the fastest solos the Metallica course offers, so I can’t say how well it’ll pick those up, but it did a fine job of recognizing the quick, arpeggiated licks near the end of the “Fade to Black” solo. Yousician did a better job of picking things up when I plugged my guitar straight into my computer using the iRig 2 interface. But since I don't usually go straight into my computer, I didn't have any virtual amps or effects set up, which meant playing wasn't nearly as much fun as it is through my amp.
Despite these occasional issues, I really enjoyed the Yousician Metallica course. Whether it’s worth the money is another question altogether – Yousician costs $140 a year or $30 a month. That’s not cheap, but it’s less expensive than the private guitar lessons I took 20 years ago. Obviously, Yousician can’t tailor its lessons to me, but I’m still impressed with the attention to detail and comprehensive nature of the Metallica course, and there’s a host of other things I could play around with, too. Between the accuracy of the transcriptions, a solid song selection and the ability to slow down tracks for practicing, there’s a lot to like here.
It certainly would have been a fantastic tool when I was learning the guitar as a teenager – but in 2022, there are a wide variety of options for learning your favorite songs. That’s probably the biggest catch with Yousician. Most people will probably be happy to view YouTube instructional videos and look up transcriptions for free online. I just did a quick search for “Master of Puppets guitar lesson” and found a host of excellent videos, including one multi-parter where the instructor spent ten minutes just demonstrating the first two riffs. It was a thorough, detailed lesson from someone who clearly knows the song as well as Metallica’s approach to playing in general.
That said, I’d still encourage Metallica fans to check out a monthly subscription to Yousician. The song selection spans simpler tracks to some of their toughest material, making it useful regardless of your skill level. The video content is entertaining and informative; you don’t often get to see a band speaking so candidly about their approach to playing their instruments. And as good as some YouTube lessons are, being able to look at and play along with detailed tablature transcriptions of extremely fast guitar solos makes the learning experience much better. Those transcriptions combined with the original Metallica master tracks that you can slow down or speed up as needed are an excellent practice tool. For anyone looking to unleash their inner Eddie Munson, Yousician’s Metallica course is a solid place to start.
Just as it is to Eddie Munson in Stranger Things 4, Metallica's "Master of Puppets" is, to me, the “most metal ever.” I spent my teen years obsessively learning the guitar, and Metallica was one of my biggest influences. The combination of vocalist and rhythm guitarist James Hetfield's thrash riffs and progressive song structures along with lead guitarist Kirk Hammett's shredding gave me plenty to try and master. I was never quite fast or precise enough to fully nail Metallica's hardest songs, but I could do a pretty decent impression when I was on my game.
Some 20-plus years later, I am decidedly not on my game, having only played sporadically over the last decade. I've tried getting back into playing in fits and starts, but nothing has really stuck. Just recently, though, Finnish company Yousician came on my radar thanks to a collaboration with — who else? — Metallica.
At a high level, the Yousician software listens to your guitar playing and matches it to the lesson or song you're trying to play, giving you a higher score depending on how accurate you are. The app features courses and songs for guitar, piano, bass, ukulele and vocals, but my time was only spent on the guitar section.
For people who've never played before, there are loads of introductory lessons — but the most interesting thing about Yousician for someone like me are the song transcriptions. The app is loaded up with tons of popular songs that have, in my limited testing, fairly accurate transcriptions that help you learn to play along with the original recording. Queuing a song up brings up a continuously scrolling tablature overview of the song; play along with it and Yousician will try and tell you if you hit a chord right on the beat, whether you're a little early or late or whether you blew it completely.
From what I can tell, the vast majority of the music on Yousician has been recorded by session musicians — so you're not playing along to the original Nirvana or Foo Fighters tracks, but a well-recorded, though somewhat soulless, reproduction. That's OK, as these exercises work well enough for learning a song, and then you can just go play along with the original once you have it perfected.
But the Metallica course is different, and far more compelling. Yousician got access to the master recording for 10 of the band's songs, which means you're learning from and playing along with the original songs you (presumably) love.
The Metallica portion of Yousician isn't limited to learning specific songs, however. There are three courses to play through: Riff Life, Rock in Rhythm and Take the Lead, each of which dives into a different aspect of the band's music. Each of those courses, in turn, has a handful of lessons focused on a song and the skills needed to play it. There are also videos featuring members of the band talking about the overarching concept. While James and Kirk aren't literally teaching you the songs, it's still great to see them play up close and personal and hear about how they approach writing and performing.
For example, the "Rock in Rhythm" course has a whole section on downpicking, a more percussive and aggressive way of using your picking hand that has come to define much of Metallica's riffs and heavy metal music in general. Seeing James Hetfield perform some of his most complicated and fast riffs in great detail is an absolute treat.
Mixed in with these videos are lessons that focus on a specific part of a song. The Riff Life course starts things out extremely simple, with the key riffs to songs like "For Whom the Bell Tolls," "Nothing Else Matters'' and "Enter Sandman." These lessons follow a pretty standard format. First, you'll listen to the isolated guitar part to get it in your head, sometimes accompanied by a Yousician instructor showing you how to approach the song. After that, you play the part in the context of the song, starting out slowly and then gradually speeding up to play it at full speed. Then, to complete the lesson, you perform the complete song.
For that last option, Yousician offers multiple ways to move forward. If you're a beginner, you can play simplified versions of the song — but Yousician also includes full versions of the rhythm guitar track or a combo of the rhythm and lead parts. If you're just learning the song for the first time, you're not going to want to jump right into those versions. But if you're up for the challenge, the practice mode helpfully divides the song up into sections like intro, verse, chorus, solo and so forth. You can slow the song down, work on those sections, and then string the entire thing together. The app uses time stretching so that the music’s pitch isn’t affected.
As someone already familiar with the Metallica songs included, I can tell Yousician has done an impressive job with these full transcriptions. I've already picked up some tricks and learned a few improved ways to play these songs, even for very simple parts like the opening riff to "Enter Sandman." I've known that song basically since I first picked up a guitar, but Yousician identified that Hetfield plays the riff with his left hand in a fairly unconventional finger position, one that is not simple but makes the notes ring out clearer once you master it.
The lead guitar parts are also impressively detailed, considering how fast and complex some of Hammett's solos can be. This is a case where I'm sure it helped to have access to Metallica's master recordings for these songs; being able to isolate parts and slow things down makes the learning process much more accessible and also likely made a difference in the accuracy of the transcriptions. While I can't say that the notation for extremely fast solos like those in "One" or "Battery" are 100-percent accurate, they should be good enough for a convincing performance.
A screenshot of the guitar tablature for the guitar solo in the Metallica song "One."
Unfortunately, I ran into some problems when trying to tackle the aforementioned epic, “Master of Puppets.” While I was working my way through the downpicking lessons, I was presented with the riff played during the main verse. Whether through my own ineptitude, Yousician not “hearing” me well enough or some other unknown issue, I simply could not play the riff accurately enough to move forward. It’s definitely a fast one, but even at slowed down speeds, Yousician consistently didn’t recognize that I was hitting the sliding power chords that anchor the end of the riff. A colleague of mine had previously tried Yousician and had a similar problem with the app not recognizing his playing, which can be a major bummer if you’re trying to ace each lesson.
I can’t say why this happened with this particular riff. Yousician did a good job at hearing me play the song’s introduction, which is equally fast and pretty complex in its own right. There seemed to be something specific to those sliding chords that the app had a hard time picking up. I’m not well-practiced enough to attempt the fastest solos the Metallica course offers, so I can’t say how well it’ll pick those up, but it did a fine job of recognizing the quick, arpeggiated licks near the end of the “Fade to Black” solo. Yousician did a better job of picking things up when I plugged my guitar straight into my computer using the iRig 2 interface. But since I don't usually go straight into my computer, I didn't have any virtual amps or effects set up, which meant playing wasn't nearly as much fun as it is through my amp.
Despite these occasional issues, I really enjoyed the Yousician Metallica course. Whether it’s worth the money is another question altogether – Yousician costs $140 a year or $30 a month. That’s not cheap, but it’s less expensive than the private guitar lessons I took 20 years ago. Obviously, Yousician can’t tailor its lessons to me, but I’m still impressed with the attention to detail and comprehensive nature of the Metallica course, and there’s a host of other things I could play around with, too. Between the accuracy of the transcriptions, a solid song selection and the ability to slow down tracks for practicing, there’s a lot to like here.
It certainly would have been a fantastic tool when I was learning the guitar as a teenager – but in 2022, there are a wide variety of options for learning your favorite songs. That’s probably the biggest catch with Yousician. Most people will probably be happy to view YouTube instructional videos and look up transcriptions for free online. I just did a quick search for “Master of Puppets guitar lesson” and found a host of excellent videos, including one multi-parter where the instructor spent ten minutes just demonstrating the first two riffs. It was a thorough, detailed lesson from someone who clearly knows the song as well as Metallica’s approach to playing in general.
That said, I’d still encourage Metallica fans to check out a monthly subscription to Yousician. The song selection spans simpler tracks to some of their toughest material, making it useful regardless of your skill level. The video content is entertaining and informative; you don’t often get to see a band speaking so candidly about their approach to playing their instruments. And as good as some YouTube lessons are, being able to look at and play along with detailed tablature transcriptions of extremely fast guitar solos makes the learning experience much better. Those transcriptions combined with the original Metallica master tracks that you can slow down or speed up as needed are an excellent practice tool. For anyone looking to unleash their inner Eddie Munson, Yousician’s Metallica course is a solid place to start.
If you are a musician, you may have already imagined building a custom instrument at one point in your career. It is not an easy dream because musical instruments are constructed around a precise form and accurate controls to produce the desired sound. You might be able to create a working version, but it will not be as good as the one made by professionals. Yet, this does not mean you cannot think outside the box, as the Wood Bugle Cube shows. The custom-made instrument comes in an unconventional shape but delivers the same sounds and functionality as a real bugle.
A bugle is a trumpet-like brass instrument often used for sending military signals. It is typically designed without a valve or other parts for pitch control. The Wood Bugle Cube is a similar instrument in an unusual form for a musical device. This project by Henry Hanson is a follow-up to his previous one called the Concrete Trumpet, which is a similar-sounding object in an unorthodox design.
The Wood Bugle Cube looks like another portable, wireless speaker you could bring outdoors. It has the same function as the Concrete Trumpet but is different in its look and construction. The wooden model evokes a more natural, homey, and warm feeling. In contrast, the Concrete Trumpet offers a more elegant mood.
The Wood Bugle Cube is a functional instrument housed in a stack of 20 layers of squares of 9mm-thick birch plywood. Each layer is carved according to tracing lines determined by the same CAD model used for the concrete version. The cut squares are grouped for sanding to keep the insides smooth. The layers are then glued with a sealant to create a more solid structure and better moisture resistance.
Like most brass instruments, the sound is made by blowing air into the mouthpiece at one corner of the Wood Bugle Cube. The act causes the lips to vibrate and control the air traveling through the instrument. This Wood Bugle produces similar, yet softer and warmer sounds compared to a brass bugle or trumpet.
This Wood Bugle Cube is made of a medium that is not usually used for brass instruments. However, it still offers the same desired experience as a trumpet without looking like one. The sound it produces is not as refined but just enough to make a signal be heard. The tedious process of making the musical instrument gives it a unique personality, and the meticulous work of the creator put into this is something to be admired.
In an age where we interact with our music via hands-free luxury, students from the Swiss design school ÉCAL (University of Art and Design Lausanne) have collaborated with Yamaha Design Lab to make the interaction more engaging.
Dubbed the Yamaha Sound Machines, the six different prototypes created by the design students during their course semester were revealed at the Milan Design Week 2022. According to ÉCAL product design graduate Maxwell Ashford, the audio devices have more or less ditched the buttons in modern times – take Bluetooth speakers for example. For those who listen to music on phones or portable audio players, the novelty of virtual buttons is the norm. The creative bunch analyzed the ways in which people listen to music and came up with their own ideas to showcase what modern audiophiles would actually love.
The project was led by Camille Blin who guided the students – Charlotta Åman, Jisan Chung, Silvio Rebholz, Till Ronacher, Jonas Villiger and Ka Yin Cheung – to realize the final versions. The Stagespeaker by Till Ronacher recreates the atmosphere of live concerts at a smaller scale while playing music at home with its stimulus of sound and light. The ASMR Instruments by Ka Yin Cheung is a mobile-like hanging sculptural object driven by gravity that when placed by the bedside plays rhythmic sounds to calm one into sleep.
In another section was the Charlotta Åman’s Bandmait device that plays musical instruments alongside people learning to master their favorite instrument to later play in an orchestra. Silvio Rebholz crafted a home speaker dubbed Spezi which has four separate channels to switch from one device to another. For example, the user can make the transition from their big-screen display to the small screen by pulling the corresponding button.
The most interesting one for me is the Sound Frame by Jisan Chung. The creation seems like a simple wooden frame but it has more to it. When an object is placed inside the frame, it plays a particular playlist of songs to recall cherished memories. This is done by scanning an object of emotional value using the scanner and then programming it to initiate a set of selected songs.
Another interesting prototype is the Vertical Player designed by Jonas Villiger. The device is basically a vertical turntable to display the charm of viny records more upfront. For now, there are no plans to push these products into production, but that could change if audio lovers fancy this niche idea already.
Fender's acoustic-electric hybrid guitars are technical marvels, but they're pricey for up-and-coming musicians (officially $2,000) and relatively complex. Thankfully, there's a somewhat more accessible option. The instrument brand has unveiled an Acoustic Player Telecaster with both a more affordable $1,200 price and a simpler design with a three-way voice selector (versus five on other models) and one blend knob. In theory, this is better-suited to younger, newer musicians who want two guitars in one — at least, if they can justify spending over a grand on new hardware.
The Fishman co-designed pickup helps you switch between acoustic and electric modes, and the N4 pickup promises "noiseless" electric playing. You'll find a total of six voicings you can play either by themselves or merged to create fresh sounds.
The Acoustasonic Player Telecaster is available worldwide in four familiar guitar colors (black, white, butterscotch and a graded "Shadow Burst"). There's still an incentive to splurge on the more expensive guitars if you want more control, but this might make sense if you need that $800 or just want something that saves space and time. This might be the ideal guitar if you need to play electric on stage, but acoustic in your apartment.
Let’s get one thing out of the way right up front: Yes, the main conceit of the $329 Cooper FX Arcades is a little gimmicky. It’s a guitar pedal into which you stick cards to apply different effects, kinda like a game console. But while the somewhat...
The Jamstik Studio MIDI Guitar is, as the name implies a guitar. But to be clear, if you’re just looking to buy a guitar, there is no reason to get one. It’s serviceable, but nothing special. The mahogany body and rosewood fretboard feel decent enoug...
For hardware synth and drum machine enthusiasts, there are two controllers that stand above most of the competition: Arturia’s KeyStep and BeatStep Pro. Their combination of USB, MIDI and control voltage connections mean they play nice with everythin...
