Tag Archives: namm2013

Korg announces MS-20 mini, we go hands and ears-on (video)

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Korg announces MS-20 mini, we go hands and ears-on (video)

Korg has a string of classic sound-making machines that bear its name. One of the most well regarded would be the MS-20 analog synth that first landed in 1978. But that's no good to you right here in 2013 is it? Well, funnily enough, the kind folk at Korg realised this, and decided to relaunch it, updated for the modern musician. The MS-20 mini is, as you might surmise, a smaller version of the classic, measuring in at 86 percent the size of the original. It also looks like as much of the character that made the MS-20 sing to people's hearts has been carried over as possible. The mini was developed by the same engineers, has the same synthesis set up (two oscillators, ring modulation, VCA design etc) complete with manual cable-patching system (which is now 3.5mm rather than 1/4-inch). There is one modern addition, and that is a USB-MIDI jack around the back, letting you plug in to your favorite DAW / sequencing software through the more contemporary connection -- should you prefer that over the good old 5-pin MIDI (which is still an option). As we're right here at NAMM, we took a stroll over to the Korg booth to take a look for ourselves. Head past the break to see / hear more.

Undoubtedly, the MS-20 mini looks like the real deal. Although smaller second time around, it's still a good size, and big enough for competent keyboard players to do their thing. The knobs and pots felt surprisingly plasticky, but the rest of the machine seems robust and well made. It's hard not to get sucked in to the whole vintage detail, especially the patch bay on the right hand side. The action on the keys feels good and responsive, and those dials should be able to take some vigorous use -- ideal for live performances. The sound it generates will definitely please fans of analog synths, and we even caught Deadmau5 making an appearance at the booth to check it out. So, if you'd like to upgrade from that iPad app version, to the real deal, you should be able to do so in spring, for an expected $599. Want to hear how it sounds? Jump on the video below for the quick demo. Full press release comes after that.

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Korg USA Announces MS-20 mini - Korg's classic MS-20 is recreated in mini size -

WINTER NAMM, ANAHEIM, CALIFORNIA, January 24th, 2013 - Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still coveted to this day for its thick, robust sound, powerful, iconic analog filter, and versatile patching options. It has now been reborn in hardware, as the new MS-20 mini. The same engineers who developed the original MS-20 have perfectly reproduced it in a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 Mini offers the same distinctive synthesis that made the original MS-20 popular: two oscillators with ring modulation, and envelope generators with delay and hold. The VCA (Voltage Controlled Amp) maintains the original basic design, but it's been modified to produce less noise. Particular attention has also been paid to delivering smooth parameter adjustments, which are a distinctive feature of analog synthesizers. Special care was also taken to completely reproduce the original specifications of the MS-20, to deliver the same powerful sound, from deep, growling basses to crisp, rounded leads.

One of the most well-known - and still most sought after - characteristics of the original MS-20 was its powerful filters, which provided both high-pass and low-pass with peak/resonance. Maximizing the peak/resonance would cause the filter to self-oscillate; producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was used many years later on Korg's monotron and monotribe. The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.
The ESP (External Signal Processor) functionality carries on the experimental spirit of MS-20, allowing users to utilize the pitch or volume of an external audio source to control the synthesizer. For example, an electric guitar can be used as an input signal, and the MS-20 mini can be used as a guitar synthesizer, or the mic input can allow it to be used it as a vocal synthesizer.

The patching system enables the creation of complex sounds by allowing the rerouting of both modulation and audio (both the internal oscillators and external audio). Different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart printed on the panel, musicians of all levels can take advantage of these possibilities right away.

To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original, with meticulous care taken to accurately reproduce the knob design and the printing. The patch cables have been changed from 1/4" phone plugs to mini-plugs, and the newly- designed keyboard is also 86% of the original size.

The MS-20 mini is equipped with a MIDI IN jack for receiving note messages, and a USB-MIDI connector that can transmit and receive note messages. Users can also connect the MS20 mini to a computer and play it from an external sequencer.

For added authenticity, the MS-20 mini packaging replicates much of the original. Also included are the original MS-20 owner's manual and settings chart.

Billy Steele contributed to this report.

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Numark iDJ Live II DJ controller hands-on (video)

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Numark iDJ Live II DJ controller hands-on

If there's one company that comprehensively caters to the entry-level and intermediate DJ, there's a good chance it's Numark. While the firm has released a whole bunch of stuff at NAMM this year, perhaps its most mainstream offering is the iDJ Live II. If you remember the original, it was a lightweight controller (both physically, and metaphorically) designed for use with Djay on iOS. This time around the little fella gets a redesign, and a few functionality tweaks. Most notable, is that while the first iteration only gave you the option of iOS connectivity -- via the 30-pin adaptor -- this time you have the choice of Lightning, 30-pin, or straight up USB. Thus, you can now bring the iDJ Live II out to work with your Mac or PC, too. Once again, it's built with Algoriddim's Djay in mind, be it the desktop or iOS version, and we got our hands on it to take it for a spin. Head past the break for the lowdown.

Gallery: Numark iDJ Live II hands-on

First things first. This is very much a fun, consumer product. It would be unfair to call it an accessory, but it's definitely meant for casual use at parties etc. The unit itself is very light, made entirely of plastic, and feels very different to the heavier DJ controllers you might be used to. The iDJ Live II, however, does look much better than the first iteration, with the slightly squared design and the lower-profile platters at least making it look a little less toy-like than before. The plastic finish still feels the same, as does the action and resistance of the platters, knobs and faders (which is serviceable). The controls available give you everything you need to perform all the mixing basics, with high and low-frequency EQ, channel volume control, a crossfader, and even rudimentary scratching (though it really is more of a novelty). If you've ever used Djay for any amount of time though, you'll know that this is plenty enough to get a set going, and having the physical controller there just makes it all that more enjoyable / easy. While purists and old hands might see products such as these as over simplified, the ease of use, and broad appeal makes them ideal for the curious, and that can only be a good thing. Sadly there is no word on price or availability at this time, but we'd be surprised if it wasn't comfortably under $100 when it does finally make its way onto shelves. Check the video below for the hardware tour.

Billy Steele contributed to this report.

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Moog Sub Phatty analog synthesizer hands-on (video)

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Moog Sub Phatty handson video

A few days back, Moog teased a new synthesizer that we would come to meet properly as the Sub Phatty. Once we hit the show floor here in California, we made sure to drop by for live look. The analog unit features every bit of the fine craftsmanship that we've come to know Moog for crankin' out of its factory in the mountains of North Carolina despite the affordable $1,100 price tag. Sub Phatty keeps with the classic snyth aesthetic and Moog design trademarks including soft-touch coated side panels -- a staple of the Phatty line -- and knobs that look and feel prime for extreme mileage. Aside from a dapper exterior, the big draw here is the new Multidrive tech that graces the control panel and inner workings of the device. We could give a detailed textual explanation of said feature, but we'll let Amos Gaynes, product development specialist at Moog, do all of the chatting in the video that follows after the break. Speaking of the jump, you'll find an audio sample taken straight off of the Sub Phatty's frontside here at NAMM 2013.

Gallery: Moog Sub Phatty analog synthesizer hands-on

James Trew contributed to this report.

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IK Multimedia iLoud and iLoud Mini hands-on (video)

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IK Multimedia iLoud and iLoud Mini handson video

IK Multimedia got a jump start on NAMM with the announcement of its iLoud speaker duo just before the proper start of the show. Today, we swung by the company's booth to take a closer look and spend a few minutes with the Bluetooth-wielding wireless duo. The first thing that we noticed was the build quality. Both the iLoud and iLoud Mini sport a soft-touch rubber-esque coating on the top and bottom that we've seen in other Bluetooth audio units. The pair also has an adequate amount of heft without being overbearing when added to the weight of an already packed rucksack. In terms of the Mini, a single volume control rests on the right side, both USB port (for charging) and aux inputs reside around to the left and the power button is at home up top.

For us, the real star of the show here is the regular iLoud. In addition to the same wireless capabilities as the smaller sibling, this unit packs a 1/4-inch input that houses the outfit's iRig circuitry. Essentially, one of IK Mulitmedia's adapters is crammed right into the speaker. Said jack along with controls for power, gain and Bluetooth pairing hit the backside in addition to an auxiliary port for connecting a handset or tablet via cable. The volume knob is around front on this beefier model, encircled in a glowing red light. One of the main selling points is the advertised studio-grade sound quality -- especially in the 40W iLoud -- which we were unfortunately unable to confirm due to the overly noisy show floor here in Anaheim. Jump down through the gallery to take a gander at the pair that is set to arrive in Q2 for $300 and $200 respectively.

Gallery: IK Multimedia iLoud and iLoud Mini hands-on

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Apogee revamps One and Duet audio interfaces for iOS and Mac, updates Quartet to match

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Apogee intros revamped One and Duet audio interfaces for iOS and Mac, updates Quartet to match

Apogee wants bring pro audio interfaces to the mobile realm. To that end, it's coming to NAMM with a trio of options that cover most Apple-bound musicians and podcasters. Its next-generation One interface (seen after the break) can take simultaneous input from both a built-in condenser mic and one device plugged into either an XLR or quarter-inch jack, passing along the resulting tunes to an iOS device or a Mac's USB port. A similarly reworked Duet adds direct iOS connections to the two-input, four-output Duet (above). Full-fledged bands aren't left out of the equation, either -- the existing, four-input Quartet has received iPad support without changing its formula. Lighting-based iOS gear unfortunately requires an adapter, but we'll take consolation in a new Maestro app for iPads that offers control over connections and session monitoring. Producers hoping for more mobility can pick up the Duet or Quartet in February at their respective $595 and $1,295 prices, although they'll have to wait until March to buy the One at $349.

Apogee intros revamped One and Duet audio interfaces for iOS and Mac, updates Quartet to match

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Apogee Electronics introduces all new "ONE", audio interface & microphone featuring iPad & Mac compatibility, upgraded sound quality and new Maestro control app for iOS

Anaheim, California, January 24, 2013 - Apogee Electronics is pleased to introduce the completely redesigned ONE, a 2 IN x 2 OUT USB audio interface and microphone. The all new ONE is the first studio quality audio interface and microphone that makes a direct digital connection to Apple's iPad (iPhone, iPod touch) and Mac. ONE features Apogee's Maestro control software, iOS device charging, optional battery power for portable recording with iPad and professional sound quality. ONE is the all-in-one solution that makes it easy for musicians, songwriters, recording engineers, film makers, audiophiles, and anyone else to enjoy professional sound quality on iPad and Mac.

ONE offers three input options; a built-in omni-directional condenser microphone, XLR input for dynamic, condenser or ribbon microphones, and 1/4" instrument input for electric guitars, keyboards or any instrument with an electric pick-up. An upgrade from the original design, ONE now has the ability to record two inputs simultaneously (instrument plus built-in microphone or external microphone). The updated AD/DA converters and mic preamps deliver best-in-class, studio quality sound and allow you to capture and playback your recordings with incredible clarity and detail.

ONE's audiophile quality headphone amplifier/DAC is a favorite for enhanced music listening on Mac. Now ONE delivers the same hi-fi quality sound to iPod touch, iPhone and iPad users for listening to streaming radio and music libraries with incredible clarity and detail.

ONE's built-in condenser microphone is a unique feature allowing anyone to record with incredible results and without the need for an external microphone. This paired with the option of connecting to iPod touch, iPhone or iPad and battery power enables studio-quality recordings to be created in any location.

"We have completely redesigned ONE, incorporating highly anticipated features; iPad compatibility, simultaneous recording of guitar and a microphone, enhanced sound quality, and a much desired metal chassis," says Apogee CEO and Co-Founder Betty Bennett. "This is an innovative interface, ideal for the musician who wants an all-in-one solution they can count on for ease of use and professional studio quality results, no matter where they are. We're excited to welcome this next generation of a classic Apogee product and we know our customers will love it."

Apple's iPad has revolutionized music creation with an intuitive touch interface and a universe of powerful and very affordable music apps. As a studio quality microphone and audio interface, ONE delivers key features to this new paradigm. Apogee's Maestro software for iOS lets you control ONE's inputs, mic preamp, outputs and set up low latency monitoring. ONE's DC power charges iPad while in use so recording is not interrupted. The option of battery power for ONE allows for truly portable professional recording.

When used with iPad or an iOS device, ONE works with any Core Audio compliant app like GarageBand, Auria and MultiTrack. For recording on a Mac, ONE works with Logic, Pro Tools, GarageBand, Ableton Live and any Mac Core Audio compliant application.

ONE for iPad and Mac - Highlights

First studio quality audio interface and microphone for iPad
New circuitry, mic capsule and upgraded sound quality
Redesigned die cast aluminum chassis
Direct digital connection to iPod touch, iPhone, iPad
Works with new iPhone 5, iPad (4th generation), iPad mini
(Lighting adapter required - Sold separately)
Works with GarageBand, MultiTrack, Spotify; Any Core Audio compatible app on iOS
Works with GarageBand, Logic, Pro Tools, Ableton, iTunes; Any Core Audio compatible app on Mac
Low latency monitoring, complete input/output control with Apogee's Maestro software (iOS & Mac)
DC power supplies charge to iPod touch, iPhone or iPad
Optional battery operation for remote recording on iPad (2 AA batteries not included)
USB 2.0 audio with 24-bit/96kHz A/D and D/A conversion
Built-in omnidirectional condenser microphone (mic stand adapter included)
2 Analog Inputs (XLR microphone and 1/4" instrument connector on breakout cable)
Record up to 2 inputs at a time (instrument + internal microphone or external microphone)
1 1/8" stereo output for headphones or powered speakers
Legendary Apogee sound quality
Designed in California - Made in the U.S.A.

System Requirements

Mac OS:

Computer: Intel Mac 1.5GHz or faster
Memory: 2 GB RAM minimum, 4 GB recommended
OS: 10.7.5 or greater
Connection and power: Any available USB port on a Mac
USB bus powered; DC power optional
(DC power supply included)

iOS:

iOS version: 5.1 and later
Connection: 30-pin dock connector
Power supply or two AA batteries required
(Batteries not included)
iOS device compatibility (Lightning connector)

iPod touch* (5th generation)
iPhone 5*
iPad* (4th generation)
iPad mini*
* Requires Apple's Lightning to 30-pin adapter. Sold separately.

iOS device compatibility (30-pin connector)

iPod touch (4th generation)
iPhone 4S
iPhone 4
iPad (3rd generation)
iPad 2
iPad

Price: $349
Availability: March 2013

Apogee Electronics introduces new Duet featuring iPad & Mac compatibility, MIDI I/O and new Maestro control app for iOS

Anaheim, California, January 24, 2013 - Apogee Electronics is pleased to introduce Duet for iPad and Mac, a 2 input, 4 output USB audio interface. The new Duet is the first professional stereo audio interface that makes a direct digital connection to Apple's iPad (iPhone, iPod touch) and Mac. Duet features Apogee's Maestro control software, iOS device charging, MIDI connectivity and professional sound quality. Duet is the ideal personal studio interface for stereo music recording, mixing and audiophile-quality listening on iPad and Mac.

First introduced in 2007, the original Duet was a 2 IN x 2 OUT FireWire Audio Interface for Mac and became one of the most popular audio interfaces of all time, starting a home studio revolution and winning many industry awards and accolades. Duet received an upgrade in May of 2011 when Duet 2 took its place with a new 2 IN x 4 OUT format, redesigned AD/DA conversion and mic preamps, and USB 2.0 Mac connectivity. The new Duet for iPad and Mac builds on this legacy by offering the same professional quality as the Duet 2 for the iPad based personal studio.

"Apogee has pioneered professional digital recording on iPad and iOS devices with products like JAM, our studio quality guitar input, and MiC, the first studio quality digital microphone for iPad and iPhone. We are now taking the next step, offering a range of professional multi-channel recording solutions for iPad and all iOS devices," says Apogee CEO and Co-Founder Betty Bennett. "Enabling amazing products like Duet to be directly connected to the increasingly powerful iPad and all other iOS devices, seamlessly integrated with apps like GarageBand and Auria, controlled with our Maestro software allows you take mobile music creation to the next level. It truly is a new frontier for the personal studio and we're proud to be at the forefront."

Apple's iPad has revolutionized music creation with an intuitive touch interface and a universe of powerful and very affordable music apps. Duet delivers key features to this new paradigm that bring professional stereo audio recording to iPad for the first time. Apogee's Maestro software for iOS lets you control Duet's inputs, mic preamps, outputs and set up low latency monitoring. Duet's DC power charges iPad while in use so recording is not interrupted. Duet provides plenty of power for studio headphones, microphones and MIDI keyboards. In addition, Duet accepts and provides professional audio level (ie. balanced, +4 dBu reference level).

When used with iPad or an iOS device, Duet works with any Core Audio compliant app like GarageBand, Auria and MultiTrack. For recording on a Mac, Duet works with Logic, Pro Tools, GarageBand, Ableton Live and any Mac Core Audio compliant application.

Duet for iPad and Mac - Highlights

First professional stereo audio interface for iPad
Direct digital connection to iPod touch, iPhone, iPad
Works with new iPhone 5, iPad (4th generation), iPad mini
(Apple's Lighting to 30-pin adapter required - Sold separately)
Works with GarageBand, Auria, MultiTrack; Any Core Audio compatible app on iOS
Works with GarageBand, Logic, Pro Tools, Ableton; Any Core Audio compatible app on Mac
Low latency monitoring, complete input/output control with Apogee's Maestro software (iOS & Mac)
MIDI input/output (USB-A type connector)
DC power supplies charge to iPod touch, iPhone or iPad
USB 2.0 audio with 24-bit/192kHz A/D and D/A conversion
2 Analog inputs with world-class mic preamps and selectable 48v phantom power
2 Balanced analog line outputs
1 Independent 1/4" stereo headphone output
Legendary Apogee sound quality
Designed in California - Made in the U.S.A.

System Requirements

Mac OS:

Computer: Intel Mac 1.5GHz or faster
Memory: 2 GB RAM minimum, 4 GB recommended
OS: 10.6.8, 10.7.4 or greater
Connection and power: Any available USB port on a Mac
USB bus powered; DC power optional
(DC power supply included)

iOS:

iOS version: 5.1 and later
Connection: 30-pin dock connector
DC Power supply included
iOS device compatibility (Lightning connector)

iPod touch* (5th generation)
iPhone 5*
iPad* (4th generation)
iPad mini*
* Requires Apple's Lightning to 30-pin adapter. Sold separately.

iOS device compatibility (30-pin connector)

iPod touch (4th generation)
iPhone 4S
iPhone 4
iPad (3rd generation)
iPad 2
iPad

Price: $595
Availability: February 2013

Apogee Electronics announces iPad compatibility for Quartet USB audio interface and new Maestro control app for iOS

Anaheim, California, January 24, 2013 - Apogee Electronics is pleased to announce iPad compatibility for Quartet, a 4 input, 8 output USB audio interface. Quartet is the first professional multi-channel audio interface that makes a direct digital connection to Apple's iPad (iPhone, iPod touch) and Mac. Quartet for iPad and Mac features Apogee's Maestro control software, iOS device charging, MIDI connectivity, advanced monitor control and professional sound quality. Quartet is the ideal studio control center for multi-channel music recording and mixing on iPad and Mac.

"Apogee has pioneered professional digital recording on iPad and iOS devices with products like JAM, our studio quality guitar input, and MiC, the first studio quality digital microphone for iPad & iOS. We are now taking the next step, offering a range of professional multi-channel recording solutions for iPad and all iOS devices," says Apogee CEO and Co-Founder Betty Bennett.

"Enabling amazing products like Quartet to be directly connected to the increasingly powerful iPad and all other iOS devices, seamlessly integrated with apps like GarageBand and Auria, controlled with our Maestro software allows you take mobile music creation to the next level. It truly is a new frontier for the personal studio and we're proud to be at the forefront."

Apple's iPad has revolutionized music creation with an intuitive touch interface and a universe of powerful and very affordable music apps. Quartet delivers key features to this new paradigm that bring professional multi-channel audio recording to iPad for the first time. Apogee's Maestro software for iOS lets you control Quartet's inputs, mic preamps, outputs and set up low latency monitoring. Quartet's DC power charges iPad while in use so recording is not interrupted. Quartet provides plenty of power for studio headphones, microphones and MIDI keyboards. In addition, Quartet accepts and provides professional audio level (ie. balanced, +4 dBu reference level).

When used with iPad or an iOS device, Quartet works with any Core Audio compliant app like GarageBand, Auria and MultiTrack. For recording on a Mac, Quartet works with Logic, Pro Tools, GarageBand, Ableton Live and any Mac Core Audio compliant application.

Quartet for iPad and Mac - Highlights

First professional multi-channel audio interface for iPad
Direct digital connection to iPod touch, iPhone, iPad
Works with new iPhone 5, iPad (4th generation), iPad mini
(Apple's Lighting to 30-pin adapter required - Sold separately)
Works with GarageBand, Auria, MultiTrack and any Core Audio compliant app on iOS
Works with GarageBand, Logic, Pro Tools, Ableton and any Core Audio compliant app on Mac
Low latency monitoring, complete input/output control with Apogee's Maestro software (iOS & Mac)
MIDI input/output (USB-A type connector)
DC power supplies charge to iPod touch, iPhone or iPad
USB 2.0 audio with 24-bit/192kHz A/D and D/A conversion
4 Analog inputs with world-class mic preamps and selectable 48v phantom power
6 Balanced analog line outputs
ADAT/SMUX digital Inputs
Monitor control - up to 3 speaker sets
1 Independent 1/4" stereo headphone output
QuickTouch pads for input/output selection and advanced control
Legendary Apogee sound quality
Designed in California - Made in the U.S.A.

System Requirements

Mac OS:

Computer: Intel Mac 1.5GHz or faster
Memory: 2 GB RAM minimum, 4 GB recommended
OS: 10.6.8, 10.7.4 or greater
Connection and power: Any available USB port on a Mac
Power: DC Power supply included
iOS:

iOS version: 5.1 and later
Connection: 30-pin dock connector
DC Power supply included
iOS device compatibility (Lightning connector)

iPod touch* (5th generation)
iPhone 5*
iPad* (4th generation)
iPad mini*
* Requires Apple's Lightning to 30-pin adapter. Sold separately.

iOS device compatibility (30-pin connector)

iPod touch (4th generation)
iPhone 4S
iPhone 4
iPad (3rd generation)
iPad 2
iPad

Price: $1295
Availability: February 2013

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Pioneer Platinum Edition CDJ2000nexus, DJM-900nexus and RMX-1000 eyes-on

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Pioneer Platinum Edition CDJ2000nexus, DJM-900nexus and RMX-1000 eyes-on

What do Magpies and DJs have in common? Well, if Pioneer's latest special edition hardware is anything to go by, it's a love of shiny things. Announced this week, the limited-run of it's flagship CDJ2000nexus, DJM-900nexus and RMX-1000 remix station DJ gear is all about the looks. We managed to get there the minute the show floor opened, and found the lustrous kit getting the final spit and polish before the eager hoards could get their curious hands on it. As anyone who has used Pioneer DJ kit will know, the build quality is generally high, and this is still the case here. The metallic finish really makes them something to look at, and we can see this being the set-up of choice for those who like to show off a little. With that in mind, you might be thinking what we were: what about fingerprints? Well, having got there first, meant that they had yet to endure the proper real-world challenge, but we were kind enough to apply a few firm presses to the gear in the name of science. The result? Well, let's just say that you might want to keep a lint-free cloth close to hand. But then if you're the kind to lay down the suggested $8,499 for the whole set, we imagine you might have thought that far ahead already. Check the gallery below to see the whole set, up close and personal.

Gallery: Pioneer Pioneer Platinum Edition CDJ-2000nexus, mixer and remixer eyes-on

Billy Steele contributed to this report.

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Moog shows off one-of-a-kind Aluminum Voyager and 10th Anniversary Minimoog Voyager at NAMM (eyes-on)

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Moog shows off oneofakind Aluminum Voyager and 10th Anniversary Minimoog Voyager at NAMM eyeson

A couple of months back, Moog announced its limited edition 24-karat gold clad Minimoog Voyager to celebrate the 10th anniversary of said analog synth. But here at NAMM 2013, the outfit is showing of the latest bit of unannounced handiwork from its in-house machine shop. Feast your eyes on the Aluminum Voyager: a one-of-a-kind unit that is housed in the rugged silver material and features all blue panel lighting to complete the look -- right down to the rivets. We also took a bit of time to lay our peepers on that golden model, too. Our snaps don't really do it justice, but the combination of the shiny finish with translucent control knobs and accents of Japanese Awabi pearl make for one of the most dapper instruments we've seen. But don't take our word for it, dive in to the gallery below to take a closer look at the pair.

Gallery: Moog Aluminum Voyager and 10th Anniversary Minimoog Voyager eyes-on

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Orange Amps updates its OPC once more: Intel i7, 16GB RAM and a graphics boost

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Orange Amps updates its OPC once more: Intel i7, 16GB RAM and a graphics boost

Orange Amps trotted out a few updates to its PC / amplifier hybrid over a year ago, but the music outfit has announced some more quite noteworthy tweaks at NAMM 2013. The orange clad units will now sport third-gen Intel i7 processors, a maximum capacity of 16GB of RAM (doubled from the previous 8GB limit) and users will have their choice of either NVIDIA's GeForce GTX 650 Ti or AMD's HD 7750 to power graphics matters. Of course, the OPC will still feature the same array of inputs for tracking in addition to its built-in speaker for keeping an ear on how things are progressing and an attractive software suite. A fully loaded model will hit the ol' wallet for £1,197 ($1,896), but individual component upgrades are available should you be looking to save a little coin.

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New 3rd Generation Orange OPC Upgraded And on Demonstration at Winter NAMM 2013

Orange Amplification has upgraded the multi-award winning state-of-the-art Orange Personal Computer to the 3rd Gen Intel i7 processor and doubled the maximum 8GB of RAM to a massive 16GB.

The 3rd Gen Intel i7 processor has up to twice the HD Media and 3-D graphics performance and delivers stunning visual experiences from mainstream gaming to HD video editing. Creating and editing videos and photos, surfing the Web, watching HD movies or playing mainstream games are now quicker, crisper and more life-like. The additional 16 GB RAM will further help the speed of the OPC and enable users to multi-task with no noticeable slow down in performance.

Users can now also purchase the OPC with the latest generation Nvidia 650 ti or AMD HD 7750 Graphics Card for even more advanced graphical performance.

Already described as an 'affordable guitarists dream' by Guitar World Magazine and a computer '[packed] full of high-performance components' by CNET, the OPC now has a huge speed boost with the upgraded 3rd gen Ivy Bridge Intel CPUs with the added benefits of built-in studio quality speakers, ultra-low latency (1ms), ¼ jack inputs/outputs and an incredible £500 of recording software already installed and configured. The latest upgrade means the OPC now has more power and speed for a wider range of creative needs from recording, video editing, gaming, music playback and 3D modeling to provide unbeatable value.

The latest upgrade on the OPC follows a succession on world class reviews in 2012 which saw Expert Reviews.com give it a 5 star review, Guitar World awarding the OPC their coveted Gold Award, CNET.com presenting it their editors choice and Stuff magazine describing the OPC as an ace-sounding all-in-one studio crammed into a '70s rock icon'!

To take a look at the OPC and all the other Orange Amps and products go to Orange Music Booth 4890 Hall C. You can find out more about the OPC software and hardware and also buy direct from our website www.orangeopc.com

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Via: Music Radar

Source: Orange Amplifiers, Orange OPC

Stylophone S2 portable analog synthesizer hands-on (video)

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http://www.engadget.com/2013/01/23/stylophone-s2-portable-analog-synthesizer-hands-on/

The original Stylophone is something of a legend. Made popular by David Bowie (and possibly if you're British, Rolf Harris) in the late sixties / early seventies. Since then the original (shown in our gallery) has been re-released, and spin-off products have come to light. The S2, however, represents a new direction for the vintage synth. This time, makers dubreq wanted to create something that maintained the original's pick-up-and-play appeal, while adding some more high-end features and functionality that open it up to more serious sound-smiths. The first thing you will notice is that, while it still has the iconic metal "keys," the Stylophone S2 is somewhat larger -- no bad thing if you've ever tried penning a melody live on the original. Those keys can be triggered with a wireless stylus, but are touch sensitive also, meaning you can poke out a tune without being limited to the agility of your dominant hand. Skip past the break for more details and a hardware video tour.

Gallery: Stylophone S2 hands-on

If you're thinking that, despite being larger than its predecessor, there's just not enough keys, then be assured you can get a full three octaves plus a +/-2 shift function on the left giving it a comprehensive range. The all-analog sound engine also features an eight waveform LFO, bass-heavy sub-oscillators and a state-variable filter. Thanks to an Aux input, you can also use the filters etc. with external audio sources, plus there are headphone and 1/4-inch outputs. If you're worried it's all a little too compact for a live performance, there's a CV (control voltage) input trigger offering the ability to control with with an external sequencing device. It's not all retro though, with the illuminated speaker section also providing real-time feedback (such as the speed of the LFO). Best -- and most importantly of all -- it sounds just like you want it to, full of crunchy, analog goodness. The hardware feels extremely well built, and definitely feels like it could stand up to the knocks and bangs that inevitably come with taking gear out on the road, which, thanks to the option of AA battery power is wonderfully easy. Sound like something you'd like the sound of? The Stylophone S2 is available now for £299 (about $470 by conversion).

Billy Steele contributed to this report.

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Numark Orbit wireless MIDI DJ controller hands-on (video)

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Numark Orbit wireless MIDI DJ controller hands-on

NAMM is yet to open its doors fully, but we managed to sneak a hands-on with the freshly announced Orbit DJ controller from Numark at the press preview. As you can see, the wireless device looks like a game controller that crashed into a disco -- it's certainly distinctive. This is no accident, and the design is purposely built with quick and easy button access in mind, letting DJs (and any MIDI-based performers) step out from behind the DJ booth, and onto the stage. The portability of the Orbit is further amplified by the inclusion of a clip-mount on the rear, as well as lanyard-style strap hoops. It feels light yet solid, and the soft-touch finish means your hands won't get tired gripping this thing in the throws of a drum-pad solo. The name Orbit also evidently refers -- at least in part -- to the near-symmetrical design which lets you hold it either way with the same comfortable access to those brightly-lit, colorful controls. Those pads feel smooth, yet tactile -- and most importantly -- responsive. Tap past the break for more impressions.

Gallery: Numark Orbit hands-on

That central dial you see in the middle is designed to be used as a multi-purpose knob, and is big enough for you to comfortably thumb it, while still reaching the side controls. There are four buttons which can be assigned as "virtual rotaries," and once selected, spin that wheel to modulate whatever you have it assigned to (filters, reverb amount etc.). The other set of four buttons let you expand those 16 pads out to a potential 64, so if you want one bank for controlling lights, one for sample triggering, and another for hot-cues, you can do this all from the one small device. It's not just the external controls that make this interesting, the internal two-axis accelerometer, which can be assigned to parameters of choice, will definitely add a new dimension to what's possible. Sadly we weren't able to try this out, but already we're thinking of some interesting uses. There's a micro-USB port on one side for charging and tethered use. We only had a short amount of time with the Orbit, but already we could see its potential for enhancing performance. It's not meant to replace anything in your existing set-up, rather to enhance it, and given the flexibility of MIDI, this could mean a whole host of interesting uses. The crowd of folk waiting to get a closer look behind us certainly showed that it's piquing people's interest. Set to be released in spring for a reasonable $100, this looks like a promising start to 2013 for Numark. Check the video tour below for more.

Billy Steele contributed to this report.

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