Fujifilm X-E1 leaks into view oozing vintage cool

Fujifilm XE1

A Japanese site called Digicam Info has leaked pics of a previously unknown Fujifilm mirrorless interchangeable-lens camera, the X-E1. The natty looking snapper bears a strong family resemblance to the X-Pro1 model, but looks to be flaunting a pop-up flash, and lacks the optical viewfinder of the flagship model. The sneaked pics show black and silver-topped models, as well as a previously announced lens, the 18-55 f/2.8-4.0 OIS zoom that has yet to hit the market. No other details, such as price, are available yet, but the model will likely slot behind the X-Pro1 and ahead of the X100 to fill out the retro-look X-family.

Gallery: Fujifilm X-E1

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Fujifilm X-E1 leaks into view oozing vintage cool originally appeared on Engadget on Fri, 24 Aug 2012 07:45:00 EDT. Please see our terms for use of feeds.

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Panasonic G5 mirrorless camera gets September 13th release date in Japan

Panasonic G5 mirrorless camera gets September 13th release date in Japan

We enjoyed our short time with Panasonic's new mirrorless G5 in our hands-on last month, even if it was a little on the porky side. And, if you hail from the Land of the Rising Sun and had your heart set on one of these 16-megapixel shooters, Panny's announced you'll get your chance from September 13th. We're getting dangerously close to missing the stateside launch target of August, but where the US website is showing the G5 as unreleased, availability on Amazon tells a different story. We're reaching out for confirmation on that -- as well as pricing -- and will update should we hear more.

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Panasonic G5 mirrorless camera gets September 13th release date in Japan originally appeared on Engadget on Thu, 23 Aug 2012 10:58:00 EDT. Please see our terms for use of feeds.

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Nikon 1 J2 mirrorless camera: minor control tweaks, $549, ships in September

DNP Nikon 1 J2 mirrorless camera minor control tweaks, $549, ships in September

Not even a year after Nikon ceremoniously entered the mirrorless world, it's issuing the followup to the J1: it's the Nikon 1 J2, and it's -- at most -- a gentle revision to a camera that was near-universally hailed as being one of the more disappointing ILC options. Disappointing, of course, because it's Nikon. A company that quite clearly knows a thing or two about photography (D3S / D4, anyone?), but seemed to miss the mark in terms of price, performance and lens compatibility. With the J2, it sort of feels like a do-over. Outside of a slightly tweaked orange color and a reimagined exterior finish, the J2 is identical in size to the J1. You'll find the same 10.1 megapixel CMOS sensor (1-inch), the same autofocus system and support for the same lens collection. What's new are the additions to the Mode Selector dial, which add a smattering of creative options and access to P/S/A/M exposure modes. The rear LCD has seen its resolution double (to 921,000 dots, same as on the D4), and the camera has been intelligently designed to turn on when extending a 1 Series lens out, and turn off when retracting it into storage.

Perhaps most importantly, Nikon's finally on the same playing field in terms of asking price. The J2 will ship in September for $549.95, and that includes the same 10-30mm f/3.5-5.6 kit lens that shipped with the J1. If you'll recall, the J1 kit started at $100 more, yet offered far less punch than Sony's cheaper NEX-C3. It's also worth noting that one other player has joined the ILC movement since the J1: Canon. Arguably, the EOS M still beats the J2 in practically every way; the thing that really needed an overhaul in the J2 was the meager 1-inch sensor, yet it remains. Perhaps the best news out of this ordeal is that the J1 isn't immediately going away. Nikon confirmed that it'd remain on store shelves for an undetermined amount of time, likely at a nice discount. If it's offered low enough, it may be easier to live with the shortcomings.

In terms of accessories, Nikon's also introducing an optional 11-27.5mm f/3.5-5.6 lens ($189.95; ships next month) for the 1 Series. Though similar (on paper) to the 10-30mm kit lens, this guy is nearly 30 percent smaller from a physical size and weight standpoint. And on the other extreme, there's the WP-N1 waterproof case. This one's engineered to encase both the J1 and J2 for beneath-the-sea action up to 140 feet deep, but the staggering $749.95 (!) price tag is bound to attract jeers, chuckles and blank stares. Now, underwater cases of merit aren't ever "affordable," but offering an enclosure that's a full $200 more than the hardware it protects? Questionable. That said, we'd certainly relish the chance to test one out, but you best be sure that Nikon's J1 / J2 is going to be your underwater cam of choice for a long while before plunking down that much coin.

Continue reading Nikon 1 J2 mirrorless camera: minor control tweaks, $549, ships in September

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Nikon 1 J2 mirrorless camera: minor control tweaks, $549, ships in September originally appeared on Engadget on Thu, 09 Aug 2012 00:01:00 EDT. Please see our terms for use of feeds.

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Fujifilm outlines X-Pro1 lens roadmap, brings zoom at last this fall

Fujifilm outlines XPro1 lens roadmap, brings zoom at last this fall

If there's been one outstanding gripe with Fujifilm's X-Pro1 camera, it's been the absence of zoom lenses; short of French kissing the subject, you might not get the photos you want. While there isn't much of a solution right this second outside of buying the fixed-lens X10, the Japanese camera designer can say when we'll see an interchangeable XF-mount zoom lens: fall 2012. That's when a bright 18-55mm, f/2.8-4.0 optically stabilized lens will make its appearance, along with a 14mm f/2.8 prime. Fujifilm will revert to unveiling nothing but pancakes and primes during early 2013, but the middle of that year will finish covering the zoomable basics through a wide-angle 10-24mm f/4.0 OIS lens and a 55-200mm, f/3.5-4.8 OIS telephoto. We wouldn't expect pricing with the new glass still months away -- but at least you can start planning that Sumatra vacation knowing you won't have to chase down the wildlife to get a good keepsake shot.

Continue reading Fujifilm outlines X-Pro1 lens roadmap, brings zoom at last this fall

Fujifilm outlines X-Pro1 lens roadmap, brings zoom at last this fall originally appeared on Engadget on Mon, 25 Jun 2012 22:00:00 EDT. Please see our terms for use of feeds.

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Sony NEX-F3 review

Sony NEX-F3 review

Just shy of a year ago, we reviewed the Sony NEX-C3, a mirrorless camera that quickly became our benchmark when it came to entry-level interchangeable lens cameras (ILCs). We praised its excellent image quality, generally consistent performance, overall solid design and, best of all, its $600 price tag -- including an 18-55mm kit lens. Since then, the landscape has shifted drastically for this particular type of compact shooter, with the Olympus OM-D E-M5 raising the bar for focusing performance, Nikon's cute J1 winning the hearts of many (likely due to a heavy marketing budget and adorable design) and the Fujifilm X-Pro1 pushing the envelope when it comes to price and body size. For its part, Sony also attracted plenty of attention with its flagship NEX-7, which appears to have been the inspiration for the company's brand new NEX-F3.

Based on its price tag and release schedule, you might have assumed that the NEX-F3 is here to dethrone Sony's NEX-C3. That may or may not be the case (we're hoping for the latter) -- the F3 is much more a scaled-down version of the NEX-7 than an update to the C3. Sure, designs can change drastically from one year to the next, but we were quite fond of last year's model, and many of you were, too. From a specification perspective, the F3 has a new APS-C sensor (though resolution remains unchanged), with a higher top ISO setting of 16,000, a 3-inch LCD that can flip 180-degrees to face completely forward, a new NEX-7-esque pop-up flash and a bulkier design. But does bigger mean better in this case? Click past the break for our take.

Continue reading Sony NEX-F3 review

Sony NEX-F3 review originally appeared on Engadget on Thu, 31 May 2012 12:00:00 EDT. Please see our terms for use of feeds.

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Samsung clarifies camera production shift, confirms commitment to point-and-shoot models

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We've heard reports that Samsung has shifted focus at some of its camera manufacturing facilities away from point-and-shoot cameras with the objective of ramping up production of its compact mirrorless models. And while this move implies that the company's pocketable compacts could be doomed, that's simply not the case. We spoke with Reid Sullivan, Samsung's Senior Vice President of Mobile Entertainment, who reinforced the company's continuing commitment to developing and manufacturing point-and-shoot models -- in short, pocketable cameras remain a focus for the company, which simply made manufacturing adjustments to accommodate an anticipated increase in demand for recently-launched NX20, NX210 and NX1000. Point-and-shoots, for better or worse, are here to stay, and Sullivan explained that while we're unlikely to see new sub-$100 cameras make their debut, there's plenty in the works on the SMART front, with new launches in store for upcoming events like Photokina and CES. Whether there will continue to be demand for point-and-shoots remains to be seen, and while consumers are clearly turning to smartphones for casual shooting, Samsung appears to be in no hurry to abandon the point-and-shoot form-factor.

Samsung clarifies camera production shift, confirms commitment to point-and-shoot models originally appeared on Engadget on Thu, 17 May 2012 13:57:00 EDT. Please see our terms for use of feeds.

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Does Samsung’s point-and-shoot departure mark an industry-wide shift to mobile?

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Samsung's CES camera lineup had a single focus across the range: wireless connectivity. The company's flagship point-and-shoot, the 14-megapixel WB150F, boasts built-in WiFi at the very top of its feature shortlist. In fact, until you make your way to the third (and only) capture-related detail (an 18x optical zoom lens), you'd be hard-pressed to distinguish the dedicated device from some of Samsung's other camera-equipped offerings. With its latest generation of "Smart Cameras," the company moved to further bridge the gap between its gamut of portable devices, by bringing key smartphone features to its digital imaging line.

As it turns out, the move was simply a crutch -- an opportunity to refresh models with technologies in which the company has already made significant investments. And it appears to have resulted in only a slight delay of the inevitable. We now know what to expect for Samsung's point-and-shoots -- pocketable models will step aside to make room for NX-series interchangeable lens cameras, and compact fans will continue to turn to Galaxy all-on-ones for their on-the-go shooting needs. Join us past the break for a closer look at how the move could impact the industry, and what the future may hold for the (formerly) beloved point-and-shoot.

Continue reading Does Samsung's point-and-shoot departure mark an industry-wide shift to mobile?

Does Samsung's point-and-shoot departure mark an industry-wide shift to mobile? originally appeared on Engadget on Thu, 10 May 2012 11:47:00 EDT. Please see our terms for use of feeds.

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Olympus OM-D E-M5 Micro Four Thirds camera review

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Stepping across the great DSLR divide into the land of mirrorless cameras always requires some compromise. Focusing speed, image quality, lens compatibility and battery life are frequent casualties, but for everyone except professional shooters, the size and cost benefits of swapping a full-grown beast for a compact ILC surely help soften the blow. The latest Micro Four Thirds model from Olympus, the OM-D E-M5, adds functionality that expand that list of betterments even further, allowing more versatility than larger DSLRs have to offer. These perks include a water-resistant design, for starters, along with a nifty lens that offers macro shooting and both manual- and powered-zoom in one compact package.

One area where the 16-megapixel E-M5 does match the footprint of its full-size brethren is in price: you'll drop a cool grand for the body alone, while the 12-50mm f/3.5-6.3 lens kit will bump that tag up another $300. Make no mistake, the E-M5 is a fantastic camera, but $1,300 is mighty steep for any mirrorless model, especially one with a Micro Four Thirds sensor. This, however, is no ordinary MFT camera. As the first model in Olympus's OM-D line -- taking design cues from the company's popular line of OM film cameras -- the E-M5 is in a class of its own, at least as far as Olympus's portfolio is concerned. Besides physical appearance, perhaps, the most notable selling point is its focus speed: press the shutter release, and your subject comes into clarity with rapid-fire precision, whether you're shooting in bright sunlight or a dark restaurant. But though the E-M5 has already received accolades for its powerful focusing, you might be wondering how the whole package performs. Meet us past the break to find out.

Continue reading Olympus OM-D E-M5 Micro Four Thirds camera review

Olympus OM-D E-M5 Micro Four Thirds camera review originally appeared on Engadget on Tue, 01 May 2012 12:00:00 EDT. Please see our terms for use of feeds.

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Fujifilm X-Pro1 mirrorless camera review

Fujifilm X-Pro 1 mirrorless camera review

Hear any mention of retro-styled cameras with exorbitant price tags and it's hard not to get suspicious. That kind of talk brings to mind Leica's incessant re-branding of Panasonic Lumix models, or those unicorn limited editions out of Japan that just leave us baffled. But it's okay, you can relax with the Fujifilm X-Pro1. At $1,700 for the body only it's crazily expensive, sure, but not when you compare to an $8,000 Leica M9-P. Besides, it's a legitimate heir to a strong line of Fuji shooters that includes the much-loved X100 and the more accessible X10. That's a strong pedigree, and no matter how deeply you peer into its mirrorless aperture, the X-Pro1 should offer up enough technology to stop you being cynical.

Like what, you ask? Well, a genuinely surprising bespoke 16-megapixel APS-C sensor, for starters, plus a hybrid viewfinder designed to keep everyone happy all of the time, and a Fuji X lens mount that already has a Leica M9 adapter available (plus others, like Nikon, if you scan eBay). It all adds up to something special, but before you go tweeting this article to whimsical rich uncles, there are also some complicating factors you ought to be aware of. Even in a utopian paradise where everyone could afford this sip of photographic luxury, it's far from certain whether everyone would choose it over other interchangeable lens cameras. Read on past the break and we'll explain why.

Continue reading Fujifilm X-Pro1 mirrorless camera review

Fujifilm X-Pro1 mirrorless camera review originally appeared on Engadget on Fri, 27 Apr 2012 12:00:00 EDT. Please see our terms for use of feeds.

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Samsung’s NX20, NX210 and NX1000 mirrorless camera trio hands-on (video)

Samsung's NX20, NX210 and NX1000 mirrorless camera trio, hands-on

We already chewed the cud on these 20.3-megapixel shooters in the early hours of this morning, but Samsung knows we have multiple stomachs for this kind of thing so it invited us in for a little hands-on time. Now, it's worth reiterating that these cameras are far from cheap: the DSLR-rivalling NX20 costs $1,100 with the kit lens, the compact NX210 costs $900 and the wee NX1000 has yet to be priced but could likely come in at around $700. Even so, now that we've had the pleasure of meeting each one individually, there are a few key selling points that make them stand out, and which could potentially turn Samsung into more of a challenger in this game. What selling points, exactly? Oh, only things like big APS-C sensors, AMOLED displays and built-in WiFi across the board. If any of that appeals, read on for more.

Continue reading Samsung's NX20, NX210 and NX1000 mirrorless camera trio hands-on (video)

Samsung's NX20, NX210 and NX1000 mirrorless camera trio hands-on (video) originally appeared on Engadget on Thu, 19 Apr 2012 17:08:00 EDT. Please see our terms for use of feeds.

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