Copper-clad Maserati GranTurismo brings handcrafted luxury + gullwing doors to a bespoke grand tourer

A Maserati GranTurismo is not something you would normally associate with a copper exterior and a glass canopy that opens like a cockpit. Yet that is exactly what makes the GFG Style Peralta D so intriguing. The one-off grand tourer trades the familiar curves of the Italian coupe for hand-hammered copper panels, a mirrored glass upper body and an unusual arrangement of gullwing doors. It is an ambitious exercise in coachbuilding by Fabrizio Giugiaro, created for Mexican entrepreneur and car collector Carlos Peralta.

Unveiled at the 2026 Pastejé Automotive Invitational in Mexico, the Peralta D is the second project commissioned by Peralta from GFG Style. It follows the Peralta S, a bespoke creation based on the Maserati MC20, introduced in 2025. This time, the starting point is the Maserati GranTurismo, with its 2+2 seating layout offering room for four occupants. The D in its name is a personal reference to Peralta’s daughters, just as the earlier S was dedicated to his sons.

Designer: GFG Style

The most striking bit of the performance car is undoubtedly its bodywork. GFG Style has replaced conventional painted panels with pure copper, shaped and hammered by hand to create the lower body. The metal’s natural reddish finish is left exposed, giving the car a character that would be difficult to achieve with paint alone. Above it, mirrored glass treated in a matching copper tone forms the upper section, creating an almost uninterrupted surface between the roof and body.

The design has a distinctly geometric character, with a wedge-shaped profile that recalls some of Giorgetto Giugiaro’s earlier automotive work. Anthracite-black alloy wheels feature a pattern inspired by the 1970s, while slim lighting elements and diamond-pattern aluminium grilles keep the front end relatively uncluttered. Carbon-fibre components are also present, although they are carefully integrated to avoid interrupting the copper-and-glass finish.

Getting inside is an experience in itself. Rather than using conventional doors, the front section opens through a single-motion glass canopy that tilts forward. The rear passengers have separate gullwing-style openings. The arrangement brings to mind the split-opening engine cover of the 1967 De Tomaso Mangusta, designed by Giorgetto Giugiaro, and gives the Peralta D a distinctive sense of occasion.

The cabin continues the material theme with metallic-effect leather, perforated Alcantara and genuine copper-thread stitching. There are some more personal touches, too. The passenger side of the dashboard houses a dedicated makeup station with cosmetic storage and an illuminated mirror display. At the back, a retractable refrigerator in the centre console is designed to hold a champagne bottle and four copper drinking glasses.

Beneath the bespoke bodywork, the Peralta D retains the GranTurismo’s mechanical foundations, combining a carbon-fibre structure with an aluminium chassis. GFG Style has confirmed a combustion-engine powertrain but has yet to disclose detailed engine specifications or performance figures.

There are no plans to put the Peralta D into production. It is a single commission, built around its owner’s tastes rather than the expectations of a wider market. That freedom is evident throughout the car, particularly in the way traditional metalworking and familiar automotive design references have been brought together in something that looks unlike any standard Maserati.

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This Supercharged Grand Tourer Was Built Using a 90-Year-Old Metal-Shaping Tool

The GTX in Riviera blue, all splitter, vents, and a rear wing that towers over the roofline.

There is a tool called an English wheel that has been shaping aluminum car panels since roughly the 1930s. It is a big metal hoop with a roller in the middle, and you push sheet metal through it by hand until it curves the way you want. It sounds like something you would find in a blacksmith’s shed, not in the workshop of a car aiming for 1,200 horsepower. Yet that is exactly the tool Coventry Metalcraft used to hand-form the body of the new Jensen Interceptor GTX, alongside laptops running computational fluid dynamics software. Old-world muscle meets new-world math, and somehow both sides showed up to the same car without arguing.

Jensen International Automotive unveiled the GTX in early September, and it is a strange beast by design. It is Jensen’s first ever clean-sheet car, built to preview a whole new Interceptor lineup, and it gets there using ten English wheels worked by more than 30 artisans, alongside digital design data from studio Avant Design and mixed-reality checks nobody in 1966 could have dreamed of. The result is a 960 bhp supercharged V8 grand tourer wearing hand-beaten aluminum panels shaped partly by algorithms. Britain’s oldest car-forming trick just got a very modern wingman.

Designer: Avant Design

Under the hood: a 6.8-liter supercharged V8 from Late Model Engines, wrapped in carbon and gold foil.

Long bonnet, fastback roofline, and a wing that ruins the original Interceptor's silhouette on purpose.

Avant Design, based out of Royal Leamington Spa, is the studio responsible for translating the original 1966 Interceptor’s proportions into something that reads as contemporary rather than costume. The long bonnet survives, the tightly drawn greenhouse survives, and the wraparound rear glass that made the original such a distinctive shape is still there, even if a towering rear wing now partially blocks the view of it. What is new is the front end, with slim horizontal LED lighting and enormous carbon intakes replacing the old car’s chrome-heavy face. Interestingly, this is not Avant’s first crack at reimagining this exact silhouette. Back in 2023, the studio quietly published a concept called the E-Ceptor, an electric take on the Interceptor with reworked rear glazing and a fresh grille graphic. The GTX effectively took that speculative sketch and gave it a supercharged V8 instead of a battery pack.

Diffuser, quad exhausts, and a wing built for lap times.

A full-width taillight and a wing pulled straight from GT3 territory.

The aluminum decision, both for the chassis and the body, was not driven by sentiment. David Duerden, Jensen International’s managing director, put it plainly when explaining why the GTX skipped carbon fiber entirely. He does not want the car riding like “a skateboard,” which is a fair concern given how punishing a stiff carbon tub can feel on a road built for a Sixties grand tourer, not a modern track special. Aluminum chassis structures are also considerably cheaper to produce in small batches, since they avoid the expensive tooling that carbon fiber demands before a single panel gets made. For a car expected to sell in the dozens rather than the thousands, that economic math matters more than bragging rights about carbon weave.

No screen, just a MoTeC dash, roll cage, and switchgear built for business.

That economic logic is exactly why the English wheel earns its keep here. Hand-forming panels sidesteps the tooling costs that would sink a low-volume carbon fiber program before it ever reached a customer. Coventry Metalcraft’s artisans still shape every piece the old-fashioned way, but they are working from digital surfaces that Avant Design refined using CFD modeling, chasing the 350 kilograms of downforce the GTX needs to behave itself at speed. It is a genuinely odd combination of a seventy-year-old forming technique and simulation software that did not exist when the original Interceptor left the Kelvin Way factory. Jensen is betting its entire comeback on that combination holding together, and so far, from what we have seen, it seems to be working rather beautifully.

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Maserati Biturbo-Shamal restomod reincarnates the 90s Italian coupe into a desirable hunk

Maserati Biturbo-Shamal was one of Maserati’s finest creations when it was released in the 90s. Co-designed by Marcello Gandini, the performance grand tourer fitted with a V8 engine only sold a limited edition of 369 units. Now, Automobili Modena has brought back the sharp Italian classic as a restomod version.

Dubbed MA-01 Biturbo-Shamal Restomod, the car retains the bodywork’s angular, sharp flowing lines, right from the front grille to the LED light clusters on the rear. Eye-pleasing muscle is added in the form of wheel arches, high tail, fixed wing, smoothness of the flanks, and beefy exhausts (two on each side) bulging from the valence.

Designer: Modena Automobili

Lucky ones who own the original Shamal, and ones who are motorheads will instantly recognize the semblance of grille design, center pillar, and Trident on the rear pillars and door handles. The facelift comes in the shape of a more aggressive frontal stance, bigger air intakes, side skirtings and sharper wheel arches. Of them all, the LED light pack and the large spoiler give it a sportier look. The lightweight body features steel and carbon fiber make. Integrated into the frame is an exposed carbon central pillar that doubles as a rollbar for protection.

Although not many details of the interior have been shared, it will likely have an oval digital instrument cluster just like the original. Other details about the innards are left out for now to everyone’s imagination. Under the hood is where most of the work has been invested in. Gone is the original Maserati Biturbo Shamal’s 326-hp 3.2-liter V8 replaced by the modern Maserati Ghibli S’ twin-turbocharged 3.0-liter V6. The engine is custom-tuned to generate more power in coordination with a Ghibli S’ eight-speed ZF gearbox that’s capable of gear shifting in a mere 150 milliseconds. More internal components push the twin-turbo V6’s capability to generate 500hp. In the end, the Shamal hits a top speed of 177 mph and goes from 0-60mph in 4.7 seconds.

The ambitious Modena Automobili Project is only going to take shape as 33 limited edition units. Priced at approximately 638,000 the Maserati Biturbo-Shamal restomod will go up for sale in Spring of 2025, so better mark your calendars.

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