This tranquil floating pavilion functions as a meditation and yoga retreat

Marc Thorpe Design created the Crystal Lake Pavilion – a stunning concept for the West Catskills region of New York. It is surrounded by a 497-acre wild forest which is filled with a thirty-two-acre man-made lake, wetland areas, a beaver pond, streams, and seeps. The area holds a plethora of natural beauty, including hundreds of species of flowers, trees, plants, insects, and wildlife. “The lake shore and surrounding moist woodland provide habitats for trilliums, wild leeks, Jack-in-the-pulpits, and Dutchman’s britches,” said Marc Thorpe.

Designer: Marc Thorpe

The beautiful floating pavilion is designed to be utilized for meditation and yoga classes, as well as group therapy. The Crystal Lake Pavilion can be accessed only by boat, in an attempt to honor the remote natural context of the site. The structure has been wrapped in transparent glass skin, to allow the beauty of the surroundings to truly shine through. The pavilion has been constructed using a traditional King Post timber frame.

The structure consists of heavy timber elements that have all been connected together using lap joints, pegged mortise, and tenon joints. The imposing and sloping roof of the pavilion will be formed using light steel connections, and a standing seam steel roof. The focal point of the pavilion is the central post which is held by a single concrete pier nestled in the lake bed. The triangular roof mirrors the lake’s surface intricately, which gives the impression that the pavilion is weightless and floating effortlessly on the lake. It looks as if the pavilion is hovering above the water!

The optical illusion provided by the pavilion makes it look like an ethereal structure floating above the water. In a time, where structures are heavy, hardy, and concrete-ridden, the Crystal Lake Pavilion is a light free-flowing structure that serves as an oasis on the lake. It serves as a cozy and zen-like space to relax, regroup, and calm down our frantic and hectic minds. It is an excellent location to meditate and practice yoga while being surrounded by the best of what nature has to offer. The location of the pavilion is remote, but that is precisely the USP of the structure.

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Sustainable shell pavilion uses biocomposite profiles to make your exhibit eco-friendly

Normally, booths, pavilions, and other exhibition structures are not the most sustainable. Sure you can recycle some of the parts and maybe re-use them for other events but a lot of times we see them just go to waste or go unused. So materials or designs that are created to lessen carbon footprint and to be reusable and sustainable are always welcome within the design, architecture, and events industry (and everywhere else for that matter). This new lightweight structure made from biocomposite profiles is a Green Concepts 2022 awardee.

Designer: BioMat/ITKE, University of Stuttgart

The LightPRO Shell Pavilion is a project that wanted to introduce alternative sustainable materials that can be used not just for exhibits or booths but for other structural applications. It uses active-bending gridshell that is made from natural fibre biocomposite profiles and combines it with a tensile membrane. What you get are doubly curved surfaces with a continuous beam outline. There are two connected profiles and their forces are transferred to three anchor points.

It may seem not that stable if you look at it without knowing what it’s made of or how it’s standing, but these anchor points are actually attached to a superficial foundation and so it is still solid. The biocomposite profiles used natural flax and hemp fibers for its pultrusion technique which is a process of manufacturing these fibers with a constant cross-section. These profiles are biodegradable and can also be used in various ephemeral structures or other structural applications that may need similar materials.

The Pavilion is a 10-meter span canopy and a maximum height of 4.8m at the perimeter. It isn’t imposing and its open air look plus the canopy design is appealing, regardless of what’s actually inside the pavilion. But more crucial than just looking good (although of course design plays a major part), the fact that the materials are sustainable and can be used for other structural applications can become important in the industry.

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Tiny all-glass “pavilion” glows at night

When you hear the word pavilion, you probably think about something that’s huge and grand. You get visions of big events being held inside a dome or some other interestingly shaped structure that can fit hundreds or even thousands of people. But this luminescent and “unquestionably small” structure was intentionally built to be a tiny, portable booth that can be transported wherever it is needed. Still the designers chose to name it “A Pavilion”.

Designer: Office Mi-Ji

This structure was initially built to sell bagels and condiments in Melbourne, Australia. But instead of the usual food truck booths that you see at food fairs, markets, and other places where food is sold, you instead get something that actually looks like a greenhouse, or more specifically, a glasshouse. Currently it’s being used as a storage unit but of course that’s such a waste for this carefully-designed “pavilion” so it will be used again to sell condiments but no more bagels.

The structure is made from a three-directional grid of steel T-sections but the whole thing is covered in translucent glass, hence giving it the look of a greenhouse. Even the roof is made from the same kind of glass so you get a singular space and look for the entire thing. But it does have some chamfered edges, giving off a sort-of thatched roof look. Inside it’s also a bit different as the floor is made from timber, a departure from the overall glass look of the A Pavilion.

It might seem like there’s no way in or out of this structure but there’s actually a door at the back. And of course, since it’s used for selling, there’s a square window at the front where you do your transactions with the customers. It’s only 2.7m long, 1.5m wide, and 2.3m high so it is a pretty small booth but it was really designed like that so it can be transported where it’s needed with just a small truck. It’s still pretty tricky to move though as it is made of glass mostly.

One other cool thing about the A Pavilion is that when the sun sets down, it seemingly glows because of its translucent glass skin. It probably doesn’t need outdoor lighting in order to become visible although of course, if you’re selling stuff, you need some light inside.

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This all-black cabin embraces a minimal, ergonomic design and is stripped down to embrace human behavior

Lin Architecture constructed the Wood Pavilion #1 to create an ergonomic and meditative space where humans can indulge in their most instinctual and natural behavior.

Human behavior is at the core of architecture and design. To build functional and meaningful structures and buildings, architects must first look towards the ways people naturally interact with interior spaces, the outdoors, and infrastructure. This marked the starting place for China-based architecture firm Lin Architecture when they developed plans for their Wood Pavilion #1, a prototypical experiment on space that redefines what living quarters could look like humans.

Located on Jiangxin Island in China’s Zhenjiang, Jiangsu province, the Wood Pavilion #1 is founded on each and every aspect of its surroundings as well as how the structure’s dwellers would interact with them. Upon scouting the location of the Wood Pavilion #1, situated near a river that’s popular with the province’s many tourists, Lin Architecture focused on three keywords: ergonomics, Proxemics, and Behaviorology.

Of course, ergonomics speaks to the structure’s intuitive edge, meaning the building’s parameters and floor plan were developed to naturally flow where the everyday human is drawn. Proxemics, on the other hand, falls in line with the “category of physical space, discussing how intimate space, private space, social space, and public space are defined and designed at different scales.”

Finally, Behaviorology considers “various elements in the natural environment was studied and explored. Breeze, sunshine, the sound of waves, drizzle, sweet osmanthus fragrance, affecting feelings, perceptions, touch, hearing, visual elements, are the materials of our design.”

The Wood Pavilion #1 was essentially designed to cater to the bare essentials of human behavior. Stripped away from technology and smart features, the Wood Pavilion #1 invites humans to indulge in their most natural instincts and tendencies. Each aspect, from the windows to the sitting benches, is carefully crafted and situated to create a dialogue between space and time.

Vista points are located in the most appropriate spots to capture the rising of the sun, and another presents the sunset. Cavities in the exterior facade create interior sound chambers to echo the sounds of the sea breeze, cicadas singing, and frogs chirping.

Constructed after a devoted period of researching human behavior and movement in regards to space, the Wood Pavilion #1 forms the ideal center for “sitting, squatting, lying down, meditating, listening, peeping, wandering, overlooking, and even staring.” This, Lin Architecture note, “is the form of space.”

Designer Lin Architecture

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Award-winning automotive + architecture design with an Instagram-inspired gallery to showcase the users style!

Pavilion is a flexible, architectural space designed as a moving vehicle where users can generate personal galleries to be displayed to the world.

The need to express yourself is real. From the dawn of time, self-expression has been the catalyst for works of art and cultural landmarks that help define the human experience. Today, social media undoubtedly plays a major role in newfound modes of self-expression and bridging culture and craft across the world.

Inspired by the ways humans express themselves, Junu Kim was recently recognized by DesignWanted with an award at Pininfarina’s “New Dreams for a New World” competition for his architecture and Instagram-inspired Pavilion, a car concept that doubles as an ‘Ego Gallery.’

Serpentine Pavilion in London’s Kensington Garden selects and presents architectural artworks on a yearly basis, meant to exhibit each architect’s unique vision and artistic philosophy. Motivated to scale that showcase down to an automobile concept, Junu Kim’s Pavilion allows anyone to display their personal gallery on a moving vehicle for the world to take in their distinct personality, in a similar fashion to the Serpentine Pavilion.

Closely resembling a storefront window, Kim’s Pavilion would allow users to display objects and 3D images for onlookers to understand their personality as if they were scrolling through their Instagram grid. Envisioned in jade green, the automobile is a transparent four-wheeler that features a seating compartment for one person and a display case for each user’s gallery that’s bordered with wooden paneling.

Inspired by Dieter Rams’ take on modern architecture, Kim’s Pavilion features round edges and dramatic lines that flow seamlessly together. Equipped with everything from hologram interfaces and furniture constructed from marble, Kim’s Pavilion concept is the type of car designed for the future.

Designer: Junu Kim

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