This DIY makeshift flotation bubble was designed to help a man walk on water from Florida to NYC!

Reza Baluchi has run from Los Angeles to New York City twice and around the perimeter of the United States, accumulating 11,720 miles along the way. With all of this already under his belt, walking from St. Augustine, Florida to New York City over the Atlantic Ocean, not in a boat, but in a DIY floating bubble seemed easy. The floating bubble, dubbed “hydropod,” would have floated Baluchi all the way to the Hudson River’s shoreline if his trek wasn’t cut short some 30 miles south of his launch point. Mr. Baluchi, a former professional cyclist, said that he was hoping to use the attention from his trip to raise money to help homeless people and for other charitable causes. Over the years, he said, he has received puzzled reactions — including from the Coast Guard — after performing similar stunts on the water.

Designer: Reza Baluchi

Reza Baluchi standing beside his handcrafted hydropod, which he had spent thousands of dollars and nearly a decade on making improvements. Saturday morning, Flagler County Sheriff’s Office responded to multiple calls describing a cylindrical vessel washed ashore in St. Augustine’s Hammock area. Reporting that Baluchi was found safe and without any injuries, he felt compelled to beach his makeshift floating device after discovering that some of his safety and navigation equipment had been stolen. While the items were eventually recovered, it’s currently undetermined if Baluchi plans to re-commence his journey across the Atlantic. A decade was spent on making improvements to Baluchi’s hydropod, equipped with essential safety items like “a satellite phone, a water filtration system, a solar array, neoprene wetsuits, and a stockpile of granola and ramen noodles,” according to The Times.

The final form of Baluchi’s hydropod features cylindrical steel grating and two support additions made out of buoys. Reza Baluchi was granted political asylum in the United States during his 20s after enduring imprisonment and torture in his home country. Since his big move across the Atlantic Ocean, he’s raised money for unhoused communities and other charitable causes like various public services. In walking from St. Augustine to New York City across the Atlantic in his hydropod, Baluchi hoped to raise money for first responders, sick children, and unhoused individuals.

This cabin’s hexagonal extension forms an interesting geometric focal point for this rustic yet modern home

Adding extensions to your home is always a delicate job. Since it’s an extension, it should only complement the rest of your home like a pair of shoes that tie your whole outfit together. Finding balance in geometric, angular framing and exterior metal ribbing, architecture firm Reddymade collaborated with contemporary artist Ai Weiwei to build an artfully understated hexagonal extension on a Salt Point home in upstate New York.

The six-sided extension connects to and extrudes from an enclosed, glass corridor, perching above a green, hilly lawn to overlook the home’s rural landscape. The project’s metal ribbing and optic white exterior offer contemporary flairs to the extension’s farmhouse style layout and rustic setting. Setting the tone for the interior’s airy, white, open spaces, the extension’s bright exterior feels right at home. Inside the home’s extension, Reddymade and Ai Weiwei made room for two bedrooms and living space.

Adorning the walls with a curated collection of framed artworks, Ai Weiwei and Reddymade hit a collaborative sweet spot in their shared love for poetry and visual art. The extension’s gleaming inside walls provide a white canvas for furniture and a collection of artworks to take center stage. Similarly, the spotless white metal exterior merges seamlessly with the glass facades and white framing of the pre-existing home, bringing attention to and brightening the property’s rolling green hills.

“The extension was designed to be strikingly simple and minimal, which is reflected not only in its graphic language but also in its materiality. The metal rib exterior allows for a crisp edge and ensures project longevity. Through its materiality, it also has a relationship with the previously completed Artfarm on the property,” describes Reddymade founder, Suchi Reddy.

Designers: Ai Weiwei & Reddymade

Perched atop a rolling hill in Upstate New York, this minimalist home extension adds a rustic twist to a midcentury modern home.

The hexagonal add-on extrudes from a glass corridor, attaching the extension to the pre-existing home.

20th-century Italian interior design elements and glazed glass facades are brightened with optic white walls.

“Its simplicity and clarity of concept make it special. It is about adding an object to the property, on which the clients have installed sculptural artworks,” explains Suchi Reddy

Antique furnishings and modern touches tie up each room with balance in design.

“The extension has its own sculptural quality but simultaneously doesn’t feel like a showpiece. It’s humble,” Reddy continues.

Sculptural art pieces give the home a distinct personality that hovers between midcentury and contemporary design.

This personal workstation retracts and unfolds with ease while working from outside!

Working from home sometimes really means working from anywhere we want. Some of us prefer a quiet coffee shop with WiFi, maybe a library or public workspace like WeWork. The rest of us will work just fine beneath a tree in a park. Industrial designer Matan Rechter developed Shelly, a personal outdoor workspace, to create some privacy and shade for the workdays we spend outdoors.

Inspired by the recent global move to working from home, Rechter designed Shelly to create a sense of privacy for concentration and productivity when working in outdoor spaces like public parks. Named after its shell-creating capabilities, Shelly features a canopy that folds in and out. Constructed from aluminum profiles and synthetic Cordura fabric, Shelly is built to protect users and their electronics from UV radiation. Rechter designed Shelly to be convenient and easy to transport, making working outdoors as comfortable and accessible as working from home. The canopy’s folding segments retract and extend like an armadillo’s shell. When users need some shade, Shelly’s bench pops into an upright position and the attached roof unfurls overhead. When packing Shelly away, the roof retracts just as easily as it unfurls and the bench folds into itself for portability.

The WFH movement has brought our laptops and notebooks everywhere but home. Working outdoors in public parks or even our own backyard has become more tempting as each workweek draws on. Rechter designed Shelly as a means for privacy and shaded comfort while we work under the sun, protecting our skin from harsh UV rays and our laptops from overheating.

Designer: Matan Rechter

Shelly retracts and unfolds like an armadillo shell to provide ultimate comfort and protection against the sun.

The workstation’s shell can be pushed back completely with the bench still intact.

Made from aluminum profiles and synthetic Cordura fabric, providing vetted protection against UV radiation.

No matter where you’d like to work, Shelly can provide enough shade and protection to keep you in the zone.

In public parks, Shelly gives provides you with your own private workspace away from the noise.

This autonomous delivery robot comes with its own little trailer to deliver the bigger parcels!

The age of Amazon Prime same-day delivery and Instacart grocery shopping has turned instant gratification into an expectation. For better or worse, modern delivery services have redefined priority mail, bringing goods to our doorsteps the same day we put in the order. As delivery operators streamline their services, designers are thinking up automated delivery bots to do the magic for us. Oliver, an autonomous and mobile goods courier, is one such bot, developed by Seoul-based designer Taeuk Ham.

Oliver is a collaborative robot that can operate both automated and manual delivery services. Smart technology equips Oliver with the know-how to handle autonomous delivery outings most likely contained within indoor spaces like warehouses and office buildings. Goods can be placed inside of Oliver the same way items are carried by utility carts and additional packages can be attached to Oliver’s rear trailer. Once the goods are packed away, a touchscreen display allows users to orient Oliver and schedule their deliveries. The vertical carrying space automatically rises at each delivery destination to make the unloading process more manageable. Besides automated delivery services, Oliver can operate as a conventional utility cart if users would prefer to deliver their goods on foot.

Even outside of Amazon’s speedy delivery services, workers in offices and warehouses depend on quick deliveries even between floors and adjacent buildings. While Oliver might be limited to indoor settings, an autonomous delivery robot would streamline deliveries during the workday so that workers don’t have to waste any time walking from one office to the next with goods in tow.

Designer: Taeuk Ham

Items can be placed inside Oliver’s frontal cargo space while rear trailers provide additional space for carrying goods.

Deliveries can be programmed on Oliver’s touchscreen panel.

Rear trailers provide additional space for users to place their goods.

Oliver can be used on automatic settings or manually via its steel handlebar.

Oliver is a three-wheeled autonomous delivery robot.

This tiny portable home fitness kit is the size of a water bottle and holds everything you need for a full-body workout!

Even with gyms opening back up around the world, the home fitness industry has seen a total overhaul in design as a result of the pandemic. Prioritizing versatility and portability over bulky equipment and monthly memberships, the home fitness industry of today focuses on modular design and compact construction. Introducing their own pair of at-home workout kits, Stel Design unveiled AIIR, a portable exercise system designed for the era of accessibility.

Developed from a collaboration between personal trainers and product designers, AIIR was designed to reduce joint stress and promote healthy posture. Contained within an 8.5″ x 6″ travel case, AIIR Flow is the smaller of the two workout kits and comes with two durable, carbon-steel push-up bars so you can get an arm and chest workout anywhere. The push-up bars come with spring-loaded, folding supports that dislodge from and fold inside both ends of each handle for ultimate portability. The push-up bars pack down to the size of a water bottle and can support up to 300lbs when in use. Each handle was designed to be ergonomic and promote healthy posture through a slightly inclined and elevated build.

AIIR’s full-body workout kit called Line includes the same push-up bars that come with Flow, in addition to non-scratch floor sliders, door-mountable bands, and adjustable foot straps. While Flow focuses on developing the upper arm and chest, AIIR Line provides the necessary equipment for a full-body workout. Stored within an 8.5” x 6” x 2.5” travel case, AIIR Line’s push-up bars are also made from carbon steel to ensure durability, while the straps are woven from webbing that can support up to 350lbs.

Designer: AIIR x Stel Design

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All one might need for a full-body workout routine can be stored in one AIIR travel case.

The adjustable straps included with AIIR Line can hold up to 350lbs.

The push-up bars can withstand up to 300lbs.

The adjustable foot straps are also door mountable for more versatile workout routines.

The push-up bars’ folding supports make it easy to pack AIIR Flow down to the size of a water bottle for ultimate portability.

All the equipment included in AIIR Flow can be packed within its 8.5” x 6” x 2.5” travel case.

The push-up bars and adjustable foot straps can easily be stored away for workouts on the go.

The zipper travel case is compact enough to fit into any suitcase or carry-on.

The door-mountable foot straps can be adjusted in length to meet any height.

Floor sliders and push-up bars can be used at one time for a full-body workout.

This sleek drone fits in your pocket and transforms uses its magnetic modular design!

The rise of drone photography and videography has opened the door to plenty of technological and design advancements. Likewise, with the rise of social media, drones have seen some major improvements across the board, spanning from obstacle avoidance to camera quality and speed. Adding portability to the list, industrial designer Kendal Toerner conceptualized Xenon Drone, a handheld and modular drone designed for the most rugged of adventures.

Xenon Drone was first designed for the drone videographer looking for a drone that’s as durable as it is portable. Noticing the lack of handheld and high-quality drones on the market, Toerner sought to balance functionality and space. Broken down into three pieces, Xenon Drone is made from recyclable, plant-based thermoplastic and features a magnetic launching pad wedged between two drone modules. To communicate Xenon’s portability and simplicity, Toerner designed the drone to be versatile in its assembly, resulting in three different possible forms for flying and stacking achieved via magnetic connectors.

Getting Xenon Drone out of your hands and into the sky is simple—users need only attach the two drone modules at their center magnetic grooves, connect their propellers, and let it fly. One end of each module contains the chunk of embedded electronic wiring; the other end holds Xenon Drone’s triple-axis gimbal camera and batteries. But, while getting it up in the air is exciting, Toerner didn’t lose sight of the importance of a safe landing. Embedded with ultrasonic sensors, Xenon Drone depends on a magnetic landing wand to guide its safe descent—by raising the magnetic wand, Xenon Drone can land safely no matter where it flies from.

Users can also control Xenon Drone’s route from their smartphones using an elastic joystick controller that can adapt to almost any smartphone. From your smartphone, Xenon Drone’s joystick controller displays the drone’s altitude, distance, and velocity, as well as the haptic joystick and pan controls. In addition, integrated GPS technology and Bluetooth connectivity allow users to locate Xenon Drone wherever it lands.

Designer: Kendall Toerner

Broken down into two parts, each module of the Xenon Drone attaches at its magnetic center.

A launching pad was wedged between the two modules to ensure an effective takeoff.

Embedded magnetic springs pluck out to deploy each drone module.

After the two modules connect, propellers are attached before Xenon can take flight.

Xenon’s magnetic connector.

Users need only attach the two modules and connect their respective propellers.

A magnetic landing wand guides Xenon in a safe descent.

An elastic joystick controller allows users to choose Xenon’s route.

“By modulating an electromagnetic force on your fingertip, the flat surface of the controller feels just like a joystick. The further from the center, the more resistance. This allows for eyes-off flying, mitigating finger-drifting issues,” Toerner notes.

“Using the onboard transceiver, GPS, and Bluetooth, the exact location of the two drone parts is always known even when they separate.”

“A camera with a triple-axis gimbal allows for optical image stabilization and manual panning. Having both a wide-angle and telephoto lens allows for unique options when capturing adventures.”

“A thermoplastic, layer-based circuit board can be decoupled from its components with a hot liquid solvent, allowing for reuse and recycle of almost every part. Xenon is manufactured using renewable energy, plant-based thermoplastic, (recyclable) metal, and can be fully disassembled because it uses fasteners and a removable thermal adhesive.”

The rolling green roof of this modern art museum was built with to merge art preservation with futuristic technology!

On one hand, museums are known for keeping paintings and artifacts of ancient civilizations with preservation being the goal. On the other, more modern museums incorporate some of the most advanced technology of today into their exhibitions to introduce the exciting possibilities for the art of tomorrow. Enacting his own preferred modern technology to conceptualize a modern art museum for the city of Tehran, architect Milad Eshtiyaghi hopes to evolve this relationship between today’s technology and the preservation of Islamic and Iranian art.

Known for designing bold, daredevil retreats stationed on the edge of mountain summits and cliffsides, Eshtiyaghi maintained the same mythical energy for his most recent rendering of Tehran’s Modern Art Museum. From an aerial viewpoint, Eshtiyaghi’s museum does not form any distinct shape, progressing past geometric, sharp angles for a gleaming white roof that slopes and bulges like a white tarp covering a wild landscape. Modern museums are generally known for their conceptual architecture, a form Milad Eshtiyaghi executes well considering his wide array of escapist hideaways. The green space that surrounds Eshtiyaghi’s museum tightens the museum’s abstract energy with rolling green roofs that mimic the overlapping lines of soundwaves, offering a place to rest on its manicured lawns.

Inside, the shapelessness of Tehran’s Modern Art Museum provides an eccentric stage for contemporary art exhibits. The museum’s tower wing spirals above the rest of the exhibition space, bringing guests to the museum’s highest vantage point via a web of winding, interconnected staircases. Etched along the tower’s facades and the museum’s main lobby, circular holes infuse the museum’s industrial interior with plenty of sunlight. Throughout the museum’s interior and exterior spaces, Eshtiyaghi hoped to communicate the significance of modern technology when used for art preservation, merging the age-old practice of museum work with today’s technological advancements.

Designer: Milad Eshtiyaghi

Without any distinct shape, Eshtiyaghi’s Modern Art Museum welcomes contemporary art, for all its abstract, shapeless glory.

Like many modern museum spaces, Eshtiyaghi’s Modern Art Museum features an outdoor plaza and interconnected green spaces.

Various vantage points puncture the museum’s facades.

The museum’s tower spirals above slopes and bulges of the museum’s white roof.

Holes are dotted across facades to bring in natural sunlight to the museum’s industrial interior.


Rolling green roofs mimic the flow of soundwaves.

Inside, staircases interconnect to form webs of walkways for guests to explore.

This spaceship from the 1960s was restored for guests to stay for some Jetsons-inspired staycation!

Nowadays, our gaze is set on outer space. Modern times feel eerily similar to the thrill of the days during the 20th-century Space Race. While the goals of the Space Race change over time, our interest in the starry sky remains. On earth, we watch films like The Jetsons and marvel at Elon Musk’s Starlink, if only because it looks like a moving constellation, just to feel closer to Outer Space. Today, artist Craig Barnes restored a saucer-shaped structure, designed by Finnish architect Matti Suuronen in the late 1960s, calling it Futuro House in his ode to the cosmos.

Landed in Somerset’s Marston Park for guests to rent out, stay the night, and pretend they’ve landed on Mars, the Futuro House is a tiny home can accommodate up to four people and features an array of earthly amenities. Barnes happened upon one of Suuronen’s 68 saucer-shaped structures while out in South Africa, bringing it back to the UK, where he began restoration work.

Easily transportable, Barnes describes how he managed to bring Futuro House to Somerset, “Some workers were knocking down a building nearby and we thought perhaps they were going to tear it down too. It was a wreck, there was no front door left, the windows were smashed in, but they let us in. It was horrible and grotty, but we found out who owned it. On an impulse while on top of Table Mountain, we agreed to buy it. So we bought it and shipped it home.”

Sparing Suuronen’s retrofitted relic from a future spent in obsolescence, Barnes restored Futuro House into a sparkling ski lodge, allowing guests to stay the night for £400–£1,200 ( around $550–$1,412) per night, a rent scale depending on the number of adults staying inside the ship. Inside and outside the saucer, guests can enjoy plenty of onboard amenities, like private bathrooms, fresh linen, and towels, hot water, changeable mood lighting, midrange studio monitor speakers, food services, options for coffee and tea, as well as an outdoor fire pit where guests can sit around and recline into the night. Going on to note his thrill over his own interpretation of today’s Space Race, Barnes says,

“It was always important to me that wherever it goes, it functions as a space to live and experience – an inspiring place that everyone can see. I never wanted this to be something that you cannot touch. I believe in the power of art and architecture and how it affects us. We have never opened [the house] up as a rental before; we hadn’t found the right home for it. At Marston Park, they want to make unique experiences and there is a realm for artworks you can stay in and people are interested in that. It is the fulfillment of a longstanding dream to offer this womb-like structure for people to stay in and be in this otherworldly space.”

Designers: Chris Barnes x Matti Suuronen

Stationed beside a quiet lake amongst the trees of Somerset’s Marston Park, Futuro House appears as a UFO landed for a pitstop.

Inside, the 60s space themes continue with spaceship seating arrangements and oval-shaped windows that wrap the entire circumference of the saucer.

Tulip kitchen seats hearken back to the 60s when the Space Race reached a peak.

While there is only one main sleeping area, four people can stay the night.

Come dark, the spaceship glows into a golden lantern.

While on a midnight stroll in the park, onlookers could even mistake Futuro House for a real UFO.

Stationed against orange night skies, guests can pretend they’ve landed on Mars.

This tiny cubic USB-C hub doubles as a laptop stand, effectively cooling and charging your MacBook Pro!

When we’re on a roll at work or on our own creative projects, we depend on our laptops to bring us to the finish line, or at least to lunch. That means the WiFi connection has to be consistent, the battery better last, and we gotta have the best seat in the coffee shop (next to the outlets). Jimlo Z Studio recently debuted their pocket-sized, eight-in-one USB-C Hub and MacBook Stand, HUB–OX, that gives us the power boost we need to meet our deadlines before lunch.

Designed to be portable and compact, HUB–OX initially comes as a lightweight, palm-sized USB-C hub, which splits into two halves, both equipped with plenty of charging slots, HDMI connections, and ethernet ports. HUB–OX is compatible with MacBook Pro models that have four USB-C ports, generally any MacBook Pro from 2016 or any of its succeeding generations. When HUB–OX is split in two, users can plug the USB-C chargers into all four of their MacBook Pro’s ports, lifting their laptops to an angle of 7.7° to keep them charged and at eye level for the rest of the day. Working at our laptops for long periods of time often makes us want to crane our necks and spines to meet our screens. The small hoist HUB–OX gives our MacBook Pros is just enough to keep our necks straight and spines against our chairs. In addition to helping our posture while working, the built-in laptop stand allows for better heat dissipation from our laptops’ heat sinks, keeping our laptops cool and their fans low.

Equipped with 100W of power and an HDMI port that can project 4K pictures at 30Hz, HUB–OX makes an ideal computer accessory for business projects and extended work periods. Then, when you feel like working at that cafe without any WiFi, HUB–OX has an RJ45 ethernet port with internet speeds ranging from 10 to 1,000Mbps. As soon as the workday is done and all that’s left to do is finish your cup of coffee, HUB–OX clicks back into its initial box form with magnetic snapping, so you can hit your lunch break.

Designer: Jimlo Z Studio

HUB—OX comes as a palm-sized laptop hub, equipped with USB-C, HDMI, and ethernet ports.

HUB—OX can also split into two halves that plug into MacBook Pro’s USB-C ports, giving your laptop a good boost.

The USB-C chargers built into HUB—OX plug into the MacBook Pro’s ports, providing a laptop stand as well as 100W worth of charge.

When used as a laptop stand, HUB—OX provides better heat dissipation for your laptop’s heat sink.

Multiple devices can be connected to HUB—OX at once.

Early sketches of HUB—OX.

Prototyping and multiple ideations led to HUB—OX’s final form.

HUB—OX was designed to fit in the palm of your hand to be as portable and compact as possible.

HUB—OX’s built-in HDMI port projects 4K pictures at 30Hz.

These eco-friendly meeting pods use solar energy to power up charging ports so you bring WFH outdoors!

In recent months, cafes and outdoor workspaces have limited their public amenities to avoid crowding. No more WiFi, the bathrooms are always locked, and time limits for tables are used to control foot traffic. Even still, with pandemic mandates resurfacing, the first taste of bringing our laptops to our favorite cafe to get our work done is hard to kick. Offering their own solution to the unpredictable circumstances of today’s world, furniture studio Duffy London debuted the Minka Solar Pod, an outdoor companion to their indoor office pod.

The Minka Solar Pod operates primarily as an alternative to meeting places and WFH spots like WeWork and cafes with WiFi. Unlike their indoor counterpart, the Minka Solar Pod and its amenities are entirely powered by photovoltaic panels and lithium-ion batteries. Using solar energy for power allows Minka Solar Pods to be placed anywhere, from busy city plazas like Union Square or public grounds like Hyde Park. Designed to be an outdoor working space, Minka Solar Pods come complete with four USB ports for charging and acoustic panels to quiet outdoor noise while amplifying the conversations taking place inside the pod.

Each Minka Solar Pod also accommodates up to four people, which means work meetings that would typically remain indoors could be taken outdoors for some fresh air and a change of scenery. Minka Solar Pods were also built to be weather-resistant, with high-grade walnut and oak veneers finished with powder-coated mild steel. So come drizzle or shine, there’s always an excuse to bring work outdoors. Describing his own inspiration behind the Minka Solar Pod and its indoor companion, Duffy London founder, and director, Chris Duffy says,

“We wanted to design a piece of communal furniture that can meet the needs of the modern working and municipal environment. Indoor or outdoor, our Minka PODs serve as highly adaptable, non-defined spaces that act like mini-hives for human interactions.”

Designer: Duffy London

Clad with powder-coated mild steel, Minka Solar Pods are built to brace the weather.

Minka Solar Pods were initially designed to provide an outdoor workspace for small business meetings or a change of scenery for those of us still working from home.

Outside of work, Minka Solar Pods can function as social meeting hubs for friends and coworkers alike.

Developed in varying structures, Minka Solar Pods embrace the same open-air, collaborative environment.

Each Minka Solar Pod comes equipped with four USB ports and photovoltaic panels to stay powered and charge your devices.

With acoustic panels, Minka Solar Pods quiet the outside noise while amplifying the conversations taking place inside of the pod.

The pod’s high-grade walnut and oak veneers were derived from sustainably sourced forests under the supervision of the Forest Stewardship Council.