The Hangzhou Prism by OMA Is the Mixed-Use Landmark China’s Tech Capital Deserves

There’s a centuries-old Chinese proverb that goes: ‘above, there is heaven; below, there is Suzhou and Hangzhou.’ OMA’s newly completed Hangzhou Prism doesn’t just reference it — it builds toward it. Peaking at 106.5 metres in the heart of Hangzhou’s Future Tech City district, the Prism has arrived as one of China’s most formally daring mixed-use structures.

The project, led by OMA partner Chris van Duijn and project architect Michael Hadjistyllis, broke ground in 2019 and has been years in the making. Commissioned by Xinhu Real Estate Group, the 43,000-square-metre building departs entirely from the logic of the conventional tower. Rather than stacking a cluster of residential volumes in the usual fashion, OMA collapsed them into a single, porous structure — what van Duijn describes as a “three-dimensional village for young professionals and visitors.”

Designer: OMA

The form is immediately arresting. Two radical oblique cuts slice through the building envelope, giving the Prism its angular, asymmetric silhouette and creating cascading terraced lofts with sweeping views across the city. The projecting cubic balconies that line these oblique facades give the structure texture and depth, so the building reads differently from every angle — less like a static object, more like something mid-transformation.

At ground level, the geometry opens up. A large void punctures the flat facades, giving way to a publicly accessible atrium that connects directly to the adjacent park. This base-level square is designed for events, community gatherings, and everyday movement — the kind of activated ground plane that high-rises in China rarely prioritize. It’s a meaningful gesture in a building that could have easily turned inward.

Programmatically, the Prism holds a remarkable amount within its singular form: a 20,000-square-metre hotel, 10,000 square metres of residential units, 5,000 square metres of office space, and 8,000 square metres of retail. The brief is dense, but the architecture handles it without feeling overcrowded. The mixed-use stacking is intuitive, each program finding its natural vertical position within the building’s tapered volume.

Future Tech City is home to companies like Alibaba and NetEase, and Hangzhou is actively positioning itself as one of Asia’s most important innovation corridors. The Prism lands squarely in that ambition — a building that signals civic intent as much as commercial function. Van Duijn put it plainly: “The design of the Prism shares this ambition to innovate.” For OMA, it’s another sharp proof that bold formal moves and genuine public utility don’t have to be in conflict. The Prism earns its skyline position.

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This Crystal Fragment turns everything you see into 8-bit Pixel Art, and it’s FASCINATING

There is no denying that modern graphic resolutions have reached unachievable heights. Yet, there are many with an emotional connect to pixelated style: an art form that rekindles memories of early computers and video game graphics. If you’re one of them, who rejoices the blurring the lines between analog and digital, you can (when available) lay hands on the Pixel Mirror that creates an inverted pixel image of what’s behind it.

The wearable Pixel Mirror, developed by Hakusi Katei aka Monoli, a Japanese material designer and Ph.D. in engineering, is a crystal that reduces the resolution of what’s behind it – regardless of distance and movement – leaving you with a pixel art of what you are looking at.

Designer: Monoli

Made from light-colored transparent crystal in forest green, gray, and colorless variant, the Pixel Mirror is designed for use in bright environments. While for some of us, it’s only a gimmicky wearable (more on the aspect later) it might have real utility for artists and painters, who can leverage from the immediate, readable fat swatches of the scene behind the prism you’re looking through.

The Pixel Mirror measures 16mm x 16mm x 10mm, which means it’s small enough to be worn as a pendant in a necklace. Monoli’s series of wearable and handheld prisms are all handmade, and because of the nature of polishing natural stones, they are not perfect square “pixels”. They are handmade to suit the condition of the available stone.

After the Pixel Mirror, Monoli now has the Pixel Window in works, which as the artist puts it, “the lens minecrafts scenery without electricity.”  Pixel Mirror is on sale in Japan for ¥ 19,800 (roughly $120). If you’re outside of Japan, you’ll want to keep an eye on Monoli’s tweets for information on international availability.

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