Panasonic further reinforced its commitment to the Micro Four Thirds form factor when it released the Lumix GH3 mirrorless camera today, but the company also announced the development of a pair of prime lenses, set to ship next year or in 2014. Details are spotty at this point (limited to what you see in that slide above, in fact), but you can expect a 42.5mm f/1.2 optic (85mm equivalent) and a 150mm f/2.8 lens, which offers a 35mm equivalent of 300mm. There wasn't even a hint of pricing, but we'd expect both of these offerings to be quite costly, though they'll likely be significantly less expensive than DSLR equivalents.
Filed under: Cameras
Panasonic teases 42.5mm f/1.2 and 150mm f/2.8 MFT lenses, slated for release by 2014 originally appeared on Engadget on Mon, 17 Sep 2012 07:47:00 EDT. Please see our terms for use of feeds.
Permalink | | Email this | Comments 
It's not a secret in the least thanks to a video slip-up by Panasonic a few days ago, but today the company is ready to officially announce the successor to its venerable GH2, the Lumix DMC-GH3. This Micro-Four Thirds mirrorless shooter is nearly as big as some entry-level DSLRs, but it's loaded with features to make up for it. Packed inside its dust- and splash-proof magnesium alloy body, you'll find a 16.05-megapixel Live Mos sensor that'll handle 200 to 12,800 ISO natively with extension from 125 to 25,600. Aiding it is Panasonic's latest Venus engine, which enables 6 FPS burst shooting (20 in 4-megapixel mode).
Notably, Panasonic is pushing this as a "multimedia" shooter given its robust video features. Unlike many ILCs, the GH3 touts unlimited recording time, so you won't be held back by the likes of the camera overheating -- sadly, the approx. 29-minute recording restriction for PAL regions is in place however. You'll be able to shoot in either MP4, MOV, AVCHD or AVCHD Progressive, with a maximum bandwidth of "72 Mbps (ALL-Intra) / 50 Mbps (IPB)." The formats can be recorded using frame rates of 24, 30 and 60p (excluding MOV and AVCHD), and you'll even be able work with SMPTE time-codes for syncing footage easily in post production.
On back, there's an articulating 3:2 614K-dot OLED touchscreen, which can be used for tap-focusing while recording video, along with a 16:9 1,744K-dot OLED view finder -- both of which provide 100% frame coverage. Thanks to included WiFi connectivity, you'll be able to control the camera from your mobile device -- although, its HDMI out may be better suited for film-making. Along the side, there's a duo 3.5mm jacks for monitoring and recording audio straight from the camera with a mic of your choosing or a Panasonic's optional shotgun mic. Speaking of accessories, an F2.8 35-100mm lens will also be introduced with the camera, touting a dust- and splash-proof design. There's no word on price just yet for the GH3 or its accessories, but we're told the camera will hit shelves for a number shy of $2,000 when it's released later this year. The unit we got eye-on time with was an admittedly rough and early build, but you can check it in detail at the gallery above while we get some more impressions at Photokina. You'll also find extended details in the press release after the break.
Zach Honig contributed to this report.
Filed under: Cameras
Panasonic's GH3 mirrorless camera gets official: 16MP, WiFi and 72Mbps HD video in a ruggedized body (hands-on) originally appeared on Engadget on Mon, 17 Sep 2012 07:00:00 EDT. Please see our terms for use of feeds.
Permalink | | Email this | Comments 
We've been very impressed with Olympus' first OM-D camera, the EM-5. That model's 5-axis image stabilization and super-fast autofocus won us over, while the retro design appeased nostalgics as well. Now, it's time for that speedy shooting to make its way to the company's other Micro Four Thirds models -- the E-PL5 and E-PM2. Both models, announced today, offer nearly identical specifications, with notable differences on the form-factor front. The E-PL5 is the premium model of this bunch, coming in at $700 with a 12-42mm f/3.5-5.6 lens or $650 for the body only, while the E-PM2 will run you 100 bucks less for both configurations. Both cameras include 16.1-megapixel Live MOS sensors, top ISO of 25,600, 3-inch 460k-dot touch-enabled LCDs, 1080i video and an 8fps continuous shooting mode. The EM-5's five-axis stabilization is absent here, though a three-axis version should suffice in low light. Each model also includes an external flash and a rebate offer for a free Toshiba FlashAir 802.11b/g/n card, which enables connectivity with the OI Share apps for Android and iOS.
We had a chance to check both cameras out just before Photokina, and were quite pleased with the design, along with that OM-D-like focusing performance, which really is as speedy as Olympus claims. The camera focused instantaneously with almost all of the lenses we tried, though it was a bit sluggish, understandably, when paired with the 60mm f/2.8 macro. The displays were equally sharp, though the PL5 packs a nifty articulating version, which can tilt up, down or face forward for self-portraits. We also enjoyed shooting with the super-slim 15mm f/8 body cap lens, which features a tiny front element with a slide-over cover -- while it's limited on the aperture front and includes fixed focus, it's arguably more useful than a traditional cap (Olympus hasn't confirmed pricing for that optic, though it'll likely come in below the $100 mark). That aforementioned dust-and-splash-proof macro will retail for $500 in early October, while a new 12mm f/2 lens will ship during the same time for $1,100. The "Mini" E-PM2 will be available in silver, black, white and red, while the E-PL5 will ship in silver, black and white -- both versions will be available in October. You can take a closer look at each of the offerings in the gallery below, then jump past the break for the full rundown from Olympus.
Filed under: Cameras
Olympus E-PL5 and E-PM2: Micro Four Thirds cameras with OM-D-like focusing, performance boosts (hands-on) originally appeared on Engadget on Mon, 17 Sep 2012 05:00:00 EDT. Please see our terms for use of feeds.
Permalink | | Email this | Comments
We've been very impressed with Olympus' first OM-D camera, the EM-5. That model's 5-axis image stabilization and super-fast autofocus won us over, while the retro design appeased nostalgics as well. Now, it's time for that speedy shooting to make its way to the company's other Micro Four Thirds models -- the E-PL5 and E-PM2. Both models, announced today, offer nearly identical specifications, with notable differences on the form-factor front. The E-PL5 is the premium model of this bunch, coming in at $700 with a 12-42mm f/3.5-5.6 lens or $650 for the body only, while the E-PM2 will run you 100 bucks less for both configurations. Both cameras include 16.1-megapixel Live MOS sensors, top ISO of 25,600, 3-inch 460k-dot touch-enabled LCDs, 1080i video and an 8fps continuous shooting mode. The EM-5's five-axis stabilization is absent here, though a three-axis version should suffice in low light. Each model also includes an external flash and a rebate offer for a free Toshiba FlashAir 802.11b/g/n card, which enables connectivity with the OI Share apps for Android and iOS.
We had a chance to check both cameras out just before Photokina, and were quite pleased with the design, along with that OM-D-like focusing performance, which really is as speedy as Olympus claims. The camera focused instantaneously with almost all of the lenses we tried, though it was a bit sluggish, understandably, when paired with the 60mm f/2.8 macro. The displays were equally sharp, though the PL5 packs a nifty articulating version, which can tilt up, down or face forward for self-portraits. We also enjoyed shooting with the super-slim 15mm f/8 body cap lens, which features a tiny front element with a slide-over cover -- while it's limited on the aperture front and includes fixed focus, it's arguably more useful than a traditional cap (Olympus hasn't confirmed pricing for that optic, though it'll likely come in below the $100 mark). That aforementioned dust-and-splash-proof macro will retail for $500 in early October, while a new 12mm f/2 lens will ship during the same time for $1,100. The "Mini" E-PM2 will be available in silver, black, white and red, while the E-PL5 will ship in silver, black and white -- both versions will be available in October. You can take a closer look at each of the offerings in the gallery below, then jump past the break for the full rundown from Olympus.
Filed under: Cameras
Olympus E-PL5 and E-PM2: Micro Four Thirds cameras with OM-D-like focusing, performance boosts (hands-on) originally appeared on Engadget on Mon, 17 Sep 2012 05:00:00 EDT. Please see our terms for use of feeds.
Permalink | | Email this | Comments 
If Panasonic didn't have attention from movie producers before, it just might as of this week. Joining the quickly developing tradition of camera makers producing elaborate short movies as technology demos, the company has let cinematographer Philip Bloom wield (and tease) a "brand new G camera" to record Genesis, a fast-paced mini-drama showing a man's race to meet his love before it's too late. While Bloom can't talk much about the hardware in question until the 17th, he's allowed to confirm that the upcoming Micro Four Thirds body relies on a "superb" 72Mbps All-I codec for video -- letting it capture a sprint through the streets without the compression artifacts of the AVCHD format used by most mirrorless cameras. Panasonic's upcoming shooter also touts "much improved" results in the dark, Bloom says. It all sounds very tempting, especially if it turns out that Panasonic's inadvertent leaks are for the same camera we see in action here. The full movie is available after the break, and Bloom has the behind-the-scenes details at the source link.
Filed under: Cameras
Future Panasonic G camera's 72Mbps movie-making prowess teased through speedy drama (video) originally appeared on Engadget on Sun, 16 Sep 2012 23:24:00 EDT. Please see our terms for use of feeds.
Permalink
4/3 Rumors | 
Philip Bloom | Email this | Comments 
Though the GH3 has yet to be formally introduced to the world, a video has just appeared on an official Panasonic YouTube channel that has either been posted accidentally or is deliberately intended to build hype in the run-up to Photokina. It mainly shows off the GH3 in a range of picturesque shooting situations, but the clip also spills a few key specs, including the presence of a 16-megapixel sensor, a new version of Panny's Venus Engine processor, a splash- and dust-proof magnesium alloy build and high-definition filming at up to 72Mbps and 60p -- although it's not clear if it handles full 1080 at that high frame-rate. We also see a a flip-out LCD that looks much the same as the GH2's, an f/2.8 12-35mm lens attached instead of the 14-42mm or 14-140mm glass that came bundled with that predecessor, and so far only evidence of a traditional black color scheme. Click onwards for the video!
Update: ...and just like that, the video has vanished.
Filed under: Cameras
Panasonic video reveals Lumix GH3 Micro Four Thirds camera: 16MP, magnesium alloy, 60p video originally appeared on Engadget on Fri, 14 Sep 2012 03:22:00 EDT. Please see our terms for use of feeds.
Permalink |PanasonicUSVideos (YouTube) | Email this | Comments 
Blackmagic Design has thrown its Cinema Camera MFT into the Micro Four Thirds arena, but it will only work with lenses that have manual iris and focus capability. The shooter is otherwise identical to the original Cinema Camera, with a 2.5k, sub-MFT sensor; CinemaDNG RAW, ProRes and DNxHD capture formats; built-in SSD; capacitive touchscreen; and an included copy of DaVinci Resolve color correction software. That means cineasts already on board that format will have another mount for their glass, and MFT's mirrorless aspect will also permit other lens formats, like PL or Nikon, to be added with third party adapters. So, if the relatively low price, claimed 13 stop dynamic range, higher-than-HD resolution and new mount is enough to push your "start" button, check the PR for the entire skinny.
Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K originally appeared on Engadget on Sun, 09 Sep 2012 06:11:00 EDT. Please see our terms for use of feeds.
Permalink | | Email this | Comments 
We enjoyed our short time with Panasonic's new mirrorless G5 in our hands-on last month, even if it was a little on the porky side. And, if you hail from the Land of the Rising Sun and had your heart set on one of these 16-megapixel shooters, Panny's announced you'll get your chance from September 13th. We're getting dangerously close to missing the stateside launch target of August, but where the US website is showing the G5 as unreleased, availability on Amazon tells a different story. We're reaching out for confirmation on that -- as well as pricing -- and will update should we hear more.
Filed under: Digital Cameras
Panasonic G5 mirrorless camera gets September 13th release date in Japan originally appeared on Engadget on Thu, 23 Aug 2012 10:58:00 EDT. Please see our terms for use of feeds.
Permalink |Panasonic (1), (2), Amazon | Email this | Comments 
Adapters to fit Canon's EF lenses on Micro Four Thirds and NEX camera bodies most definitely aren't new. Without any electronic link, though, that Lumix GX1 or NEX-F3 owner has had to focus by hand, sometimes without any aperture control -- what year is it, 1930? Kipon wants to make sure you'll never have to stoop to that level again through a pair of new adapters that keep the electronic controls working. As always with these parts, there's likely to be catches: we don't know the prices and ship dates, for one, and lens conversion can still hurt the autofocus speed. Even so, anyone who's been hoarding (or simply envious of) Canon glass now doesn't have to eye an EOS-M just to get a mirrorless camera with the lens adapter they crave.
Filed under: Digital Cameras, Peripherals
Kipon preps Canon EF lens adapters for Micro Four Thirds, NEX cameras with electronic control originally appeared on Engadget on Wed, 25 Jul 2012 01:45:00 EDT. Please see our terms for use of feeds.
Permalink4/3 Rumors | Kipon | Email this | Comments 
