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These wooden urban architecture sculptures in Venice are calling for climate action!

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Climate change has inspired a lot of designs and installations over recent years, but there is something poetically ironic about Issori’s ‘A Line of Water’  which was unveiled during Dutch Design Week 2021. It is a sculptural gesture and call to climate action designed to live in Venice, one of the cities that will face the wrath of rising sea levels faster than others. The wooden installation spreads awareness about the water levels while also giving the community a space to relax in – didn’t I say poetically ironic?

The series of wooden installations enable its inhabitants to be fully immersed in the city’s lagoon landscape. The urban architecture proposal includes benches, platforms, and pier-like extensions that would be partially immersed during high tide and fully accessible during low tide. The aim of the project is to foster more awareness of the shifting sea levels, which are increasing the frequency of high tides in the city. At the same time, Issori wanted to create a place to relax and be together. She describes it as an “urban living room”.

“The phenomenon of high and low tide is unique,” says Issori. “It is part of the everyday life of locals, as well as an attraction for tourists. Related to atmospheric events and climate change, the raising of the tide is more and more frequent not only in this area but also in other parts of the world. In the research, I wanted to explore a way to embrace the water and connect with nature, while taking the time to be fully immersed in the lagoon landscape.”

Building on the area’s historical blueprint, Issori imagines the contemporary interventions in the gardens of Sant’Elena in the Castello district. The district was an uninhabited lagoon until the 1920’s when the land was reclaimed and a new residential area was built. The series of platforms extend outward from the water’s edge as well as multiple circular designs with tiered seating for people to gather.

Issori imagines the platforms being made from oak and larch wood, the same materials used to create the piles on which Venice’s foundation is built. These types of wood are used because of their density, strength, and water resistance. “The construction system involved is the same one used to build Venice. The wooden poles are planted in the clayey soil where the oxygen is not present so that the deterioration process doesn’t take place. The part of the pole which is in contact with water will slowly be damaged and would need to be replaced with the passing of years,” she explains.

There are also several installations on land for people to interact with specifically during high tide, which include sloped platforms and a curved bench. ​​Italian squares and the rounded shape of Sicilian amphitheaters were reference points when opting for rounded forms, as well as a desire to make users feel protected. The circular shape is a kind of hug and invites people to sit together, share, walk on them or lay down – either way, you will be fully immersed in the landscape and closer to water.

Designer: Margherita Issori

The post These wooden urban architecture sculptures in Venice are calling for climate action! first appeared on Yanko Design.

No, Doctor Octopus doesn’t have a minion drone. The Hexapod is a ‘non-evil’ robot that harvests fruits.

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If fruits were sentient, they’d probably get the crap scared out of them.

As absolutely terrifying as it may look to most people, the Hexapod Pro is actually a pretty benign little robot designed to perform tasks that are too menial for humans. The 6-armed drone was actually envisioned as a multipurpose robot used to harvest fruits and vegetables, as well as perform cleanups on beaches and in forests.

With its jellyfish-inspired aesthetic, the Hexapod Pro comes with a central processing hub with multiple fisheye cameras for 360° vision, and a set of 6 flexible arms with 3 fingers per arm for being able to pick up objects. Envisioned by Australian designer Chris Koch, the Hexapod Pro is best employed at doing duties that require basic skills of tracking and picking objects. Perfect for using on orchards to pick fruits and veggies, or on beaches and forests to clean up after humans (that’s a robot uprising story just waiting to happen), the Hexapod Pro’s arms come outfitted with a pair of soft robotic grippers that are perfect for being able to firmly pluck produce without damaging them, or lift up various objects off the floor effectively without dropping them.

The Hexapod’s advanced design, however, doesn’t do it favors because of how immediately intimidating it looks. 12 fisheye cameras dotted around its ‘head’ allow it to see practically everywhere without any blind spots, and the 6 arms look almost identical to the ones found on Doctor Otto Octavius, one of Spiderman’s many nemeses. The Stormtrooper color-way sort of reinforces its sinister appearance… maybe coloring the robot pink would help?

Thankfully, though, the Hexapod Pro is a conceptual work of art… although just in case, maybe avoid littering the beach or trespassing on someone’s orchard, hm?

Designer: Chris Koch

The post No, Doctor Octopus doesn’t have a minion drone. The Hexapod is a ‘non-evil’ robot that harvests fruits. first appeared on Yanko Design.

This compostable flower scoop made from peanut shells is an award-winning packaging design!

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Packaging design is so interesting but the best innovation always comes when great packaging meets sustainability! Seed Scoop Fertilizer is a prime example of sustainable packaging design – it is seed packaging that includes a scoop made of peanut shell material and seeds…natural materials down to every last element!

Designed by students from the Royal College of Art, this award-winning green design shows the practical process of how the compostable product was made. The user should take out the seeds first, then use the scoop to dig the soil out and bury the seeds in the flowerpot. Finally, the user could break the spatula into pieces, put it in the soil, and drip it with water, to make the scoop become fertilizer and give nutrients. Designing environment-friendly products have always been the mission of designers. We hope to let more people pay attention to the sustainable use of resources through this design.

Peanut shells are often discarded by people in daily life, but we found that peanut shells still contain a lot of nutrients and can be used as fertilizer. Seed Scoop Fertilizer has a flower scoop made of peanut shells and seeds. When using, the user first takes out the seeds from the flower scoop, then uses the flower scoop to dig the soil out and plant the seeds in the flowerpot. Finally, the user could break the flower scoop into pieces, place it in the soil, and drip it with water, so that the flower scoop becomes fertilizer to give nutrients!

Designers: Zhixi Dai, Zixi Chen, and Hao Yao

The post This compostable flower scoop made from peanut shells is an award-winning packaging design! first appeared on Yanko Design.

This modern tiny home is all about harvesting & using water sustainably!

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Sustainable architecture is how we can make a large impact on the collective carbon footprint as residents and also for the construction industry which is the leader for carbon emissions. The more sustainable structures we have, the faster we can take bigger chunks of carbon away rather than just using less plastic for one essential item. Wai House is a perfect example of that, ‘wai’ means water in Maori and that is the core of this modern home‘s design.

The modern architectural concept is designed to be built in New Zealand and focuses on collecting water and using it sustainably. The house itself is constructed with sustainable materials, cedarwood is used for the exterior cladding and the interiors use concrete with recycled plastic instead of sand. It has an almost Japandi-inspired aesthetic which is elegant enough on its own without taking away from the environment it is in.

It is designed to collect and store rainwater for use with systems in place that funnel it to the kitchen, bathroom, and outdoor greenery. Since it is just a concept, there is potential for it to become even more sustainable by adding solar panels for energy efficiency. New Zealand also has a rich cultural heritage and that can be incorporated into the interiors through the fabrics used or the artwork to foster a stronger bond with the local community and give back to them.

Wai House is perfect for a young couple who is willing to leave the traditional living standards and move to a smaller, yet spacious tiny home. With a smaller floor area compared to a traditional townhouse, the carbon footprint is also smaller and more so with the eco-conscious construction materials used. Wai House is also one of the noteworthy entries for the Green Product Award 2021 and we can see why – it perfectly blends minimalism, luxury, and sustainability into one compact home!

Designer: Marbella Design Academy

The post This modern tiny home is all about harvesting & using water sustainably! first appeared on Yanko Design.

This elevated prefab cabin has a buffer zone that helps protect it against harsh climate!

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Think of this cabin as a safehouse for when you are facing harsh weather conditions. Cara R is perched in the Andes Mountains in Southern Chile giving views of the vast parklands and nature reserves. It is the ideal destination to be immersed in nature but the area is also known for its extreme climatic conditions and that is exactly what Cara R’s design aims to guard against – nothing can stand between you and a cozy night at your cabin in the woods!

Felipe Lagos is a Chilean architect of the Santiago–based studio TuCroquis who has previously designed many local homes that take the rapidly changing weather into account. Casa R is an extension of that range, it is a modular holiday cabin residing in the middle of a lush forested site.

On the first floor, there is a woodshed and a chiflonera.” This area between the interiors and exteriors is commonly found in Chilean or Patagonian homes because it helps to regulate the extreme temperature changes that occur in that region. It features a steel frame because stell is both water and fire-resistant!

The 1,033-square-foot cabin also has a buffer zone (locally called chiflonera) which is an area between the interior and the exterior, commonly found in traditional homes there so that it can regular internal temperatures based on the harsh climate.

TuCroquis’ interior designer Ramón Vallejos furnished the cabin with a plywood kitchen, durable furniture from MueblesSur, and washable cushions that can be used both indoors and out. The kitchen area, living/dining spaces and a bathroom are all located on the first floor.

Some of the cabin’s modules have enclosed walls while others are left open for better connection to the outdoors. “The cabin is elevated from the ground and has slopes on the terraces and two floors. The slopes blend with the natural terrain and help reduce costs in foundations. The roof also has a steep slope to protect it from snowfall in the winter,” explains Lagos. The minimal design doesn’t fully express Casa R’s durability but I would love to see it integrate more sustainability or clean energy in its design considering it is all about preserving ecosystems.

Designers:: Felipe Lagos (architecture) and Ramón Vallejos (interior)

The post This elevated prefab cabin has a buffer zone that helps protect it against harsh climate! first appeared on Yanko Design.

This modular origami tent built by space architects for the moon unfolds into 750 times it size!

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Studying space exploration is a side hobby of mine so this extreme-weather resistant origami moon habitat is one of my dream homes. SAGA is a Danish architecture studio that designed LUNARK which is a modular shelter that expands and becomes 750 times its original size! It was crucial to design a structure that would be easily transportable (to the moon!), have a zero-waste ecosystem, and could withstand arctic temperatures and meteor showers – LUNARK does it all, in fact, it was taken out on a test run in Greeland by the architects themselves!

SAGA has one mission – make outer space a little cozier for future human inhabitants. The LUNARK habitat shows what can happen when the architect steps back and allows the extreme environment on the Moon and the high arctic to mold a habitat around human beings. LUNARK’s form was inspired by the patterns seen in a budding leaf as it unfolds and origami. It unfolds from a tight bud to a large ovoid shape with a rigid carbon fiber shell. Its exterior is tough as a tank while its interior is a cozy home with a sense of Nordic “hygge”.

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The main exterior of the habitat is made from a black glossy carbon fiber shell. The carbon-fiber structure’s sandwiched panels with a foam core for extra insulation. Carbon fiber is ideal because it’s lightweight – which is crucial for transport and unfolding – yet strong. The panels are connected by a white foldable composite rubber and the main load-bearing structure is an aluminum frame.

Starting from the size of a small car, the carbon fiber shell can unfold to 750 times its size. Inside, solar-powered circadian panels mimic the light cycles on Earth, aiming to improve astronauts’ sleep patterns and general well-being. It is designed to counteract monotony, claustrophobia, and psychological stress.

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With an inner volume of 17.2 sqm, LUNARK is designed to shelter two people at once. It is powered by a 1000 Ah solar-powered battery. It aspires to be a zero-waste shelter, leaving as little impact as possible on the environment. Inside the unfolding pod, there is space for a 3D printer (for printing spare parts if needed), stowage for batteries and water, and a living algae farm. LUNARK also has a series of in-built digital software systems, including a weather simulator to help break up the day-to-day monotony, and an algae reactor, to nurture and monitor a source of nutrition.

The main principle behind LUNARK is its expanding volume, as the structure expands 750% after transport while testing it was a great success as it was easy to unfold and strong enough to withstand the extreme environment. “The habitat worked beyond all expectations. The unfolding was possible by just two people and no heavy machinery – and in the extreme cold of the arctic. Furthermore, the interior design and spatial organization worked well. We are not trained professional astronauts, our tolerance is much lower. So we needed a much more pleasant living environment. We wanted to create a home, not a survival machine – and the habitat really ended up feeling like home,” adds Aristotelis.

Earlier in 2020, SAGA developed a prototype for LUNARK using the principles of Japanese origami folding with biomimicry. The two architects, Sebastian Aristotelis and Karl-Johan Sørensen, then went on a two-month mission to experience extreme isolation in northern Greenland where they tested LUNARK and its technologies themselves for future moon missions while enduring -30°c, hurricane winds, and hungry polar bears!

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In the two months spent in extreme isolation in Greenland, SAGA collected data about the performance of the unfolding origami structure and the circadian light panels that form the artificial sky inside the habitat. The duo also collected data about their psychological wellbeing, the impact of isolation, and how to deal with conflicts under extreme conditions which will help them make LUNARK even better for real missions.

“We wanted to make the most realistic simulation mission. If we as architects want to test the effect of architectural countermeasures in space we also need to simulate a realistic amount of stress on the participants (in our case ourselves). The cold arctic was the best bet for that. At the same time, the arctic has the most similar lighting conditions to the moon. It’s far away, remote and isolated so the experiment conditions forced our design to be easy to deploy,” said Aristotelis.

Having lived for months in conditions that resemble those in outer space, the two young architects collected a significant amount of data which they will analyze with a focus on human well-being and psychology. “The future looks great, our design worked better than expected which puts us on a solid trajectory to build in outer space,” Aristotelis concludes. SAGA is not only focused on making brilliant space architecture but is also putting the mental health of the astronauts at the core of their design which makes them stand out among all others on our planet!

Designer: SAGA Space Architects

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This 3D printed urban reef is constructed from mycelium to increase biodiversity in cities!

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Mycelium is a natural material taking over the sustainable design world one industry at a time! A Netherlands-based company is hopping on that train – they are experimenting with mycelium and computational design to create a series of 3D-printed urban reefs that will stimulate water circularity and biodiversity. In simpler terms, your concrete jungle where dreams are made of will be more jungle and less concrete so more living organisms can thrive!

Dutch designer duo Pierre Oskam and Max Latour came up with this innovative solution to make cities more biodiverse. It involves using natural materials to create structural ecosystems that can be integrated within existing environmental elements (eg. fountains). A 3D printer is used to create complex geometrical designs with porous materials like ceramics and composites (made from coffee grounds and mycelium). The moisture in the air is able to pass through and create the perfect environment for various fungi to grow thus bringing the structures to life!

“The most feasible option we are working with is ceramics, but since baking it requires a lot of energy we are investigating more sustainable alternatives,” says Latour. The studio is also experimenting with materials made from coffee and algae. At present, the team has developed two concept products as a result of their research, first in the form of the “Rain Reef” rain collector with an undulating shape that increases the contact area of the water and the potential hatching surface for vegetation.

“It is 3D printed with a porous material (made from a mixture of seeds, coffee grounds and mycelium), which can get saturated with the collected rainwater, making it accessible to vegetation growing on the outside,” explains Latour. “The intention is to develop a printable material which is porous, durable, sustainable and bio-receptive.”

The second product is the “Zoo Reef”, which Urban Reef intends as a substitute for fountains in cities. “There is a lot of potential for biodiversity stimulation around urban fountains,” says Oskam. “We propose a complex labyrinth of spaces which are all interconnected. By differentiation in sizes, orientation regarding sun, wind and rain, varieties of microclimates would develop.”

“Rather than determining top-down which organisms should live where, a range of potential habitats is generated.” They might be early in the research and development phase but Latour and Oskam’s Urban Reef project could have real-world applicators in the future. As an idea, it’s not so dissimilar from a living wall, except in this case the choice of materials and the structural design promotes their integration within cities without human intervention.

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“At Urban Reef we consider the city as a potential habitat to organisms, not exclusively humans,” the duo explains. “We position ourselves as human within the natural environment deviating from the modernist view of the human transcending nature. From that perspective, we aim to gain a profound knowledge of natural processes to both integrate those in our design methods as well as design with ecologies in mind.”

Designer: Pierre Oskam and Max Latour

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This angular passive house is built on a tilt in New Zealand and leans into the wind!

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This modern house in New Zealand is a passive structure that won an award from the New Zealand Institute of Architects for its sense of fun and how the design carries through from outside to inside – it makes you feel like you are on a holiday but in a home that you can stay in all year round. The Long Grass House harmoniously blends affordability, sustainability, and liveability!

The use of inexpensive plywood in the interior and steel cladding on the exterior gives it an evergreen yet modern aesthetic with contrast. The interiors are engaging, with plenty of space, natural light, and material warmth. The design approach has been focused on including what is really needed in order to produce what is sufficient; positively reducing waste of both space and construction materials.

It showcases a simple plan for a medium-sized house with a spacious te garage and an interesting layout of the bathroom, laundry, and entrance. The garage and main structure complement each other and almost look like two perfectly angled Lego blocks! The jury that presented the award noted how the Long Grass House is a great example 0f how to use inexpensive materials and get real value out of them.

The angled ends are supposed to appear to be leaning into the prevailing wind, but it’s really a clever energy-saving trick to create overhangs that shade the windows from the northern sun. The architect notes: “The form of the building is compact giving a low form factor, and with its compactness comes low energy demand. Passive House Energy calculations were used to drive design decisions – using current climate data and predicted future climate data.”

A panoramic skylight runs near the length of the building and connects to a vertical window and you can see it from the inside in the kitchen. This light is minimal but eye-catching detail in the house which is designed with thrifty detailing, colourful trimmings, and simple geometric shapes. The wooden stairway leads to a loft above the bathroom and laundry.

“Every material and surface here is durable and will take some hard knocks—something that was central to all material decisions, including cladding. We wanted to ensure that every product we specified would stand the test of time in this harsh environment and be suitable for the family to live in with its changing needs for years to come,” said the team.

The house gets a lot of attention for the slopes that lean into the wind, but the real appreciation should go towards the simplicity and economy of the materials used throughout. Steel siding is one of the most durable and affordable materials for the exterior. While plywood is perfect for long-lasting interiors without increasing costs and maintaining a timeless look. The compact structure helps ensure low energy demand and Passive House Energy calculations were used to drive many design decisions using current and future (predicted) climate data. Long Grass House is perfect for a modern, eco-conscious family looking for a forever home on a budget!

Designer: Rafe Maclean

This furniture collection also doubles up as pot planters with an ultimate Japandi vibe!

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After spending 99% of my time at home in the last two years, I have naturally developed a keen eye for good furniture designs. My preferred style is Japandi or Scandanavian design because I love their minimal aesthetic, functionality, and evergreen pieces – all of which I see in Lur! It is a furniture collection that includes pot planters which also double up as seating in the most organic manner. It was designed for Alki, a brand that is always seeking to collaborate with local businesses which makes it even more special because it unites distinct know-how and materials.

To create the Lur collection, designer Iratzoki Lizaso went to Goicoechea Pottery and work with the local team. The pottery workshop is based in Ortzaize in Lower Navarre, just a few kilometers from Alki. The Goicoechea family has been working with terracotta for three generations. The materials used, the solid oak, and the clay from the Goicoechea family quarry are here entirely natural.

The collection consists of planters and a bistro table. They all have smooth curves and organic shapes featuring a warm aesthetic thanks to the choice of materials and CMF details. It is minimal, timeless, and can work equally well for homes, offices, and public spaces. The idea of ​​being able to vegetate our interiors with pots that are also low tables or seating participates in the creation of living and changing arrangements. These terracotta containers with an eccentric hole on the upper part, house flower pots that allow many unique and artistic compositions that can change the look and feel of a space!

Alki, the pottery team, and Iratzoki Lizaso enjoyed bringing together different craft skills to create Lur. The collection is centered around the idea of plant pots that can work double duty as shelves and coffee tables that add an extra dose of greenery to our spaces. Everything is bio-sourced and made with the intention to work universally as well as for a long time. The clay is transformed into a beautiful rose terracotta with a distinct texture with an off-center opening ready to hold flower pots and plants. The Lur range shows beauty in simplicity while doubling the functionality with minimal design!

Desinger: Iratzoki Lizaso

The world’s most innovative beehive makes beekeeping efficient, reduces waste & gets honey on tap!

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Bees are essential to keeping multiple ecosystems in balance as they pollinate trees and crate food for other animals – they are essential for our survival! Now coming to the little ‘sweet’ things we all love about bees is that they also produce honey. Beekeeping is an ancient practice and beehives have hardly gotten design upgrades but Flow Hive is changing the game. These beehives are good for the bees, innovative, reduce waste, and are so efficient that you actually get honey on tap…literally!

The Flow Pollinator House not only benefits bee populations in your yard, but the proceeds also support advocacy groups across the country. This bee shelter and hive is made by a father-son duo who took a different approach to honey harvesting that is less stressful to the bees and their keeper. It features a mechanism that simply releases the honey straight into jars without the hassles typically associated with the harvest.





The Flow Pollinator House not only benefits bee populations in your yard, but the proceeds also support advocacy groups across the country. This bee shelter and hive is made by a father-son duo who took a different approach to honey harvesting that is less stressful to the bees and their keeper. It features a mechanism that simply releases the honey straight into jars without the hassles typically associated with the harvest.

The process of making the Flow Hive results in cutoff waste, so the company decided it was time to make use of it. Upcycling the sustainably sourced bamboo and salvaged Araucaria timber from the production of the Flow Hive models resulted in the development of the Flow Pollinator House. The house offers protection for hard-working native solitary nesting bees. It encourages them to work nearby, pollinating gardens, flowers and other plants in the vicinity. The Flow Pollinator House comes flat-packed as a DIY kit, complete with everything you’ll need to build it. You can create a custom format by choosing how to arrange the wood tubes and design the exterior to your liking with stain or paint.

Because the house kits originate from leftover wood materials, there are a limited number of Flow Pollinator Houses for the season. They can make a great gift for the gardener, nature lover or advocate in your life. Plus, the product line is a benefit program with the company committing to donate 100% of all proceeds to U.S.-based pollinator advocacy, education, and protection groups.

“The honey bee is one of 19,000 bee species in the world that are essential to pollination and life on this planet as we know it,” said Cedar Anderson, CEO and founder of Flow Hive. “We created this upcycled pollinator home to provide a safe place for solitary bees to raise their young, while offering our customers a fun, family-friendly project to build together. By creating this habitat in your backyard, together we are building the stepping stones across the urban landscape which may just help save some of these important species from the brink of extinction.” Flow Hive is a truly bee-utiful upgrade for the bees!

Designer: Honey Flow