Author Archives: JC Torres

This $125 Glowing Pay Phone Charges the Smartphone That Killed It

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The pay phone had a specific place in the urban landscape, usually on a corner, usually a little battered, and always surrounded by some combination of stickers and street art that turned it into an unintentional canvas. Cities spent decades pulling them out, convinced that no one needed them anymore now that everyone had a phone in their pocket. That logic was correct, of course, but it didn’t make the pay phone any less iconic.

The Pay Phone Charger takes that object out of storage and puts it back on the desk, this time doing the one job the original never could: charging the very devices that replaced it. It’s a 3D-printed miniature pay phone booth with a built-in MagSafe-compatible wireless charger and RGB LED lights that illuminate the “PHONE” sign. Set your phone inside it, and it charges, while the lit-up booth sits on your nightstand or desk looking thoroughly unapologetic about the whole thing.

Designer: Nicky Davis

The version you receive depends on which style you choose at purchase. The DIY option arrives as a blank, undecorated body, with the MagSafe charger and LED lights included alongside a retro sticker sheet that lets you decorate it yourself. For anyone who’d rather skip that step, the Hand Painted and Graff version comes fully decorated with original artwork applied by hand before it ships.

Two more options lean into the aesthetic of pay phones in their natural habitat. The Graffiti Covered version is fully tagged across the body, the kind of treatment any phone booth in a city block would accumulate over a few years. The 90’s Worn Looking version takes a different approach, styled to look genuinely aged and battered, as if it survived decades of street corners before ending up on your desk. Custom designs are also available on request for anyone with a specific vision.

Graffiti Covered

Each piece is made individually, not manufactured in batches, which is a detail that matters when you’re looking at something styled after hand-tagged street furniture. The LED-lit “PHONE” sign is a small but exactly right touch, nodding to the illuminated panels that real pay phones used to make themselves visible at night. Placed on a nightstand, it gives the charger a presence that a flat wireless pad simply doesn’t.

90s Worn Looking

The irony at the center of the design doesn’t need to be overstated. A miniature pay phone charging a smartphone is a visual joke that explains itself the moment anyone sees it, and that’s part of why the product went viral before most people had even had a chance to order one. The waitlist that followed was long enough that the creator switched to a preorder system just to manage demand, making units one at a time as an independent artist.

The charging function works on any MagSafe-compatible device, which covers a broad range of current iPhones without needing an adapter. The 3D-printed body is compact enough for a bedside table or desk corner without demanding too much space, and the sticker-ready surface of the DIY version makes it something of a collaboration between the maker and whoever ends up with it.

Pay phones disappeared because they were replaced by something more convenient. The Pay Phone Charger acknowledges that fully, charges it anyway, and glows while it does it. Starting at $125, it’s the kind of object that usually needs a lot more explaining than this one does.

The post This $125 Glowing Pay Phone Charges the Smartphone That Killed It first appeared on Yanko Design.

DJI Osmo Pocket 4P Review: Finally a Pocket Camera That Flatters Faces

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PROS:


  • Dual cameras can handle any kind of occasion or scene

  • 10-bit D-Log 2 color profile better supports professional needs

  • Easy-to-use ergonomic controls

  • Coherent design language across Vlog Combo accessories

CONS:


  • Slightly heftier and top-heavy than previous Osmo Pocket models

  • 10-bit D-Log 2 isn't available on the 60mm med-tele camera

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The DJI Osmo Pocket 4 is a camera worth carrying, and more importantly, worth reaching for.

Compact cameras have gotten remarkably capable over the past few years. Smartphones shoot impressive footage, action cameras have become tiny powerhouses, and entry-level mirrorless setups deliver results that would have seemed professional a decade ago. But most of these smaller options share a common visual limitation: they default to wide-angle perspectives that capture environments and movement well, without always doing the most flattering things to faces and portraits.

That’s the gap the DJI Osmo Pocket 4P is designed to close. Building on the stabilized pocket-gimbal formula that made earlier Pocket cameras popular, this fourth-generation model adds a dedicated 60mm medium-telephoto lens alongside the wide camera, with an f/1.8 aperture purpose-built for more flattering, more cinematic portrait shots. It’s a design decision that shapes not only how the camera performs, but also how it makes you think about framing. But is that enough to make a significant difference, or does the Osmo Pocket 4P have other surprises in store? Read on to find out.

Designer: DJI

Aesthetics

At a glance, the Osmo Pocket 4P still belongs to the same family as its predecessors, with a compact upright body, a small rotating touchscreen, and a stabilized gimbal head on top. Look a little closer, though, and the dual-lens arrangement immediately sets it apart. There’s something more camera-like about it now, in the best possible sense, rather than a gadget that happens to record video.

DJI offers the Pocket 4P in two finishes, classic black, which was our review unit, and pearl white, both of which carry a premium, polished feel without going into flashy territory. The materials have that familiar blend of structured plastic and matte-finish surfaces that DJI tends to do well, feeling solid without being unnecessarily heavy. Neither colorway draws attention to itself in an obvious way, which actually works in the camera’s favor as a daily-carry tool.

What makes the design feel complete is how the accessories extend the camera’s visual language rather than disrupting it. The fill light clips on cleanly, the handle and tripod give it a more grounded foundation, and the FrameTap remote adds a secondary screen without making the whole setup look like a patchwork rig. Fully assembled for a shoot, the Pocket 4P has the coherent look of a purpose-built creator system, not a Frankenstein of parts.

The presence of two lenses changes what the camera communicates even before it’s switched on. Earlier Pocket models read as action-friendly video tools. The Osmo Pocket 4P reads as something closer to an intentional image-making device, and that shift comes almost entirely from the addition of the portrait lens. Rather than simply adding more specs, DJI gave this camera a more considered point of view, and that reads clearly in the design.

Ergonomics

One of the best things about the Osmo Pocket line has always been how easy it is to grab and go, and the Osmo Pocket 4P keeps that up. It slips into a jacket pocket or small bag without fuss, and it’s ready to record almost immediately. Twisting the touchscreen to power it on takes barely a second, which matters more than it sounds when something worth filming is happening right now.

Handling the Pocket 4P day to day is comfortable, especially once the threaded handle is attached. It gives the camera a stable grip and a flexible mounting solution for tripods and other accessories. The touchscreen is compact and works well for quick adjustments, though it favors speed and simplicity over deep menu navigation. That’s a natural consequence of the body’s slim profile and carry-first design philosophy.

The dual-lens head makes the camera noticeably heavier and more top-heavy than earlier Pocket models, and you’ll feel that difference during longer sessions. But that added mass is a physical consequence of housing a second optical system in such a compact body, which makes it a worthwhile trade. The included handle and mini tripod become genuinely useful for that reason, giving the whole setup a more balanced, natural feel.

Performance

At the heart of the 4P’s imaging system is a 1-inch CMOS sensor paired with a 20mm wide lens, and alongside it, a 1/1.28-inch sensor powering a 60mm medium-telephoto lens with an f/1.8 aperture. Together, they give the camera two genuinely different visual identities: the wide camera for movement, environments, and establishing shots, and the telephoto for faces, details, and compositions where subject isolation matters most.

20mm, f/2.0

60mm, f/1.8, 3x zoom

The 1-inch sensor on the wide camera carries 17 stops of dynamic range, which means tricky lighting situations, such as backlit faces, strong sunsets, or mixed indoor light, tend to resolve more naturally than you’d expect from something this small. Colors look accurate and grounded rather than oversaturated, and skin tones in particular come through with a warmth and believability that most compact cameras don’t typically manage.

20mm, f/2.0

60mm, f/1.8

The 60mm telephoto lens is where the Pocket 4P starts telling a more complete story. At f/1.8, it creates a natural compression and background separation that a wide lens simply can’t replicate, which makes portrait shots, talking-head videos, and product close-ups look considerably more flattering and cinematic. Wide-angle lenses can make subjects look slightly distorted, particularly around the edges of the frame. The telephoto doesn’t, and that difference is immediately noticeable.

20mm, f/2.0 (Top) | 60mm, f/1.8 (Bottom)

Video recording shows how seriously the Osmo Pocket 4P takes its professional aspirations. It supports 10-bit D-Log 2, a color profile with enough tonal latitude to recover highlights and lift shadows in post-production without the footage falling apart, making grading feel genuinely flexible. The standard color profile also deserves credit for looking natural and grounded straight out of camera, giving creators who don’t want to grade a polished result with minimal effort.

20mm, f/2.0 (Top) | 60mm, f/1.8 (Bottom)

Stabilization comes from a 3-axis mechanical gimbal rather than electronic cropping, keeping footage smooth in a way that feels physically grounded. ActiveTrack 8.0 handles subject tracking reliably enough that solo creators can set the camera up, step in front of it, and let it do the work. Slow-motion recording is equally impressive, with the wide lens supporting exceptionally high frame rates that transform ordinary moments into something far more dramatic.

20mm, f/2.0 (Top) | 60mm, f/1.8 (Bottom)

The telephoto camera is best treated as a specialized portrait and close-up lens rather than a full duplicate of the main sensor. It doesn’t support D-Log 2, only 10-bit D-Log, so that color workflow difference is worth planning around before a shoot. The 103GB of built-in storage, fast transfer speeds, and a quick-charging battery that holds up through hours of shooting on a single charge make the overall experience feel refreshingly low-friction.

20mm, f/2.0 (Top) | 60mm, f/1.8, 3x zoom (Bottom)

Sustainability

There’s a practical case for the 4P being a more sustainable choice than it might first appear. A compact camera that handles wide landscapes, tight portraits, slow-motion action, and stabilized everyday shots is genuinely harder to outgrow. That kind of versatility tends to extend a product’s useful life, making it less likely that a single creative limitation will push someone toward a hardware upgrade they don’t actually need.

DJI’s ongoing firmware support has already added meaningful features since launch, including 10-bit HDR recording and auto media transfer to compatible iOS devices. The 103GB of built-in storage also means one less memory card to buy, lose, or eventually replace, and the broad accessory ecosystem lets the camera adapt to new shooting scenarios without requiring a full hardware upgrade. That’s a quieter form of sustainability, but a genuine one.

Value

Although available solo, the Osmo Pocket 4P also comes in a Vlog Combo that packs significantly more than just the camera itself. The box includes a threaded handle, FrameTap remote with its own screen, fill light, DJI Mic Mini 2 wireless microphone, mini tripod, and carrying accessories. Pricing it as an assembled creator kit rather than a standalone camera body makes the overall cost feel far more proportionate to what’s actually being offered.

Compared to a smartphone, the Pocket 4P offers better stabilization and a more cinematic image. Compared to an action camera, it brings a portrait lens and a significantly more refined look. And compared to a mirrorless kit with a separate gimbal and microphone, it’s dramatically smaller and faster to deploy. It won’t replace a dedicated mirrorless setup in every scenario, but for most creators, it comes close enough to matter.

Verdict

What makes the DJI Osmo Pocket 4P worth noticing goes beyond better hardware or higher specs. DJI made a considered design decision to add a second lens that genuinely changes how the camera approaches perspective. That 60mm portrait focal length lets it tell more complete visual stories, handling the wide context shots and the tighter, more flattering moments that a single wide lens simply can’t manage as naturally.

For travel creators, vloggers, portrait-focused photographers, and anyone who’s wanted something that shoots more like a serious camera without the bulk, the Osmo Pocket 4P makes a genuinely strong case for itself. There are trade-offs, but they’re manageable, and the overall package in the Vlog Combo configuration is one of the more thoughtfully considered compact creator kits available right now. It’s a camera worth carrying, and more importantly, worth reaching for.

The post DJI Osmo Pocket 4P Review: Finally a Pocket Camera That Flatters Faces first appeared on Yanko Design.

The Foldable E Ink Book Is Finally Taking Shape

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The e-reader has been one of the most static product categories of the past two decades. Since the first Kindle appeared in 2007, the form factor has barely evolved: a single screen, a flat back, and dimensions roughly matching a paperback. These devices have gotten lighter, sharper, and more waterproof, but the fundamental design assumption has stayed the same. They’re books without the book part.

A growing number of designers have been working on a different premise: what if an e-reader actually opened like a book? One with two E Ink panels and a real hinge, held the way you’d hold a paperback, where left and right pages exist as physical space. That shared ambition has driven a small but serious cluster of projects building quietly over the past five years.

The proof that e-paper could bend

The idea of folding an E Ink display isn’t new. Back in 2020, E Ink Corporation demonstrated a hinged prototype showing that a bending e-paper panel could survive the mechanical stress of being folded. It never reached retail shelves, but it answered the one question that mattered most at the time: whether the material itself could handle the geometry of a real book.

Designer: E Ink

That prototype didn’t solve everything. It was a controlled demonstration with no commercial roadmap, no software, no battery life to speak of, and no clear form factor beyond the fold itself. What it gave the industry was proof that flexible e-paper was a viable building block rather than a permanent research curiosity. Every foldable E Ink project that came after built on that understanding.

The book illusion finally made real

Readmoo’s Mooink V was the first design to make the flexible E Ink concept feel emotionally legible to a general audience. It’s built around an 8-inch Gallery 3 color e-paper display developed in collaboration with E Ink, one that folds down the middle to make the device small enough to pocket when closed and wide enough to feel like a slim paperback when open.

Designer: Readmoo

The color display matters more than it might seem. Gallery 3 renders close to 50,000 colors at 300 PPI, expanding the format beyond plain text to illustrated books, comics, and magazines. The fold reportedly passed 200,000 bending tests during development, and when fully open, the crease isn’t dramatic enough to register as a flaw so much as an honest design trade-off.

Mooink V hasn’t had the smoothest road to market, though. Despite genuine buzz at trade shows including Touch Taiwan and SID Display Week, no confirmed retail availability or street price had materialized as of mid-2026. The design made the foldable E Ink book look and feel tangible in a way earlier prototypes hadn’t. Whether it gets there commercially is a different and still open question.

Two screens, no crease

Not everyone building a book-shaped e-reader was willing to bet on a single flexible panel. A parallel design school took a more pragmatic approach: pair two conventional E Ink screens with a well-engineered hinge and let the gutter do the work. The result avoids crease anxiety entirely since neither panel has to bend, though it trades the seamless page illusion for a visible seam you’d have to accept.

Designer: LCFC (Hefei) (a Lenovo Subsidiary)

LCFC’s Gemini took the productivity angle furthest, giving both E Ink panels enough real estate to function almost like a laptop, with reading material open on one side and an active workspace on the other. The InkReader Duo concept took a more compact approach, fitting two E Ink screens into a phone-sized form, which made it feel less like a desk tool and more like a pocket notebook.

Diptyx went in a different direction altogether. Rather than chasing consumer polish, the project leaned into open-source principles, building a two-panel hinged e-reader without the lock-in that defines most commercial platforms. It isn’t the most refined interpretation of the book-shaped reader, but it made a clear point: the hardware problem was increasingly solvable, and the real challenge was getting the software and ecosystem right.

Designer: Martijn den Hoed

When a second screen isn’t enough

Not every dual-screen device fits cleanly into this story. The Bluegen OKPad pairs an E Ink panel with a regular LCD screen, which makes for a versatile tablet but undermines the unified reading experience that makes an E Ink book feel coherent. Switching between two fundamentally different display types introduces a visual disconnect that software bridging alone can’t fully smooth over.

Designer: Bluegen

Bigme’s HiBreak Dual 2 runs into a different kind of problem. It’s a smartphone with a secondary E Ink display on the back, which is a genuinely clever idea for managing notifications and extending battery endurance, but it’s shaped and used like a phone rather than a book. A second screen doesn’t automatically recreate the spatial logic of reading a bound object.

Designer: Bigme

Inkleaf and the case for two pages

Inkleaf is the most pragmatic entry in the foldable E Ink space so far. Instead of chasing a seamless fold, it pairs two 10.3-inch Carta E Ink panels in a notebook-style hinge, with one side for reading and the other for writing. The seam between them works as a gutter rather than a flaw, and the design doesn’t try to hide it.

That workflow proposition is what makes Inkleaf interesting beyond its form factor. Having reference material on one panel while taking notes on the other removes a friction point that every single-screen reader quietly ignores. You don’t need to switch apps, scroll back, or memorize what you just read before writing something down. It’s aimed at a different kind of reader than a Kindle typically serves.

Designer: Kameron Yu

Inkleaf is currently collecting early-access signups ahead of an August 2026 launch, with a broader public release targeted for 2027. That’s a staggered timeline worth noting: the hardware still has to prove itself beyond initial demos, and the software will matter as much as the panels themselves. Carta E Ink is a sensible fit for a writing-focused device, but actual daily use remains the real test.

What Kindle still has to answer for

None of this means the Kindle is suddenly irrelevant. Amazon’s device still wins on price, ecosystem depth, and a friction-free reading experience built up through years of software refinement. If all you want to do is buy a book and read it on a train, nothing in this group of foldable experiments beats a Paperwhite for simplicity. The incumbents aren’t losing sleep yet.

What these devices do expose is a design gap Amazon hasn’t seriously tried to close. A Kindle displays text efficiently, but it doesn’t recreate the spatial logic of reading a bound book: two visible pages, a sense of position, a natural place for margin thoughts. Those aren’t features that get patched in through a software update, which is why the form-factor conversation is overdue.

That’s what this group of foldable and dual-screen E Ink devices has been quietly building toward for the past five years. Not a product category defined by any single winner, but a shared argument about what a digital reading device could look like if it started from the book rather than the screen. Whether any of them fully delivers on that is a question 2027 will help answer.

The post The Foldable E Ink Book Is Finally Taking Shape first appeared on Yanko Design.

Twelve South Just Built a $130 Charger That Won’t Ruin Your Nightstand

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The nightstand has become one of the messiest surfaces in a home. A charging cable snaking across the top, a phone lying flat or propped against whatever happens to be nearby, maybe a watch charger completing the pile. Most accessories designed to address this solve the function while ignoring the furniture, leaving something clinical and plastic sitting next to things that actually belong in a bedroom.

The Valet 4.25 from Twelve South approaches the problem differently. It’s a compact leather catchall tray with a 25W Qi2 wireless charger built into one end, sized specifically for nightstands and bedside tables. The idea isn’t to be a charger that fits in a room; it’s to be an object that actually belongs there, starting with its materials and ending with how it behaves overnight.

Designer: Twelve South

The base is a weighted zinc alloy frame wrapped entirely in Nappa leather, which keeps it planted on the surface without rubber feet or suction tricks. The tray measures 4.25 inches across, making it a tighter proposition than the brand’s original 7.5-inch Valet but considerably more appropriate for the average nightstand, where every spare inch is already committed to something else.

There’s a small but deliberate feature called the Goodnight Glow. When you set your phone down to charge, the tray pulses a soft light for eight seconds to confirm the connection, then fades completely. It doesn’t stay lit through the night. For something sitting beside you while you sleep, that restraint is more considered than it sounds, and it makes double-checking whether your phone is actually charging almost unnecessary.

The wireless output is a meaningful upgrade over the original Valet, which topped out at 15W via Qi2. The new model delivers 25W, which is the full MagSafe speed that newer iPhones can receive. The smaller size doesn’t come at the expense of performance; if anything, it corrects the one technical criticism that followed the larger model since it launched at CES earlier this year.

The outer frame is removable and interchangeable, available in four leather colors: black, taupe, brown, and ecru. The body itself comes in either black or taupe Nappa leather, giving you enough combination room to match most bedroom furniture without much deliberation. The tray can also be oriented four ways, letting you position the charging pad on either side or rotate the whole thing to fit a narrower nightstand.

There’s a USB-C port tucked under the base for a second device, though at 10W it’s a step down from the 35W the larger Valet offers. It’ll handle a pair of earbuds or a smartwatch overnight, but it’s not fast-charging territory. The smaller tray is the other concession, reducing the landing area for everyday items compared to what the 7.5-inch version can comfortably hold alongside a phone.

At $129.99, it’s $50 less than the larger model and carries the same premium material finish. The Valet 4.25 is narrowly focused for a specific spot in the home, the kind where spending more on something you see every morning is easier to justify when it actually looks right. The Nappa leather and zinc alloy construction give it a permanence that most chargers, regardless of cost, rarely manage.

The post Twelve South Just Built a $130 Charger That Won’t Ruin Your Nightstand first appeared on Yanko Design.

McDonald’s Built a Backpack With Side Pockets That Hold Actual Fries

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Fast food brands have long extended their identities beyond the menu, but branded merchandise tends to follow a familiar template. A logo on a tote, a seasonal hoodie, maybe a novelty cup tied to a promotional window. There’s rarely much design ambition involved, and the results are usually forgotten by the time the campaign ends. McDonald’s China just made a strong case for doing it differently.

To celebrate the 12th edition of its annual Big Fries Day, the brand released a limited-edition backpack modeled almost exactly after the brown paper takeaway bag that goes home with every order. The connection isn’t superficial. The Big Fries Backpack translates McDonald’s own delivery packaging into a wearable object, keeping the visual language that makes it immediately recognizable and adding enough functional detail to make it more than a costume.

Designer: McDonald’s China

The concept started with a fan. A Chinese craft blogger had created a handmade backpack modeled after McDonald’s takeaway packaging and shared it online. The design attracted attention, and McDonald’s China worked with the creator to develop it into an official product, tying the release to Big Fries Day, an annual event held since 2015 around the Chinese solar term Dashu, also known as Major Heat.

Big Fries Day gets its name from a pun. Dashu, the Chinese solar term for Major Heat, sounds nearly identical to “da shu,” the shorthand for large fries, giving McDonald’s a seasonal hook that’s culturally specific and easy to build around. The backpack fits that same logic, turning the most recognizable piece of McDonald’s packaging into something fans could actually put on their back and walk out the door.

The exterior is made from a lightweight DuPont paper material that mimics the texture of a real takeaway bag, with the Golden Arches on the front alongside printed fry graphics and folded-bag details. A detachable charm shaped like a McDonald’s order receipt hangs from the bag, and the zipper pulls are designed to look like individual fries dipped in ketchup. Every visible element draws from the same ordering ritual.

The most conspicuous feature is a pair of red side pockets shaped like McDonald’s fry cartons. They attach to either side with Velcro and can hold actual fries, though keeping greasy food against a paper-textured backpack is one of those decisions best left to the owner. They detach easily when a cleaner profile is preferred, and a dedicated compartment inside the bag is reserved specifically for ketchup packets.

Inside, the novelty gives way to a practical design. The main compartment includes dividers and fits a 13- or 14-inch laptop, making the bag functional for a daily commute rather than just a conversation piece. The shoulder strap is also designed to hold a fry carton upright, which is either a brilliant detail or a very public declaration of priorities, depending on how you feel about eating on the go.

The post McDonald’s Built a Backpack With Side Pockets That Hold Actual Fries first appeared on Yanko Design.

Your 30-Year-Old N64 Cartridges Can Now Play at 4K for $229

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Retro gaming has grown into a legitimate market, but the original hardware it celebrates isn’t getting any younger. The Nintendo 64, now nearly 30 years old, runs on aging components that weren’t built to last indefinitely. Cartridge connectors wear out, capacitors degrade, and the console’s AV outputs don’t talk to modern televisions without adapters. Getting those games onto a screen today usually means compromising on something.

The ModRetro M64 is a new standalone home console designed to play original N64 cartridges on modern TVs, without emulation and without compromise. It doesn’t replicate the exterior of the original machine or rely on nostalgia alone as a design brief. Instead, it rebuilds the N64 experience from scratch, using contemporary hardware to deliver the accuracy that aging original consoles simply can’t guarantee anymore.

Designer: ModRetro

The technology enabling that accuracy is a 16nm AMD Artix UltraScale+ FPGA, which recreates the N64’s hardware at a fundamental level rather than interpreting it through software. Software emulation makes educated guesses about how games should behave, while an FPGA actually rebuilds the circuitry those games were written for. Gameplay timing and audio are identical to the original, and for anyone whose muscle memory is still intact, that precision is the whole point.

On the output side, the M64 connects via HDMI at 720p, 1080p, 1440p, or 4K, covering every modern display without compromise. Optional CRT filters and scanline effects are available for anyone who’d rather put something closer to the original look back on a flat panel. Overclocking modes are also included, giving certain games a bit more headroom than the original hardware could ever provide.

The console boots in roughly five seconds and gets straight to the game, with no logins or account screens in the way. Up to four controllers can be connected at once, making the split-screen multiplayer games that defined the N64 era immediately playable again. It’s the kind of setup that once required a living room full of people negotiating who got which controller.

The M64’s design leans into transparency rather than replica styling. The dual-texture transparent shell is a deliberate callback to the translucent plastic era of the late 1990s, when seeing a device’s internals was its own kind of confidence. A built-in LED strip illuminates cartridge artwork from below with adjustable brightness, and a dedicated eject button makes swapping games quick and clean. At 1.6 lbs, it doesn’t demand much shelf space.

Firmware updates arrive over Wi-Fi or USB, meaning the M64 can gain new features and support for upcoming accessories well after purchase. The hardware contains no adhesives and is designed to be opened and repaired, with a fully open-source, mod-friendly architecture. The circuit board uses gold traces to resist corrosion and improve conductivity, a detail that points to a product built for longevity rather than a planned upgrade cycle.

The box includes the M64 console, a pre-installed 16 GB SD card, a multi-region power adapter, and a power cable; no controller is bundled in, but original N64 controllers and several modern third-party options all work through the four controller ports. The M64 is priced at $229, which isn’t an impulse buy, but for anyone with a box of cartridges waiting somewhere, it’s the machine that makes sense of them.

The post Your 30-Year-Old N64 Cartridges Can Now Play at 4K for $229 first appeared on Yanko Design.

Huion Note E Review: The Notebook That Never Runs Out of Pages

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PROS:


  • Streamlined and focused note-taking experience

  • Looks and feels like using a digital A5 notebook

  • Battery-free stylus with 8,192 levels of pressure and tilt support

  • Sharp display with anti-glare nano-etching, DC dimming, and soft light

CONS:


  • No microSD storage expansion

  • Cover attachment feels prone to breaking

  • Custom software has room for improvement

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR'S QUOTE:

The Huion Note E delivers an enjoyable writing experience on a notebook that never runs out of pages.
award-icon

Huion has made a name for itself with digital drawing tools that empower creatives, both professional and hobbyist alike, regardless of their budgets. It has lately dabbled in the realm of standalone Android tablets, bringing its technologies that would allow designers and artists to let their creativity roam free, figuratively and literally. It even put out some “Smart Notebooks,” catering to the note-taking crowd more than artists.

Against this backdrop, the Huion Note E arrives with an ambitious goal: to be the electronic notebook to replace your handful of paper notebooks. It’s designed to even look the part! But this has been attempted before by many companies, including more expensive fruit-labeled slates, so how does the Note E fare in this regard? Is it able to deliver that paper-like writing experience, or is that just another bullet point in a smorgasbord of disjointed features? We take out our thinking caps, jot down our musings, and take it for a spin to find out.

Designer: Huion

Aesthetics

Huion dubs the Note E as an Electronic notebook, and the first impression you get definitely supports that characterization. Out of the box, it already sets itself apart from typical Android tablets and even from e-readers that have thick bezels and a wider left edge. That left edge uses a rough textured material that mimics the appearance and experience of spines on some paper notebooks.

In fact, the Huion Note E tries quite hard to push that notebook metaphor, almost to the extreme. Instead of your typical smooth edges, the tablet’s sides have an unusual ridged structure that looks like pages of a notebook. That is, if your notebook used black paper. All in all, the Huion Note E presents itself well as an electronic A5 notebook, which helps endear itself to those planning to make the switch from paper to digital.

The included cover adds a pinch of luxury to that presentation, with a PU leather material on the outside and a soft, felt-like texture on the inside. It’s reminiscent of premium journals and their leather-like covers, reinforcing the image of the Huion Note E as an electronic notebook. It’s nothing grand or spectacular, but small touches like these help give the product a distinct personality as a carefully designed object rather than just another tablet in the market.

The Huion Note E embraces a very minimalist design, at least aside from those aforementioned details. Without any physical volume controls, only the power button, USB-C port, and holes for the mics, speaker, and cover break the flow of the ridges around the device. The LCD screen with anti-glare nano-etching is laminated and lies completely flat, just like a page of a notebook. The back is also pretty bare, save for the Huion branding in the middle and the camera bump in a rather unconventional corner. The back has a somewhat matte texture that is, unfortunately, quite a smudge and fingerprint magnet.

The included stylus, a Huion PW510 with PenTech 3.0, follows that same minimalist aesthetic. It has no side buttons, for better or for worse, and aside from the pen nib, the only interaction point is the springy eraser on the other end. The 9mm-diameter barrel has two flat sides that keep it from rolling off a table. Amusingly, the pen seems to roll on its “back” more often than not, ensuring that the Huion name on the barrel is always visible.

Ergonomics

The comparison with a paper notebook doesn’t stop at the appearance. The Huion Note E is almost exactly the size and thickness of an 80-page A5 notebook. At around 348g, it almost weighs as much as one, though the cover adds around 100g more to that ensemble. It’s still light and slim enough to carry everywhere you’d normally take notebooks with you, with the advantage that you only need one Note E versus a stack of A5 notebooks.

That also means it’s convenient to hold the Huion Note E up in one hand, though your exact comfort will depend on your hand size and grip. Those with larger hands or longer fingers might be able to more comfortably grip both edges to hold the tablet like a notepad, while some might prefer gripping the textured left edge instead. That said, the device has enough heft that it can start to feel a bit tiring after a long period of time.

The Huion PW510 pen’s 9mm diameter also makes it a joy to hold and use. It has enough girth to feel comfortable without being too chunky. The body is also well-balanced, so nothing weighs down your hand to get in the way of writing. The lack of a side button aligns with the goal to mimic a pen and paper experience, though at the expense of some useful functionality. The pen magnetically attaches to the side of the Note E, making it easy and convenient to stow away the pen when not in use. There’s also a pen loop on the included cover, though designed in a rather unusual way.

That magnetic cover itself is a bit of an odd duck, sadly. While it’s understandable that Huion avoided using extra-strong magnets that would have affected the EMR pen’s performance, the mechanism they chose feels both unintuitive and flimsy. There are two small prongs inside the spine of the cover, and you have to slide the tablet up or down, depending on whether you’re removing or attaching it, respectively. Given the size of the prongs, it feels like an accident waiting to happen.

One rather curious note is the placement of the power button, which also functions as a fingerprint scanner, on the upper right edge. I usually open books or notebooks from that corner, so when I flip the cover open, my finger naturally brushes against the power button and automatically unlocks the tablet so I don’t have to do that step consciously. Whether that design was intended or not, it was still a nice touch, no pun intended.

Performance

Huion already has quite a number of Android-powered tablets in the market, including a 10-inch one with an E Ink screen. The Note E, however, has a distinct purpose that calls for a rather different combination of hardware and software features. It’s meant to be a highly portable digital notebook first and foremost, so everything else falls under this lens, both the good and the bad.

Specs and Battery

The Huion Note E is unambiguously what would be considered a mid-range tablet, especially with its MediaTek Helio G99 processor. While that may have been billed as a gaming chip for budget smartphones back in 2022, it doesn’t hold a candle to today’s mid-tier silicon, at least in theory. In practice, however, it actually performs quite well, especially with 6GB of RAM that gives apps sufficient space to operate. It’s no racehorse, for sure, but that isn’t even the point of this device in the first place.

The tablet comes with 128GB of RAM, which is modest by 2026 standards, especially without any option to expand it with a microSD card. It will be enough to hold notes, pieces of art, and ebooks aplenty, but you’ll definitely feel cramped for anything else. You will definitely feel the intentional limitations Huion put in place, preferring to focus on the core use cases for the device: note-taking with a bit of drawing and reading on the side.

Huion Note E (Left) | POCO X8 Pro (Right)

That’s also why the Huion Note E’s camera story is almost non-existent. There’s an 8MP shooter on the back that’s primarily for scanning documents, notes, and books. You can take passable photos, definitely, but the quality is so basic you’d be better off reaching for your smartphone. Yes, you can probably snap up a reference for your drawing, but don’t expect accurate colors, let alone fine details. Unsurprisingly, there is no front-facing camera, even for video calls.

A 4,500mAh battery sounds a little too modest for a tablet, but it does surprisingly well. On standby, with 2 or 3 benchmarks run, it lasted almost three days from full to 5%. On a full day of regular use, you won’t even need to reach for a power bank until the next day. The 18W “fast” charging speed is definitely a bummer, requiring 2.5 hours to top up.

Display and Pen

Where the Huion Note E excels is, of course, the screen and stylus experience, which isn’t surprising given the brand’s core technologies and target market. The 8.4-inch laminated LCD screen comes with an anti-glare nano-etched surface that is advertised to provide a traditional pen-on-paper experience. In practice, it feels more like writing on a sheet of smooth, high-quality paper, like the ones you’d find in Japanese-made notebooks and planners. It doesn’t exactly have that “scratchiness” of regular paper, but there’s enough resistance that it doesn’t feel like plastic sliding on glass.

With a 1920×1200 resolution, the 60Hz screen boasts a pixel density of 270 PPI, close to what ereaders offer. Huion doesn’t advertise it as something similar to E Ink, nor does it even talk about a paper-like reading experience. It’s still an LCD screen, though with some features aimed at helping reduce eye strain. For example, it opts for DC dimming over the more popular PWM to reduce flickering that hurts the eyes over long periods of use.

All of these come together to deliver a screen that is sharp, clear, and colorful, allowing for a variety of uses that go beyond just scribbling or reading. Under bright light, even under the sun, the screen is still readable, especially at max brightness. The anti-glare finish does affect viewing angles, but very few people would read or write at an extreme angle anyway.

The Huion PW510 stylus that comes in the box utilizes the brand’s PenTech 3.0 technology, promising 8,192 levels of pressure as well as tilt sensitivity. It definitely works as advertised with no latency in any app, reproducing that joyful feeling of seeing “ink” flow smoothly from the tip of the pen as it glides across paper. Sadly, the design of the 1.6mm felt nib makes it harder to take full advantage of tilt, but it’s definitely there.

Software

That the Huion Note E is specifically designed for note-taking is perhaps best seen in the mixed bag that is the software experience. It runs on a customized Android experience that more closely resembles an e-reader than a typical Android tablet. Most of the features and settings are still there, just hidden and sometimes even locked down.

There is thankfully not much bloatware installed, save for some “basic” Google apps. Ironically, while the device does support Google Play, you have to take some extra, but thankfully easy, steps to register the device. It’s an unfortunate situation, but not a complete deal-breaker. Once you get past that, almost any app on the Play Store is available to install.

Huion’s built-in software, however, leaves some things to be desired. The launcher, which has “tabs” on the left, is designed to be minimal and distraction-free. It’s also the only way you can get to the Huion Notes and To-do apps, as they are baked into the launcher, following the practice of some Android ereaders. Unfortunately, it’s so minimalist that there’s no option to rearrange apps in the Favorites tab (but you can do that in the All Apps tab), nor is there a dark mode that will avoid blinding your eyes in a dark room.

The Huion Notes app is also capable but basic, designed more for quick notes rather than elaborate journals and planners. You have four “pens,” only one of which takes advantage of pressure sensitivity. There’s no way to directly type in text, forcing you to write by hand and then convert to text, but once text is already there, you can edit normally with a keyboard. One key feature is the ability to record audio while writing, for example while taking notes in a lecture, and you can later play the recording back and watch your handwriting appear in sync.

The built-in To-Dos app is even more basic, simply letting you scribble a task, which it converts to text, enter sub-tasks, and assign due dates and times. You can type in text at all, so you’ll really have to do everything with the stylus, which is the entire point in the first place. You don’t type in your paper notebook, after all.

HiPaint, which some consider to be the Android Procreate, is also pre-installed, but you can install any drawing app of your choice. With Huion’s display and pen tech, turning the Note E into a portable digital sketchbook is like second nature. Of course, you can also read books, comics, and, if you really want, scroll through social media, though the reading experience might be subpar compared to a color E Ink device.

Sustainability

The Huion Note E doesn’t exactly score well in this criterion. The device is mostly plastic, with no mention of recycled parts. The packaging is compact and minimal, but there’s still quite a bit of plastic there as well. The device itself is only rated for IP40, which practically means no protection even against accidental splashes. It does run Android 15, which was last year’s release, but there is no clear upgrade path moving forward.

The Note E’s sustainability advantage is in what it saves in the long run, even if indirectly. It is trying to create a culture of swapping out paper notebooks for electronic ones, at least for the more disposable use cases. The battery-free stylus is not only, well, battery-free but also saves up on energy you would have used to charge the pen. Small wins, definitely, and hopefully Huion would move toward stronger sustainable practices and materials soon.

Value

At $369, the Huion Note E is hardly what you’d consider a budget tablet. It does include an excellent stylus and a somewhat ambiguous cover, but if you’re looking for hardware chops, you’d best look elsewhere. A mono speaker and a single 8MP camera are not what you’d consider modern features. It is definitely not the only Android tablet with a stylus, either.

What Huion brings to the table isn’t just another Android device, but one that is clearly designed, both in hardware and software, for a specific, focused purpose. That it looks like an A5 notebook isn’t an accident, and, incomplete as it may be, the streamlined software experience is quite intentional. The Note E aims to be your one electronic notebook to replace your other paper notebooks, and it definitely gets the job done, with plenty of room for growth.

Verdict

There is no shortage of Android tablets that support pen input, from the large and expensive “Pro” slates to E Ink readers. At first glance, the Huion Note E looks like yet another entry in that market, but just turn it to the side, and you will immediately see that it’s a different beast entirely. It’s an electronic notebook first and foremost. Everything else is just side effects.

What really sets the Huion Note E apart is the carefully selected mix of features and limitations that make it look less like a mass-market device and more like a considered object. It looks like the object it’s meant to replace, and the limitations it has in place streamline rather than restrict the experience. Sure, there are a few quirks, most of which can be fixed with software updates, but, in the end, the Huion Note E still manages to deliver its promise: an enjoyable writing experience on a notebook that never runs out of pages.

The post Huion Note E Review: The Notebook That Never Runs Out of Pages first appeared on Yanko Design.

This Steel Side Table Has 6 Functions and Zero Extra Parts

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Living with limited floor space has always required some level of compromise, and furniture is usually where that compromise shows most. Side tables, in particular, tend to occupy a fixed spot and stay there, doing exactly one thing for the life of the room. The modern home demands more from every square meter, and most furniture simply isn’t designed to meet that demand in any meaningful way.

The Modular No. 2 takes a different approach. It’s a minimalist piece made from two halves of powder-coated steel that, depending on how they’re arranged, can serve entirely different functions without any added hardware, tools, or separate components. The flexibility isn’t a feature tacked on as an afterthought; it’s built directly into the form and the way the two halves relate to each other.

Designer: Michael Hilgers

In its most familiar configuration, the two halves are joined to form a low side table, steady and practical for a drink, a bedside lamp, a small plant, or the usual stack of books collecting dust and good intentions. The clean steel surface and minimal silhouette means it doesn’t announce itself too loudly in a room, which is often the most you can ask of a side table.

Flip it over, and the same piece becomes a magazine rack or bookstand. The geometry that creates the flat table surface in one orientation naturally forms a slotted structure in the other, holding books, periodicals, or papers upright without any additional parts. It’s one of those moments in furniture design where the function feels almost accidental, even though it’s clearly the result of considered thinking about form.

The third configuration is arguably the most useful one in a bedroom short on floor space. The same holes used to join the two halves together also serve as wall-mounting points, so each half can be fixed independently to a wall as a floating nightstand. Placed on either side of a bed, the pair creates a neat bedside setup that takes up no floor space at all.

That list of functions doesn’t end there. The piece also works as a wall console near an entryway for keys and small items, as a desk extension for an extra surface when working, or as a decorative shelf in a hallway. Every configuration uses the same two steel components, so there’s nothing to store, lose, or replace when you decide it’s time to rearrange.

The construction is straightforward in the best possible sense, with both halves made from steel with a high-quality powder coating. The design is minimalist and purist without being cold or uninviting, and the clean form sits comfortably alongside wood, fabric, and natural materials without competing with them. It’s the kind of piece that quietly earns its place in a room and then earns it again every time you realize it can be something different.

The post This Steel Side Table Has 6 Functions and Zero Extra Parts first appeared on Yanko Design.

Get Ready for the $349 Smart Ring That Vibrates on Your Finger

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Smart rings have quietly become one of the more compelling wearable categories, but they’ve also settled into a familiar pattern. Almost every new model competes on the same promises: better sleep tracking, a more refined readiness score, and slightly longer battery life. The hardware keeps improving, but the relationship between the wearer and the device hasn’t shifted much. It still mostly communicates through morning reports and app dashboards.

RingConn Gen 3, which launched on July 25, 2026, is making a case for something different. Beyond the usual cardiovascular basics, it introduces vascular trend tracking, giving wearers a longer-view picture of their health over time. It also adds haptic vibration alerts, a feature no other smart ring currently offers. The whole package comes in at $349 with no subscription fees, which keeps the ownership model refreshingly straightforward.

Designer: RingConn

Most attention will drift toward the vascular tracking angle, but the haptic motor deserves a closer look. A smart ring that vibrates on your finger isn’t the same experience as a watch tapping your wrist. The finger is one of the body’s most tactile zones, so a buzz there lands differently, more directly, and in a way that’s harder to tune out or dismiss as background noise.

That difference matters most in the moments when you’d least want to pull out your phone. A quiet nudge during a meeting, a gentle prompt after sitting still for too long, or a discreet alert in the early hours when something shifts overnight, none of those need a screen. They just need a ring that knows when to say something and how to say it without disturbing everyone around you.

The vascular trend tracking feature is the bigger headline in category terms. Rather than adding another single-moment metric to the app dashboard, it monitors patterns over time, giving wearers a broader sense of how their body is trending across days and weeks. It’s framed as a wellness insight rather than a clinical reading, which keeps the expectations grounded and the interpretation squarely in the wearer’s hands.

What makes this interesting from a design standpoint is that RingConn managed to fit optical sensors, a vibration motor, and up to 14 days of battery life into a 2.3mm titanium body. The inner surface uses medical-grade resin for comfort, and the ring itself weighs between 2.3 and 3.5 grams depending on the size. That’s a serious hardware challenge for something designed to sit on your finger all day.

The Gen 3 comes in five finishes: Future Silver, Royal Gold, Matte Black, Brushed Silver, and Brushed Rose Gold. At $349, it’s firmly in premium smart ring territory, but the lack of a subscription fee makes that price easier to justify over time. Rivals that tack on monthly charges for full app access end up costing noticeably more in the long run, which makes RingConn’s flat-fee model considerably more appealing.

Then there’s the Warner Bros. Lord of the Rings collaboration, a limited-edition partnership that RingConn isn’t shy about mentioning. It’s a smart piece of brand alignment, a ring company partnering with the most famous, or infamous, ring in pop culture. Whether the tie-in feels like genuine collector appeal or calculated marketing depends on the buyer, but it does add some character to a category that tends to take itself rather seriously.

What RingConn Gen 3 really proposes is that a smart ring doesn’t have to stay quiet. The category has spent years refining how it listens to the body, and Gen 3 asks what happens when it starts talking back. Whether that’s a light nudge during a sedentary afternoon or a vascular trend surfacing across a few weeks, there’s something worth considering in a ring that finally has something to say.

The post Get Ready for the $349 Smart Ring That Vibrates on Your Finger first appeared on Yanko Design.

Pocketbyte: The Modular Open Source PDA Nobody Knew They Still Wanted

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The PDA had a good run in the late 1990s and early 2000s before smartphones absorbed everything it did, then kept going. What disappeared with it wasn’t just a product category but a device that was genuinely focused: it did a handful of things well, didn’t ask for your attention beyond those things, and fit comfortably in a pocket. The smartphone replaced it with something more powerful, but also something that never quite left you alone. That tradeoff is what a growing number of people are starting to notice.

Pocketbyte is a solo-built, open-source handheld computer that describes itself as a modern PDA: a pocket device for play, notes, music, and tinkering, built without the feeds, notifications, or ambient pull of a connected smartphone. It runs on an ESP32-S3 processor, a dual-core chip clocked at 240 MHz, paired with a 2.8-inch IPS display that stays readable in sunlight. The 1,500mAh battery charges over USB-C and holds up through extended sessions of gameplay or music listening.

Designer: Om Rawaley

What separates it most from every comparable device is the modular input system at the bottom. A magnetic pin connector accepts swappable control modules, and two are available now: a gamepad layout for games and a QWERTY keyboard for typing. The connection is physical and hot-swappable, so switching from a gaming session to writing a note takes as long as pulling one module off and clipping another one on. Anyone can design a third module, fourth, or fiftieth. The documentation is open, and the architecture invites it.

The software side is just as open. PocketbyteOS has a built-in App Store accessible over Wi-Fi, where community-built apps can be downloaded and installed without connecting to a computer. For those who want to go deeper, the C library is available under the Apache 2.0 license on GitHub, and there’s no locked bootloader preventing anyone from flashing whatever they build. The Retro-Go emulator runs SNES, Sega Genesis, Game Boy Color, and NES titles comfortably on the hardware. Celeste has been ported to it. The device also plays MP3 and WAV files with cover art and ships with a stereo headphone jack alongside the built-in mono speaker.

Storage goes up to 32GB via microSD, which covers a lot of retro games, playlists, and saved data in a device this size. Wi-Fi and Bluetooth are both built into the ESP32-S3, so wireless connectivity is available without adding hardware. For anyone who wants to build interactive apps, such as wireless messaging tools, music sequencers, graphing calculators, or text editors, the platform handles all of it within a form factor that actually fits in a pocket.

DevKits are coming to early adopters and developers first, with broader availability to follow. It’s aimed at makers, retro gaming fans, digital minimalists, and anyone who’s wanted a small, capable, honest machine that doesn’t ask for more of their time than they’re willing to give it. Devices like this used to exist. They went away. Pocketbyte is an argument that they shouldn’t have.

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