Author Archives: JC Torres

Badgeware Turns Conference Badges into Wearable Tiny Computers

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Conference badges are usually flimsy cardboard, a lanyard, maybe a QR code, and they end up in a drawer once the event wraps up. In the maker world, people already strap LEDs and e‑paper to their jackets for fun, but those tend to be one‑off hacks held together with tape and hope. Pimoroni’s Badgeware line asks a simpler question, what if the badge itself was a tiny, finished computer you actually wanted to keep wearing.

Badgeware is a family of wearable, programmable displays powered by Raspberry Pi’s new RP2350 chip. The trio gets names and personalities, Badger with a 2.7 inch e‑paper screen, Tufty with a 2.8 inch full colour IPS display, and Blinky with a 3.6 inch grid of 872 white LEDs. Translucent polycarbonate shells in teal, orange, and lime glow softly when the rear lighting kicks in, making them look like finished toys instead of bare dev boards.

Designer: Pimoroni

The shared hardware is serious for something pocket sized. An RP2350 running at 200 megahertz with 16 megabytes of flash and 8 megabytes of PSRAM, Wi‑Fi and Bluetooth 5.2, USB C, and a built in 1,000 milliamp hour LiPo with onboard charging. The Qw/ST expansion port on the back lets you plug in sensors and add ons without soldering, while user and system buttons plus four zone rear lighting give each badge its own under glow.

Badger is the quiet one, four shade e‑paper that sips power and holds static content like names, pronouns, and tiny dashboards for days. Tufty is the show off, full colour IPS and smooth animation for mini games, widgets, and scrolling text. Blinky is the extrovert, a dense LED matrix that spells messages and patterns bright enough to read across a room. Together they cover calm, expressive, and loud without changing the basic wearable form factor.

All three come pre loaded with a launcher and a bunch of open source apps, from silly games like Plucky Cluck to utilities like clocks and ISS trackers. Everything runs in MicroPython with Pimoroni’s libraries, and the optional STEM kit adds a multi sensor stick and a gamepad so badges can react to temperature, light, motion, and multiplayer button mashing, turning them into wearable sensors or tiny game consoles.

Double tapping reset drops the badge into disk mode so it shows up as a USB drive, letting you edit Python files directly without juggling tools or serial consoles. The cases have lanyard holes and can free stand on a desk, so they work as both wearable name tags and tiny desk dashboards. The clear shells and rear lighting make the electronics part of the aesthetic instead of something to hide.

Badgeware turns the throwaway conference badge into a reusable platform. Instead of printing your name once and tossing it, you get a little object that evolves from ID tag to art piece to sensor display as your code and curiosity grow. For people who like their gadgets small, expressive, and open ended, Badger, Tufty, and Blinky feel like digital jewellery that actually earns its lanyard space, whether you wear it to a meetup or keep it glowing on your desk.

The post Badgeware Turns Conference Badges into Wearable Tiny Computers first appeared on Yanko Design.

Jolla Phone Returns with a Physical Switch to Cut Off Mics and Tracking

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The mobile OS graveyard is crowded. Symbian, MeeGo, Firefox OS, Windows Phone, all killed by iOS and Android’s duopoly. Most people quietly accepted that those two won and moved on. Jolla started from Nokia’s MeeGo ashes in 2013, shipped the original Jolla Phone, and somehow kept Sailfish OS alive for twelve years in the wilderness. The new Jolla Phone feels less like a comeback and more like a refusal to die.

Jolla frames it as Europe’s independent smartphone, a 5G Sailfish OS 5 device built around the pitch that every Android and iPhone phones home to California. The announcement post says this is about digital sovereignty and choice rather than nationalism, but the subtext is clear: Europe needs its own mobile platform, or it stays perpetually dependent on US and China infrastructure. It is a Linux phone you are meant to daily drive, not a dev kit or novelty.

Designer: Jolla

The core specs sit in upper mid-range territory. A 6.36-inch FullHD AMOLED screen, a Mediatek 5G platform, 12GB of RAM, 256GB of storage with microSD expansion up to two terabytes, dual SIM, and a 5,500 mAh battery. The flat-sided Scandinavian design offers replaceable back covers in Snow White, Kaamos Black, and The Orange, a nod to the original Jolla’s signature color. It includes a side fingerprint reader and an RGB notification LED.

The privacy hardware choices feel almost retro. A physical privacy switch can be configured to cut off the mic, Bluetooth, Android apps, or other subsystems. The battery and back cover are user-replaceable, which feels unusual in a world of sealed slabs. Those choices align with the idea of owning your device instead of renting it, and they support Sailfish OS’s pitch as “private by design,” with no tracking or hidden analytics happening in the background.

Sailfish OS 5 is a Linux-based, gesture-heavy mobile OS that Jolla promises will get at least five years of updates without forced obsolescence. App ecosystems matter, so the phone includes Android app support via Jolla AppSupport, without Google Play Services. That means many Android apps will run, but you are not feeding data into Google’s backend every time you unlock your phone or letting services siphon usage patterns while sitting idle.

The funding model is a 99 euro fully refundable pre-order voucher toward a 499 euro final price, with production only happening if at least two thousand units are reserved. The community voted on key specs and features, and the campaign already passed its goal. The phone becomes a Do It Together project where early adopters literally decide whether it exists, and pre-order customers get a special edition back cover as a thank you.

The new Jolla Phone represents a rare, stubbornly optimistic alternative in a market that settled on two platforms years ago. It will not replace iOS or Android for most people, and there are risks around timelines and app compatibility. But for anyone who wants a phone that treats privacy, longevity, and independence as design constraints instead of afterthoughts, Jolla’s return feels like proof that small, opinionated hardware can still find oxygen if the community wants it badly enough.

The post Jolla Phone Returns with a Physical Switch to Cut Off Mics and Tracking first appeared on Yanko Design.

SKEGIC MagCable Snaps Into a Coil, Never Tangles in Your Bag Again

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Charging cables snake across desks, tangle in bags, and turn car consoles into nests of rubber that wrap around shifters and cupholders. We buy nicer desks, stands, and chargers, but the cable itself usually remains the same cheap afterthought that sprawls everywhere. If anything deserves a design rethink, it is the thing we touch every time we plug in, yet most solutions still involve separate clips or Velcro ties you have to remember to use.

SKEGIC’s MagCable tries to solve that mess from the inside out. It is a USB-C to USB-C cable that hides magnets along its length, so it can coil itself neatly and snap into a compact ring or stack instead of sprawling. It still behaves like a proper 100W charging cable with data transfer up to 480 Mbps and support for CarPlay, which means it works for phones, tablets, and smaller laptops without compromising on spec.

Designer: SKEGIC

The embedded magnets let the cable hold a shape, whether that is a tight coil on a desk or a loop clipped to a bag. You are not adding clips or Velcro; the cable itself becomes the organizer. SKEGIC calls it a “magnetic anti-tangle design,” and it makes it easy to pull out just the length you need while the rest stays coiled. When you are done, a quick wrap snaps it back into place without hunting for a tie.

On a desk, the MagCable lives next to a charger as a tidy stack until you unroll a few loops to reach a laptop or phone. In a car, the same cable avoids wrapping around the shifter and still keeps a phone connected for CarPlay without the usual tangle behind the console. For travel, it can sit in a pocket or hang from a bag strap without turning into a knot by the time you reach your destination.

SKEGIC uses reinforced nylon braiding, which helps the cable withstand wear and gives it a more textile feel than glossy plastic cords. The metal USB-C housings carry the SKEGIC logo and make it feel closer to a piece of gear than a disposable accessory. At one meter long, it is rated for universal charging of mobile devices, from phones to tablets and smaller laptops within the 100W envelope.

The trade-offs are modest. This is still a one-meter cable, not a retractable reel, and the magnets add a bit of stiffness and weight compared to a basic cord. Data transfer is rated up to 480 Mbps, which handles syncing phones and accessories but is not aimed at heavy file shuffling to fast external drives. It is a quality-of-life upgrade rather than a spec breakthrough, meant to keep things neat rather than push performance boundaries.

MagCable is the kind of quiet design fix that makes sense once you live with it, the difference between a desk that always looks slightly chaotic and one that feels finished. For people who care about how their workspace, car, or bag looks and functions, a cable that organizes itself starts to feel less like a gimmick and more like how these things should have worked all along, one less small annoyance to manage while everything else demands attention.

The post SKEGIC MagCable Snaps Into a Coil, Never Tangles in Your Bag Again first appeared on Yanko Design.

Titaner Titanium EDC Ratchet Swings at 4° for Impossibly Tight Spaces

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There’s a particular kind of frustration that comes with a stubborn screw buried deep inside a chassis or tucked behind a piece of furniture. You finally wedge a ratchet into the gap, but every swing sends the screw back to where you started, undoing your progress in tiny, maddening increments. The problem isn’t skill or strength; it’s that most ratchets need too much arc to advance the fastener.

The Titaner EDC Ratchet System was built precisely for this challenge, engineered around an impressive tight 4-degree swing arc. At the heart is a tiny ratchet mechanism, just under thirty grams, that can click forward with minimal movement. In cramped spaces where you can barely tilt your hand, that tight swing means you still get crisp confirmation that the fastener is turning.

Designer: Titaner

Click Here to Buy Now: $159 $295 ($135 off). Hurry, only 66/1900 left! Raised over $479,000.

Traditional thinking says that more precision means more fragility, and more strength means more mass. Titaner’s core weighs just 29.8 grams yet uses a dual-lock gear mechanism engineered to handle serious torque. When fully engaged, it feels like every bit of effort goes straight into the screw without the mushy slop you expect from small ratchets. The core is light enough to carry every day but built to take on rusted bolts without flinching.

Direction control works through a flip-based design instead of a small thumb lever. One side of the core locks for tightening, the other releases for loosening, with engraved markers making it obvious at a glance. Flipping the core in your fingers becomes a natural gesture, and removing that fragile switch simplifies the structure while shaving off weight and potential failure points.

The modular system lets the same core adapt to very different tasks. Snap extension bars into the side ports, and it becomes a T-shaped handle for maximum leverage, letting both hands and your upper body share the load. Reconfigure into an L-shape to work around a chassis brace or wall, or keep it in a slim I-shape when you need to reach deep into a narrow opening.

Of course, controlling force at the moment of maximum torque is where the optional Gyro-Stabilizer cap comes in. It separates downward pressure from twisting motion, so your palm can press straight down while the ratchet turns freely underneath. That helps keep bits seated, reducing cam-out and stripped fasteners. For delicate work on plastics or electronics, the side port configuration gives more linear feedback, making it easier to stop at just the right tightness.

The titanium core, four extension bars, and a set of hardened S2 steel bits all nest into a small aluminum vault case. A clever magnetic structure locks each piece in place with a satisfying snap, so nothing rattles. In a bag or pocket, it feels more like a compact object than a toolbox, yet it unfolds into a capable setup when you need it.

GR5 titanium resists sweat, rain, and seawater, while M390 steel gear teeth handle repeated engagement without rounding off. The outer case is milled from 7075 aluminum, with chamfered edges and smooth surfaces that feel deliberately finished. Spin the core between your fingers, and the fine clicks of the 4-degree mechanism turn precision into something you can hear and feel, a tactile reward for the engineering underneath.

The system comes in two versions. The basic edition offers just the ratchet core with a standard interface, meant for people who already have their own bits and extensions they trust. The pro edition includes the full modular ecosystem with bars, bits, a vault case, and all the configuration options for T, L, and I shapes, turning it into a complete pocket toolkit built around a single titanium heart.

The Titaner EDC ratchet system treats turning a screw as an opportunity for thoughtful engineering and satisfying interaction. It’s built to live in a pocket, ready for the awkward angle or hidden fastener that shows up without warning, and to make those moments feel a little less like a fight and a little more like a solved puzzle with the right tool in hand.

Click Here to Buy Now: $159 $295 ($135 off). Hurry, only 66/1900 left! Raised over $479,000.

The post Titaner Titanium EDC Ratchet Swings at 4° for Impossibly Tight Spaces first appeared on Yanko Design.

HubKey Gen2 Kills Dongle Mess, Adds Dual 4K and Physical Controls

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The modern desk is a patchwork of small compromises. Your laptop has two USB-C ports, but you need displays, a wired network, external storage, and constant charging. That leaves you juggling dongles and adapters, with media controls and privacy shortcuts buried in software menus or keyboard combinations you can never quite remember. The setup works, but it never feels tidy or intentional, just workarounds gradually spreading across your workspace.

HubKey Gen2 tries to pull those pieces together in a single compact cube that sits within arm’s reach. It’s both an 11-in-1 USB-C hub and a small hardware control surface, with four shortcut keys and a central knob on top. The idea is to handle displays, power, storage, network, and a handful of everyday actions from one place, turning a desk full of little fixes into something more coherent.

Designer: HubKey

Click Here to Buy Here: $89 $179 (50% off). Hurry, only 266/500 left!

The most requested improvement for this version was better display support and five keys which can be fully customized. HubKey Pro 2 now offers two HDMI ports, each capable of driving a 4K display at 60Hz. That means a laptop can suddenly run a pair of high-resolution monitors smoothly, turning a cramped single-screen setup into a proper workspace for editing timelines, keeping reference material open, or spreading code and documentation across both panels without stuttering.

Between the USB-A 3.1 and USB-C 3.1 ports at up to 10 Gbps, SD and TF card slots, a 2.5 Gbps Ethernet port, 3.5 mm audio jack, and a dedicated 100 W USB-C PD port, HubKey Pro 2 can replace a whole handful of adapters. One cable from the hub to your laptop or handheld PC brings everything else online, from wired internet to external drives and dual displays, cutting down on the usual cable mess.

The top panel is where the shortcut side comes in. Four keys and a central knob are mapped to actions like volume and mute, screen lock, display off, screenshot, and lighting control. Instead of hunting through menus or remembering key combinations, you can twist the knob to adjust sound, tap a key to blank the monitor when someone walks by, or grab a screenshot with a single press.

Under the surface, the shortcut side goes deeper than a few hard-wired functions. A built-in driver unlocks five preset systems with 170 fixed combinations, plus a sixth mode where you can fully customize the key bindings. When you plug HubKey Gen2 into your machine, a settings interface pops up automatically, letting you assign shortcuts, macros, and key sequences in a few clicks.

For basic use there are no drivers to hunt down; it’s plug-and-play with Windows, macOS, Linux, and even devices like the Steam Deck, while the optional driver adds a deeper layer of customization when you want to fine-tune the keys. The internal circuitry and firmware have been tuned for faster recognition and more stable power delivery, and the press logic for Windows and macOS has been refined to reduce delays or misfires.

The 100W USB-C PD port can keep a laptop charged while the hub is driving dual 4K displays and handling data transfers. The The 10 Gbps USB ports and card readers make moving large files feel less like a chore, especially for photographers and video editors who are constantly offloading cards. The goal is to reduce the number of separate chargers and adapters that need to live on the desk.

Of course, the central knob has a smooth feel when you adjust volume, and the integrated LED ring can be dimmed or toggled with a key. The lighting adds a bit of atmosphere without turning the hub into a light show, and the compact form factor means it can sit next to a keyboard or under a monitor without demanding attention when you’re not actively using it.

HubKey Gen2 doesn’t claim to replace a full keyboard or a studio-grade dock, but it does try to make a typical laptop-based setup feel more intentional. By combining dual 4K display support, a full spread of ports, and a handful of physical controls in one small object, it turns a desk full of little compromises into something more coherent and easier to live with.

Click Here to Buy Here: $89 $179 (50% off). Hurry, only 266/500 left!

The post HubKey Gen2 Kills Dongle Mess, Adds Dual 4K and Physical Controls first appeared on Yanko Design.

PUM Imagines a Soft Exoskeleton Posture Wearable for Young Farmers

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Most posture gadgets target office workers hunched over laptops, buzzing when your shoulders curl forward, or your neck drifts too far from neutral. Meanwhile, people doing physically demanding jobs, like young farmers, quietly rack up back pain and joint strain from long hours of bending, squatting, and lifting in fields. That strain is often treated as just part of the job until it becomes a serious problem threatening long-term health and livelihood.

PUM is a graduation project imagining a posture correcting wearable built specifically for young farmers. It is a soft exoskeleton harness with inflatable shoulder airbags, a back module full of sensors and a pump, and an app that tracks posture and guides stretching. It is designed as gear you put on with work clothes, not a medical device you remember after damage is done or when your back hurts badly enough to stop working.

Designers: Seulgi Kim, Gaon Park, Seongmin Kim

The harness wraps shoulders, torso, and thighs using wide, soft straps in muted blues and grays, with a waist belt anchoring a pebble-shaped module on the back. It aims to feel like a lightweight work vest rather than a rigid exoskeleton, avoiding bulky frames or hard edges. Leg straps and belt also double as attachment points for tools, folding ergonomic support into everyday workflow instead of adding another thing to carry.

The back module uses motion sensors to watch for deep or prolonged bending, sending data to a smartwatch and phone. When a farmer stays in a harmful posture too long, the system nudges them with an alert and, more interestingly, by slightly inflating the shoulder airbags. That gentle pressure on the upper back acts as a physical reminder to straighten up without constant buzzing or nagging notifications interrupting delicate planting or harvesting work.

The air system relies on small triangular airbags in shoulder straps connected to a pump and valves in the back module, controlled by a microcontroller and pressure sensor. When posture crosses a threshold, the pump adds air, and when the user corrects, it releases pressure. It is soft robotics used as a tap on the shoulder, a tactile cue instead of another screen telling you what to do or another alarm competing for attention.

The app layer lets farmers see how long they spent bent over, adjust how sensitive PUM is, and, at the end of the day, follow a stretching program tailored to that data. If the system saw lots of forward flexion, it suggests back extension and hamstring stretches. PUM does not clock out when fieldwork ends; it helps with recovery, so tomorrow starts from a better baseline instead of compounding yesterday’s strain into chronic issues.

PUM shifts the usual posture tech story away from offices and into fields, treating young farmers’ bodies as worth designing for. As a concept, it raises questions about durability in dusty, wet environments and whether farmers would wear a full harness every day. But it points toward a future where soft exoskeletons, air-driven feedback, and thoughtful service design quietly protect the people whose work keeps everyone else fed, instead of assuming physical labor is something bodies just endure until they break.

The post PUM Imagines a Soft Exoskeleton Posture Wearable for Young Farmers first appeared on Yanko Design.

MaClock Shrinks the 1984 Macintosh Into a $30 Rechargeable Clock

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Nostalgia tech falls into two camps. Lazy references slap a retro logo on a modern object and call it vintage, while obsessive recreations feel like museum pieces. Most products lean too far in one direction, missing the sweet spot where memory and function coexist comfortably. The first feels cheap, the second feels precious, and neither ends up on your desk for very long once the initial charm wears off.

MaClock by Kokogol hits that balance. It is a miniature 1984 Macintosh that works as a rechargeable desk alarm clock, recreating the beige enclosure, rainbow Apple logo, CRT-style screen, and floppy disk slot at nightstand scale. It still behaves like a proper modern clock with 60-day battery life and USB-C charging, not just a static replica gathering dust next to other impulse buys that reminded you of childhood.

Designer: Kokogol

The physical details feel right. Warm beige ABS body, a recessed curved screen mimicking a cathode ray tube, horizontal ventilation grilles on the side, and a tiny floppy disk drive slot with a pink tab. At 80 x 91 x 112 mm, it is substantial enough to feel real in your hand, not a keychain trinket. The proportions match the original closely enough that it reads instantly as a Mac, even from across a room.

The included floppy disk acts as a power switch. You insert it to turn the clock on, a callback to the boot ritual of early Macs. The package includes a sticker sheet with rainbow Apple logos, a Macintosh label, and a dot matrix sticker, letting you customize and restore the design yourself. The unboxing becomes a small assembly project rather than a passive reveal, which makes it feel slightly more earned.

MaClock offers three display modes. Time mode shows large pixelated digits for hours, minutes, day, and temperature. Calendar mode centers the date in blocky characters. Easter egg mode wakes up Susan Kare’s Happy Mac icon, the smiling face from the original graphical interface. Seeing Happy Mac on your desk in 2025 is an unexpectedly emotional hit for anyone who grew up with early Macs and remembers what that face meant.

The adjustable backlight is controlled by a knob on the bottom left, which can be dialed down at night or turned off entirely. With the backlight off, the battery lasts up to 60 days, so it can sit on your desk for weeks without charging. It feels more like furniture than a gadget you babysit with a cable every few nights, which is exactly how a clock should behave.

MaClock treats nostalgia as something you participate in rather than just look at. The floppy disk, the stickers, the Happy Mac mode, and the CRT-inspired screen all ask you to engage with the memory. At just $30, it sits in the impulse buy zone, which might be the right price for functional nostalgia that earns its desk space by telling time and making you smile every morning when Happy Mac greets you with those chunky pixels.

The post MaClock Shrinks the 1984 Macintosh Into a $30 Rechargeable Clock first appeared on Yanko Design.

Sandmarc Lens Gives iPhone 17 Pro 16x Optical Zoom, No Digital Tricks

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iPhone zoom has improved, especially with the 17 Pro’s tetraprism, but anything past 5x still leans heavily on digital tricks. Distant concert shots look like watercolor paintings, city skyline details collapse into mush when you pinch to zoom. If you actually care about long lenses, you usually end up carrying a separate camera and a chunky telephoto, which defeats the point of traveling light in the first place.

Sandmarc’s Telephoto Tetraprism Lens offers a different approach. It is a 48mm 2x optical telephoto that mounts directly over the 17 Pro’s 5x tetraprism camera, giving you up to 16x reach, roughly a 384mm equivalent. Real glass does the work instead of software interpolation. It is built specifically for Apple’s tetraprism module, not a generic clip on trying to cover all three lenses poorly.

Designer: Sandmarc

The lens is a multi element, multi coated cylinder weighing about 250 grams, closer to a compact mirrorless lens than a toy. The field of view narrows to 16.7 degrees, which gives you tight framing and real telephoto compression, the kind that pulls distant mountains closer or stacks city buildings into dense layers. The front element sits deep inside a metal barrel with blue anti reflection coating, machined rather than molded.

Where it shines is shooting where you physically cannot move closer. Standing on a ridge pulling in a faraway peak, shooting street portraits from across the road, grabbing architectural details from stadium seats without leaning on digital zoom that turns textures into paste. The lens only works with the 5x module, so you need a pro camera app to force the phone onto that sensor, but once dialed in, results look more like a small camera than a phone.

The front of the lens is threaded for Sandmarc’s own filters, so you can snap on an ND, polarizer, or diffusion filter just like you would on a regular camera. That opens up long exposures, glare control, and more cinematic looks. The included Ultra Slim case handles alignment and mounting without fiddling with clips, though it does mean swapping out whatever case you normally use when you want the lens attached.

The trade offs are real. The lens adds bulk and weight, only works with the 17 Pro and Pro Max tetraprism camera, needs Sandmarc’s case, and really wants a third party camera app. It is not something you leave on all day. It is the piece of kit you pack when you will be chasing distant subjects and want something better than cropped pixels, accepting your phone will feel like a small camera for a few hours.

Accessories like this make the iPhone feel less like a sealed black box and more like a modular camera system. For people who already think in focal lengths and filters, the Sandmarc Telephoto Tetraprism Lens turns the 17 Pro into a capable long lens rig, without asking you to give up having your main camera still live in your pocket when you are done shooting and need to check email or navigate to the next location.

The post Sandmarc Lens Gives iPhone 17 Pro 16x Optical Zoom, No Digital Tricks first appeared on Yanko Design.

This $3,500 Guitar Changes Colors via Bluetooth, No Repainting Needed

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Guitarists obsess over finishes. Sunburst fades, metallic flakes, relic’d nitro that looks like it survived three decades of dive bars, all of it matters until you realize that once you pick a color, you are stuck unless you repaint. Stage rigs and LED walls morph through palettes every night while the guitar stays frozen, a static object carried by musicians who constantly reinvent their sound and visual identity.

Cream Guitars’ DaVinci wraps its entire body in an E Ink Prism 3 panel, turning the surface into a programmable skin that changes colors and patterns over Bluetooth. Instead of a single paint job, the guitar becomes a dynamic canvas. It is the first commercially available product to use Prism 3, which is usually reserved for architectural surfaces and product experiments, not instruments you plug into an amp and carry on tour.

Designer: Cream Guitars

Prism 3 is color changing ePaper, closer to a Kindle page than an LED screen. It does not emit light, just holds pigment using low power electrophoretic particles. DaVinci’s front divides into sixty four segments, each assigned one of seven colors, white, black, yellow, orange, blue, red, or green. That segmentation lets you build stripes, blocks, and faux pickguards, changing the visual structure without touching a spray can.

A guitarist could match the guitar to different projects without owning three instruments. One night, geometric patterns echo album art. Another, a minimalist scheme feels right. The ePaper only draws power when changing, so once set, it sits visible under stage lights without glowing like LEDs or draining the battery between songs or overnight in a case, ready to change again whenever the visual identity shifts.

Under the display sits a Voltage body with roasted maple neck, rosewood fretboard, extra jumbo frets, and Graphtech locking tuners. Fishman Fluence pickups offer three voices, single coil, traditional humbucker, and high output humbucker. The tech wraps around a serious guitar, not a prop with thin pickups that sound disappointing once the visual novelty wears off after the first show or when you need to track a real session.

Traditional refinishing is messy and permanent. Sand, spray, cure, repeat if you change your mind. DaVinci’s ePaper skin reprograms endlessly, with Prism 3’s low power profile positioning it as a more sustainable alternative to LED bodies or constantly changing finishes. The guitar becomes a long term canvas rather than a disposable fashion statement that needs repainting or ends up retired because the color fell out of style after one album cycle.

DaVinci hints at instruments as programmable surfaces that evolve with the player. It feels like a crossover between luthier craft and interface design, where the object in your hands can match your projected identity without needing backup guitars. Whether or not you want one at three thousand five hundred dollars, it is easy to imagine keyboards, drum shells, and amps following the same path, turning stage gear into surfaces that shift as often as setlists do.

The post This $3,500 Guitar Changes Colors via Bluetooth, No Repainting Needed first appeared on Yanko Design.

This $3,500 Guitar Changes Colors via Bluetooth, No Repainting Needed

Posted on by

Guitarists obsess over finishes. Sunburst fades, metallic flakes, relic’d nitro that looks like it survived three decades of dive bars, all of it matters until you realize that once you pick a color, you are stuck unless you repaint. Stage rigs and LED walls morph through palettes every night while the guitar stays frozen, a static object carried by musicians who constantly reinvent their sound and visual identity.

Cream Guitars’ DaVinci wraps its entire body in an E Ink Prism 3 panel, turning the surface into a programmable skin that changes colors and patterns over Bluetooth. Instead of a single paint job, the guitar becomes a dynamic canvas. It is the first commercially available product to use Prism 3, which is usually reserved for architectural surfaces and product experiments, not instruments you plug into an amp and carry on tour.

Designer: Cream Guitars

Prism 3 is color changing ePaper, closer to a Kindle page than an LED screen. It does not emit light, just holds pigment using low power electrophoretic particles. DaVinci’s front divides into sixty four segments, each assigned one of seven colors, white, black, yellow, orange, blue, red, or green. That segmentation lets you build stripes, blocks, and faux pickguards, changing the visual structure without touching a spray can.

A guitarist could match the guitar to different projects without owning three instruments. One night, geometric patterns echo album art. Another, a minimalist scheme feels right. The ePaper only draws power when changing, so once set, it sits visible under stage lights without glowing like LEDs or draining the battery between songs or overnight in a case, ready to change again whenever the visual identity shifts.

Under the display sits a Voltage body with roasted maple neck, rosewood fretboard, extra jumbo frets, and Graphtech locking tuners. Fishman Fluence pickups offer three voices, single coil, traditional humbucker, and high output humbucker. The tech wraps around a serious guitar, not a prop with thin pickups that sound disappointing once the visual novelty wears off after the first show or when you need to track a real session.

Traditional refinishing is messy and permanent. Sand, spray, cure, repeat if you change your mind. DaVinci’s ePaper skin reprograms endlessly, with Prism 3’s low power profile positioning it as a more sustainable alternative to LED bodies or constantly changing finishes. The guitar becomes a long term canvas rather than a disposable fashion statement that needs repainting or ends up retired because the color fell out of style after one album cycle.

DaVinci hints at instruments as programmable surfaces that evolve with the player. It feels like a crossover between luthier craft and interface design, where the object in your hands can match your projected identity without needing backup guitars. Whether or not you want one at three thousand five hundred dollars, it is easy to imagine keyboards, drum shells, and amps following the same path, turning stage gear into surfaces that shift as often as setlists do.

The post This $3,500 Guitar Changes Colors via Bluetooth, No Repainting Needed first appeared on Yanko Design.